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BEST TRACKS
BEST TRACKS
1801
2:35
1802
3:43
1803
 
3:18
1804
1:2
1805
53
1806
5:9
1807
7:9
1808
5:22
1809
1:34
1810
7:21
1811
2:11
1812
5:21
1813
1:46
1814
Hail to Hungary, Op. 332 (RV 332)  Éljen a Magyar! / Ein Hoch auf Ungarn (Fast polka), Op. 332
Hail to Hungary, Op. 332 (RV 332)  Éljen a Magyar! / Ein Hoch auf Ungarn (Fast polka), Op. 332
2:28
1815
11:12
1816
6:12
1817
1:2
1818
1:22
1819
3:11
1820
Symphony No. 1 in D minor, Op. 13  1. Grave - Allegro ma non troppo - Allegro vivace
Symphony No. 1 in D minor, Op. 13  1. Grave - Allegro ma non troppo - Allegro vivace
13:58
1821
Light Blood, Op. 319 (RV 319)  Leichtes Blut/ Light of Heart (Fast polka), Op. 319
Leichtes Blut, Op. 319 (RV 319)  Leichtes Blut/ Light of Heart (Fast polka), Op. 319
2:28
1822
Sonata for keyboard in F minor, K. 481, L. 187  Sonata K.481 (L187/P504) in F minor - Andante e Cantabile
Sonata for keyboard in F minor, K. 481, L. 187  Sonata K.481 (L187/P504) in F minor - Andante e Cantabile
7:28
1823
Lucius Silla  Act 2. Accompagnato and Aria. Vanne. T'affretta - Ah! se il crudel periglio
Lucio Silla  Act 2. Accompagnato and Aria. Vanne. T'affretta - Ah! se il crudel periglio
9:54
1824
7:8
1825
1:59
1826
4:15
1827
The Nativity of the Lord (9), I/14  7. Jésus accepte la Souffrance
La Nativité du Seigneur (9), I/14  7. Jésus accepte la Souffrance
4:17
1828
When Jesus stood on the cross', BWV 621  Da Jesus an dem Kreuze Stund, chorale prelude, BWV 621
Da Jesus an dem Kreuze stund', BWV 621  Da Jesus an dem Kreuze Stund, chorale prelude, BWV 621
1:16
1829
4:24
1830
4:15
1831
5:46
1832
Piano Sonata, JW 8/19  I. Presentiment/Předtucha. Con moto
Piano Sonata, JW 8/19  I. Presentiment/Předtucha. Con moto
5:58
1833
2:4
1834
2:43
1835
12:58
1836
2:53
1837
8:45
1838
2:58
1839
Violin Concerto  Allegro - Adagio - Coda
Violin Concerto  Allegro - Adagio - Coda
16:32
1840
11:5
1841
Jephthah, HWV 70  Act 2. Scene 1. Recitative. 'Tis well / Air. Tune the soft melodious lute
Jephtha, HWV 70  Act 2. Scene 1. Recitative. 'Tis well / Air. Tune the soft melodious lute
5:13
1842
2:24
1843
2:50
1844
4:20
1845
1:43
1846
Les jeux d'eaux à la Ville d'Este, p. 163/4  Les Jeux d'eaux á la Villa d'Este, S. 163
Les jeux d'eaux à la Ville d'Este, S. 163/4  Les Jeux d'eaux á la Villa d'Este, S. 163
8:19
1847
8:33
1848
5:48
1849
3:17
1850
The Count of Luxembourg  Akt 1. Nr. 1 Introduction Karneval! Ja du allerschönste Zeit
Der Graf von Luxemburg  Akt 1. Nr. 1 Introduction Karneval! Ja du allerschönste Zeit
5:9
1851
2:11
1852
14:24
1853
50
1854
5:2
1855
4:59
1856
Introduction and Allegro in G major, Op. 47  Introduction and Allegro, Op. 47 for string quartet and string orchestra
Introduction and Allegro in G major, Op. 47  Introduction and Allegro, Op. 47 for string quartet and string orchestra
14:25
1857
2:4
1858
4:45
1859
7:9
1860
Pulcinella, continued  II. Serenata: Larghetto
Pulcinella, suite  II. Serenata: Larghetto
3:12
1861
6:52
1862
Les Baricades mistérieuses (Pièces de clavecin, II, 6e order)  Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses
Les Baricades mistérieuses (Pièces de clavecin, II, 6e ordre)  Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses
3:19
1863
If music be the food of love, song, line 379  If Music Be the Food of Love, Z379
If music be the food of love, song, Z. 379  If Music Be the Food of Love, Z379
2:2
1864
58
1865
1:33
1866
Work(s)  Love's Goddes Sure Was Blind (Birthday Ode for Queen Mary), Z.331: May Her Blest Example Chase / Suite in G Major, Z.770: Jig - Borry
Work(s)  Love's Goddes Sure Was Blind (Birthday Ode for Queen Mary), Z.331: May Her Blest Example Chase / Suite in G Major, Z.770: Jig - Borry
 
3:11
1867
7:55
1868
Scherzos (2), D. 593  No. 1 in B flat major
Scherzos (2), D. 593  No. 1 in B flat major
4:51
1869
Berenice, Regina of Egitto  Act II. Scene 3. Sì, tra i ceppi e le ritorte
Berenice, Regina d'Egitto  Act II. Scene 3. Sì, tra i ceppi e le ritorte
4:17
1870
14:17
1871
Romance without words (3), Op. 17  Romance No. 1 in A-Flat Major - Andante quasi allegretto
Romances sans paroles (3), Op. 17  Romance No. 1 in A-Flat Major - Andante quasi allegretto
2:0
1872
8:57
1873
Arabelle  Erster Aufzug: Die Karten fallen besser als das letzte Mal
Arabella  Erster Aufzug: Die Karten fallen besser als das letzte Mal
4:26
1874
Porteña spring  Primavera porteño
Primavera porteña  Primavera porteño
4:6
1875
The Pirates of Penzance  I Am the Very Model of a Modern Major-General
The Pirates of Penzance  I Am the Very Model of a Modern Major-General
5:55
1876
11:41
1877
Field Solitude, Op. 86/2  Feldeinsamkeit Op. 86 No. 2
Feldeinsamkeit, Op. 86/2  Feldeinsamkeit Op. 86 No. 2
2:54
1878
13:22
1879
Daisies, Op.38/3  Daisies, Op. 38, No. 3
Daisies, Op. 38/3  Daisies, Op. 38, No. 3
2:17
1880
4:
1881
1:20
1882
3:37
1883
48
1884
Preludes (5) for piano, Op. 16  No. 4 in E flat minor (Lento)
Preludes (5) for piano, Op. 16  No. 4 in E flat minor (Lento)
59
1885
2:26
1886
3:15
1887
4:27
1888
9:49
1889
Robert the Devil  Act 4: Scène 2: Robert, toi que j'aime
Robert le diable  Act 4: Scène 2: Robert, toi que j'aime
5:52
1890
5:34
1891
Joshua, HWV 64  Act 2. Air. See, the raging flames arise
Joshua, HWV 64  Act 2. Air. See, the raging flames arise
3:6
1892
Passacaglia in G minor, C. 105  Rosary (Mystery) Sonatas: XVI. Passacaglia in G minor
Passacaglia in G minor, C. 105  Rosary (Mystery) Sonatas: XVI. Passacaglia in G minor
9:21
1893
Songs (12), Op.35  I. Lust der Sturmnacht
Songs (12), Op. 35  I. Lust der Sturmnacht
1:39
1894
Piano Sonata, Op. 26  IV. Fuga. Allegro Con Spirito
Sonata for piano, Op. 26  IV. Fuga. Allegro Con Spirito
4:1
1895
Come again, sweet love doth invite now  Come Again! Sweet Love Doth Now Invite (In First Booke of Songes or Ayres)
Come again, sweet love doth now invite  Come Again! Sweet Love Doth Now Invite (In First Booke of Songes or Ayres)
2:54
1896
3:56
1897
Chaconne for violin & continuo in G minor  Chaconne in G minor for violin & orchestra
Chaconne for violin & continuo in G minor  Chaconne in G minor for violin & orchestra
10:56
1898
10:32
1899
6:37
1900
4:53
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