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Slovak Philharmonic Orchestra
ARTIST MUSICS
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Violin Concerto in D minor, WoO 23  I. Mit kräftigem, nicht zu schnellem Tempo - Langsam
Violin Concerto in D minor, WoO 23  I. Mit kräftigem, nicht zu schnellem Tempo - Langsam
14:25
7
Forest Scenes no. 7 "Bird as Prophet", Op. 82/7  Waldszenen, Op. 82/7. Vogel als Prophet
Waldszenen No. 7 "Vogel als Prophet", Op. 82/7  Waldszenen, Op. 82/7. Vogel als Prophet
3:16
8
Fantasy Piece, Op. 73/1  Fantasy Pieces, Op. 73/1 Zart und mit Ausdruck
Phantasiestück, Op. 73/1  Fantasy Pieces, Op. 73/1 Zart und mit Ausdruck
3:11
11
Sentimental Waltz in F minor, Op. 51/6  Six Pieces for Piano, Op. 51/6. Valse sentimentale in F Minor
Valse sentimentale in F minor, Op. 51/6  Six Pieces for Piano, Op. 51/6. Valse sentimentale in F Minor
4:7
13
Francesca da Rimini in E minor, Op. 32  Francesca da Rimini, Symphonic Fantasia after Dante, Op. 32
Francesca da Rimini in E minor, Op. 32  Francesca da Rimini, Symphonic Fantasia after Dante, Op. 32
23:14
17
Ritual Fire Dance  El amor brujo: No. 8. Danza ritual del fuego
Ritual Fire Dance  El amor brujo: No. 8. Danza ritual del fuego
3:41
19
The girl with linen hair, L. 117/8  Préludes, Book 1, L. 117: VIII. La fille aux cheveux de lin
La fille aux cheveux de lin, L. 117/8  Préludes, Book 1, L. 117: VIII. La fille aux cheveux de lin
2:35
20
Boléro  Bolero, M. 81
Boléro  Bolero, M. 81
17:20
26
The Rite of Spring, for orchestra  V. Ritual Performances of the Ancestors
Le Sacre du printemps, for orchestra  V. Ritual Performances of the Ancestors
3:32
29
Gayan  I. Sabre Dance
Gayane  I. Sabre Dance
2:29
30
The Planets, Op.32, H.125  IV. Jupiter, The Bringer of Jollity
The Planets, Op. 32, H. 125  IV. Jupiter, The Bringer of Jollity
7:51
36
Symphony in E flat major  IV. Mäßig schnelle Halbe
Symphony in E flat major  IV. Mäßig schnelle Halbe
8:59
38
Richard III, JB 1:70, Op. 11  Richard III, symphonic poem after Shakespeare, Op. 11
Richard III, JB 1:70, Op. 11  Richard III, symphonic poem after Shakespeare, Op. 11
14:14
39
Wallenstein's Camp, JB 1:72, Op. 14  Wallenstein's Camp, symphonic poem after Schiller, Op. 14
Wallensteins Lager, JB 1:72, Op. 14  Wallenstein's Camp, symphonic poem after Schiller, Op. 14
16:18
40
Hakon Jarl, JB 1:79, Op. 16  Hakon Jarl, symphonic poem after Oehlenschläger, Op. 16
Hakon Jarl, JB 1:79, Op. 16  Hakon Jarl, symphonic poem after Oehlenschläger, Op. 16
17:22
47
Saint Ludmilla, B. 144, Op. 71  Part I: Na nádvoří hradu mělnického: Introduction - Chorus: Tmy vrátily se v skrýše skal a lesů (Darkness has returned to the nooks in the rocks and forests)
Saint Ludmilla, B. 144, Op. 71  Part I: Na nádvoří hradu mělnického: Introduction - Chorus: Tmy vrátily se v skrýše skal a lesů (Darkness has returned to the nooks in the rocks and forests)
8:30
48
Saint Ludmilla, B. 144, Op. 71  Part I: Na nádvoří hradu mělnického: Recitative: Vesno smavá. Vesno snivá (Smiling Spring, dreamy Spring)
Saint Ludmilla, B. 144, Op. 71  Part I: Na nádvoří hradu mělnického: Recitative: Vesno smavá. Vesno snivá (Smiling Spring, dreamy Spring)
1:9
49
Saint Ludmilla, B. 144, Op. 71  Part I: Na nádvoří hradu mělnického: Chorus: Květy, jimiž Vesna vábí (Flowers with which Spring attracts)
Saint Ludmilla, B. 144, Op. 71  Part I: Na nádvoří hradu mělnického: Chorus: Květy, jimiž Vesna vábí (Flowers with which Spring attracts)
4:24
50
Saint Ludmilla, B. 144, Op. 71  Part I: Na nádvoří hradu mělnického: Chorus: Svaté jitro jest (The morning is sacred)
Saint Ludmilla, B. 144, Op. 71  Part I: Na nádvoří hradu mělnického: Chorus: Svaté jitro jest (The morning is sacred)
4:25
51
Saint Ludmilla, B. 144, Op. 71  Part I: Na nádvoří hradu mělnického: Aria: Od dětství ku oltáři mne vodil svatý cit (From childhood a holy emotion led me to the altar)
Saint Ludmilla, B. 144, Op. 71  Part I: Na nádvoří hradu mělnického: Aria: Od dětství ku oltáři mne vodil svatý cit (From childhood a holy emotion led me to the altar)
3:51
52
Saint Ludmilla, B. 144, Op. 71  Part I: Na nádvoří hradu mělnického: Chorus: Vždy bozi s námi jsou, kam bludný krok se šine (The gods are always with us, wherever the mistaken step edges slowly forward)
Saint Ludmilla, B. 144, Op. 71  Part I: Na nádvoří hradu mělnického: Chorus: Vždy bozi s námi jsou, kam bludný krok se šine (The gods are always with us, wherever the mistaken step edges slowly forward)
3:19
53
Saint Ludmilla, B. 144, Op. 71  Part I: Na nádvoří hradu mělnického: Sem rychle Vesny květ (Here quickly the flower of Spring)
Saint Ludmilla, B. 144, Op. 71  Part I: Na nádvoří hradu mělnického: Sem rychle Vesny květ (Here quickly the flower of Spring)
1:43
54
Saint Ludmilla, B. 144, Op. 71  Part I: Na nádvoří hradu mělnického: Aria: Do prachu s Vámi! Jeden jest bůh! (Into the dust with you! There is one god!)
Saint Ludmilla, B. 144, Op. 71  Part I: Na nádvoří hradu mělnického: Aria: Do prachu s Vámi! Jeden jest bůh! (Into the dust with you! There is one god!)
4:47
55
Saint Ludmilla, B. 144, Op. 71  Part I: Na nádvoří hradu mělnického: Chorus: Kdo onen muž, jejž nestih's nebe blesk? (Who is this man, whom lightning in the heavens did not strike?)
Saint Ludmilla, B. 144, Op. 71  Part I: Na nádvoří hradu mělnického: Chorus: Kdo onen muž, jejž nestih's nebe blesk? (Who is this man, whom lightning in the heavens did not strike?)
4:19
56
Saint Ludmilla, B. 144, Op. 71  Part I: Na nádvoří hradu mělnického: Aria: Ó dovol, o dovol (Oh, allow me the courage)
Saint Ludmilla, B. 144, Op. 71  Part I: Na nádvoří hradu mělnického: Aria: Ó dovol, o dovol (Oh, allow me the courage)
6:34
57
Saint Ludmilla, B. 144, Op. 71  Part I: Na nádvoří hradu mělnického: Chorus: Vše láme se a borti v chaos tmavý (Everything breaks and crumbles into a dark chaos)
Saint Ludmilla, B. 144, Op. 71  Part I: Na nádvoří hradu mělnického: Chorus: Vše láme se a borti v chaos tmavý (Everything breaks and crumbles into a dark chaos)
5:20
58
Saint Ludmilla, B. 144, Op. 71  Part II: V lesích berounských: Introduction - Recitative: Ó, v jaké šeré lesní stíny (Oh, into what dim forest shadows) - Aria: Já neměla ti viry dáti (I ought not have believed you)
Saint Ludmilla, B. 144, Op. 71  Part II: V lesích berounských: Introduction - Recitative: Ó, v jaké šeré lesní stíny (Oh, into what dim forest shadows) - Aria: Já neměla ti viry dáti (I ought not have believed you)
8:19
59
Saint Ludmilla, B. 144, Op. 71  Part II: V lesích berounských: Duet: Ted' ptám se tě: co najít chceš? (Now I ask you: what do you want to find?)
Saint Ludmilla, B. 144, Op. 71  Part II: V lesích berounských: Duet: Ted' ptám se tě: co najít chceš? (Now I ask you: what do you want to find?)
4:19
60
Saint Ludmilla, B. 144, Op. 71  Part II: V lesích berounských: Duet: Aria: Já neklamal se, bud' vítána, dcero! (I was not under any illusion, be welcome, daughterl)
Saint Ludmilla, B. 144, Op. 71  Part II: V lesích berounských: Duet: Aria: Já neklamal se, bud' vítána, dcero! (I was not under any illusion, be welcome, daughterl)
3:32
61
Saint Ludmilla, B. 144, Op. 71  Part II: V lesích berounských: Ó, jaký obraz oku mému (Oh, what a picture to my eye)
Saint Ludmilla, B. 144, Op. 71  Part II: V lesích berounských: Ó, jaký obraz oku mému (Oh, what a picture to my eye)
4:35
62
Saint Ludmilla, B. 144, Op. 71  Part II: V lesích berounských: Recitative: Ach, ona, po níž srdce moje prahne (Oh, she for whom my heart pines)
Saint Ludmilla, B. 144, Op. 71  Part II: V lesích berounských: Recitative: Ach, ona, po níž srdce moje prahne (Oh, she for whom my heart pines)
1:15
63
Saint Ludmilla, B. 144, Op. 71  Part II: V lesích berounských: Aria: Ó, cestu ukaž mi, jak ji mám dobýt (Oh, show me the way, how I am to conquer her)
Saint Ludmilla, B. 144, Op. 71  Part II: V lesích berounských: Aria: Ó, cestu ukaž mi, jak ji mám dobýt (Oh, show me the way, how I am to conquer her)
3:26
64
Saint Ludmilla, B. 144, Op. 71  Part II: V lesích berounských: Recitative: Ó, kterak mohu zvednout k tobě zraku (Oh, how can I raise my eyes to you)
Saint Ludmilla, B. 144, Op. 71  Part II: V lesích berounských: Recitative: Ó, kterak mohu zvednout k tobě zraku (Oh, how can I raise my eyes to you)
2:57
65
Saint Ludmilla, B. 144, Op. 71  Part II: V lesích berounských: Ó běda, nechce slyšet jeho lkaní! (Oh, woe, she does not want to hear his lamenting!)
Saint Ludmilla, B. 144, Op. 71  Part II: V lesích berounských: Ó běda, nechce slyšet jeho lkaní! (Oh, woe, she does not want to hear his lamenting!)
22
66
Saint Ludmilla, B. 144, Op. 71  Part II: V lesích berounských: Recitative: Jak z krásného snu náhle procitlý (How suddenly awake from a beautiful dream)
Saint Ludmilla, B. 144, Op. 71  Part II: V lesích berounských: Recitative: Jak z krásného snu náhle procitlý (How suddenly awake from a beautiful dream)
3:
67
Saint Ludmilla, B. 144, Op. 71  Part II: V lesích berounských: Quartet: Já hledala jsem záři toho jitra (I looked for the glow of that morn)
Saint Ludmilla, B. 144, Op. 71  Part II: V lesích berounských: Quartet: Já hledala jsem záři toho jitra (I looked for the glow of that morn)
3:45
68
Saint Ludmilla, B. 144, Op. 71  Part III: V chrámu velehradském: Introduction - Hospodine, pomiluj ny! (Lord, have mercy on us!)
Saint Ludmilla, B. 144, Op. 71  Part III: V chrámu velehradském: Introduction - Hospodine, pomiluj ny! (Lord, have mercy on us!)
4:2
69
Saint Ludmilla, B. 144, Op. 71  Part III: V chrámu velehradském: Duet: Ó, nech juž skanout nad našimi čely (Oh, allow now to drop on our foreheads)
Saint Ludmilla, B. 144, Op. 71  Part III: V chrámu velehradském: Duet: Ó, nech juž skanout nad našimi čely (Oh, allow now to drop on our foreheads)
3:
70
Saint Ludmilla, B. 144, Op. 71  Part III: V chrámu velehradském: Duchu svatý, sestup v nachu (Holy spirit, descend in purple)
Saint Ludmilla, B. 144, Op. 71  Part III: V chrámu velehradském: Duchu svatý, sestup v nachu (Holy spirit, descend in purple)
4:7
71
Saint Ludmilla, B. 144, Op. 71  Part III: V chrámu velehradském: Ó. zněte, pisně. zněte k nebes báni (Oh, resound. song, resound to the dome of heaven)
Saint Ludmilla, B. 144, Op. 71  Part III: V chrámu velehradském: Ó. zněte, pisně. zněte k nebes báni (Oh, resound. song, resound to the dome of heaven)
1:35
72
Saint Ludmilla, B. 144, Op. 71  Part III: V chrámu velehradském: Hospodine. pomiluj ny! (Lord, have mercy on us!)
Saint Ludmilla, B. 144, Op. 71  Part III: V chrámu velehradském: Hospodine. pomiluj ny! (Lord, have mercy on us!)
4:27
81
King Stephen, Op. 117  II. Men's Chorus - Ruhend von seinen Thaten
König Stephan, Op. 117  II. Men's Chorus - Ruhend von seinen Thaten
2:31
83
Name Celebration Overture in C major, Op. 115  Overture in C Major, Op. 115 "Name Day Overture"
Namensfeier Overture in C major, Op. 115  Overture in C Major, Op. 115 "Name Day Overture"
6:52
87
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Bits and pieces are all we may know about the music of Antonín Dvořák  Bits and pieces are all we may know about the music of Antonín Dvořák
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Bits and pieces are all we may know about the music of Antonín Dvořák
 
4:3
89
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.  The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.
 
2:57
91
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague  Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague
 
2:48
92
Symphony No. 6 in G major "Historical", Op. 116  IV. Allerneueste Periode (The Very Latest Period) (1840): Allegro vivace [excerpt]
Symphony No. 6 in G major "Historical", Op. 116  IV. Allerneueste Periode (The Very Latest Period) (1840): Allegro vivace [excerpt]
37
93
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the  Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the
 
2:30
95
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....  Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....
 
1:34
97
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....  In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....
 
1:24
99
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.  Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.
 
3:56
100
King and Charcoal Burner  Act I: Scene 9: Jaký zvuk to jest? (What sound is that?) [excerpt]
King and Charcoal Burner  Act I: Scene 9: Jaký zvuk to jest? (What sound is that?) [excerpt]
41
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