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1
Ludwig van Beethoven
Ludwig van Beethoven
Piano Sonata No. 9 in E major, Op. 14/1
I. Allegro
Piano Sonata No. 9 in E major, Op. 14/1
I. Allegro
Beethoven at Christmas
6:58
2
Ludwig van Beethoven
Ludwig van Beethoven
King Stephen, Op. 117
II. Men's Chorus - Ruhend von seinen Thaten
König Stephan, Op. 117
II. Men's Chorus - Ruhend von seinen Thaten
Beethoven at Christmas
2:31
3
Ludwig van Beethoven
Ludwig van Beethoven
Piano Sonata No. 18 in E flat major, Op. 3/31 "Hunt"
I. Allegro
Piano Sonata No. 18 in E flat major, Op. 31/3 "Hunt"
I. Allegro
Beethoven at Christmas
8:8
4
Ludwig van Beethoven
Ludwig van Beethoven
Name Celebration Overture in C major, Op. 115
Overture in C Major, Op. 115 "Name Day Overture"
Namensfeier Overture in C major, Op. 115
Overture in C Major, Op. 115 "Name Day Overture"
Beethoven at Christmas
6:52
5
Ludwig van Beethoven
Ludwig van Beethoven
Piano Concerto No. 1 in C major, Op. 15
II. Largo
Piano Concerto No. 1 in C major, Op. 15
II. Largo
Beethoven at Christmas
10:45
6
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Introduction
Introduction
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Introduction
Great Composers in Words and Music: Dvorák
7
7
Antonin Dvorák
Antonin Dvorák
Slavonic Dance No. 9 for orchestra in B major, B. 147/1, Op. 72/1
[excerpt]
Slavonic Dance No. 9 for orchestra in B major, B. 147/1, Op. 72/1
[excerpt]
Great Composers in Words and Music: Dvorák
1:16
8
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Bits and pieces are all we may know about the music of Antonín Dvořák
Bits and pieces are all we may know about the music of Antonín Dvořák
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Bits and pieces are all we may know about the music of Antonín Dvořák
Great Composers in Words and Music: Dvorák
4:3
9
Antonin Dvorák
Antonin Dvorák
The Lord is my shepherd, B. 185/4, Op. 99/4
[excerpt]
The Lord is my shepherd, B. 185/4, Op. 99/4
[excerpt]
Great Composers in Words and Music: Dvorák
1:32
10
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.
The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.
Great Composers in Words and Music: Dvorák
2:57
11
Antonin Dvorák
Antonin Dvorák
Hear my prayer O God B. 185/6 Op. 99/6
[excerpt]
Hear my prayer, O God, B. 185/6, Op. 99/6
[excerpt]
Great Composers in Words and Music: Dvorák
57
12
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague
Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague
Great Composers in Words and Music: Dvorák
2:48
13
Louis Spohr
Louis Spohr
Symphony No. 6 in G major "Historical", Op. 116
IV. Allerneueste Periode (The Very Latest Period) (1840): Allegro vivace [excerpt]
Symphony No. 6 in G major "Historical", Op. 116
IV. Allerneueste Periode (The Very Latest Period) (1840): Allegro vivace [excerpt]
Great Composers in Words and Music: Dvorák
37
14
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the
Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the
Great Composers in Words and Music: Dvorák
2:30
15
Antonin Dvorák
Antonin Dvorák
Symphony No. 1 in C minor "The Bells of Zlonice", B9
II. Adagio molto [excerpt]
Symphony No. 1 in C minor "The Bells of Zlonice", B9
II. Adagio molto [excerpt]
Great Composers in Words and Music: Dvorák
49
16
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....
Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....
Great Composers in Words and Music: Dvorák
1:34
17
Antonin Dvorák
Antonin Dvorák
Symphony No. 1 in C minor "The Bells of Zlonice", B9
I. [Maestoso] - [Allegro] [excerpt]
Symphony No. 1 in C minor "The Bells of Zlonice", B9
I. [Maestoso] - [Allegro] [excerpt]
Great Composers in Words and Music: Dvorák
1:47
18
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....
In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....
Great Composers in Words and Music: Dvorák
1:24
19
Antonin Dvorák
Antonin Dvorák
String Quartet No. 4 in E minor, B. 19
I. Assai con moto ed energico [excerpt]
String Quartet No. 4 in E minor, B. 19
I. Assai con moto ed energico [excerpt]
Great Composers in Words and Music: Dvorák
1:4
20
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.
Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.
Great Composers in Words and Music: Dvorák
3:56
21
Antonin Dvorák
Antonin Dvorák
King and Charcoal Burner
Act I: Scene 9: Jaký zvuk to jest? (What sound is that?) [excerpt]
King and Charcoal Burner
Act I: Scene 9: Jaký zvuk to jest? (What sound is that?) [excerpt]
Great Composers in Words and Music: Dvorák
41
22
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time
It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time
Great Composers in Words and Music: Dvorák
2:5
23
Antonin Dvorák
Antonin Dvorák
Fly Sweet Songster Command the Bird B. 60/2 Op. 29/2
[excerpt]
Fly Sweet Songster (Velet', vtácku), B. 60/2 (Op. 29/2)
[excerpt]
Great Composers in Words and Music: Dvorák
44
24
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise
In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise
Great Composers in Words and Music: Dvorák
2:16
25
Antonin Dvorák
Antonin Dvorák
Slavonic Dance No. 1 for orchestra in C major, B. 83/1, Op. 46/1
[excerpt]
Slavonic Dance No. 1 for orchestra in C major, B. 83/1, Op. 46/1
[excerpt]
Great Composers in Words and Music: Dvorák
54
26
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da
While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da
Great Composers in Words and Music: Dvorák
2:47
27
Antonin Dvorák
Antonin Dvorák
Piano Trio No. 3 in F minor, B. 130, Op. 65
I. Allegro ma non troppo [excerpt]
Piano Trio No. 3 in F minor, B. 130, Op. 65
I. Allegro ma non troppo [excerpt]
Great Composers in Words and Music: Dvorák
57
28
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.
In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.
Great Composers in Words and Music: Dvorák
1:21
29
Antonin Dvorák
Antonin Dvorák
Stabat Mater, B. 71, Op. 58
Stabat Mater dolorosa [excerpt]
Stabat Mater, B. 71, Op. 58
Stabat Mater dolorosa [excerpt]
Great Composers in Words and Music: Dvorák
53
30
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.
Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.
Great Composers in Words and Music: Dvorák
3:12
31
Antonin Dvorák
Antonin Dvorák
Piano Trio No. 4 in E minor "Dumky", B. 166, Op. 90
I. Lento maestoso - Allegro vivace, quasi doppio movimento - Tempo I [excerpt]
Piano Trio No. 4 in E minor "Dumky", B. 166, Op. 90
I. Lento maestoso - Allegro vivace, quasi doppio movimento - Tempo I [excerpt]
Great Composers in Words and Music: Dvorák
2:0
32
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.
In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.
Great Composers in Words and Music: Dvorák
3:19
33
Antonin Dvorák
Antonin Dvorák
Te Deum, B. 176, Op. 103
Te Deum laudamus: Allegro moderato, maestoso [excerpt]
Te Deum, B. 176, Op. 103
Te Deum laudamus: Allegro moderato, maestoso [excerpt]
Great Composers in Words and Music: Dvorák
1:31
34
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso
The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso
Great Composers in Words and Music: Dvorák
3:11
35
Antonin Dvorák
Antonin Dvorák
Symphony No. 9 in E minor "From the New World", B. 178, Op. 95
III. Scherzo: Molto vivace [excerpt]
Symphony No. 9 in E minor "From the New World", B. 178, Op. 95
III. Scherzo: Molto vivace [excerpt]
Great Composers in Words and Music: Dvorák
1:27
36
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York
Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York
Great Composers in Words and Music: Dvorák
3:36
37
Antonin Dvorák
Antonin Dvorák
Cello Concerto in B minor, B. 191, Op. 104
III. Finale: Andante - Allegro vivo [excerpt]
Cello Concerto in B minor, B. 191, Op. 104
III. Finale: Andante - Allegro vivo [excerpt]
Great Composers in Words and Music: Dvorák
1:13
38
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations: the poetic or pictorial aspect explored in pr
The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations: the poetic or pictorial aspect explored in pr
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations: the poetic or pictorial aspect explored in pr
Great Composers in Words and Music: Dvorák
2:58
39
Antonin Dvorák
Antonin Dvorák
The Water Goblin, B. 195, Op. 107
[excerpt]
The Water Goblin, B. 195, Op. 107
[excerpt]
Great Composers in Words and Music: Dvorák
1:37
40
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
During his final years, Dvořák became the recipient of various honours...
During his final years, Dvořák became the recipient of various honours...
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
During his final years, Dvořák became the recipient of various honours...
Great Composers in Words and Music: Dvorák
3:50
41
Antonin Dvorák
Antonin Dvorák
Armida, opus, B. 206, Op.115
Act I: Scene 1: Jak z dervišových prstů řinou (As delightful rosary beads glide in the hands of the dervishes) [excerpt]
Armida, opera, B. 206, Op.115
Act I: Scene 1: Jak z dervišových prstů řinou (As delightful rosary beads glide in the hands of the dervishes) [excerpt]
Great Composers in Words and Music: Dvorák
1:40
42
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Dvořák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at the National Theatre in Prague, where the opera was being directed by Robert Polak and conducted by
Dvořák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at the National Theatre in Prague, where the opera was being directed by Robert Polak and conducted by
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Dvořák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at the National Theatre in Prague, where the opera was being directed by Robert Polak and conducted by
Great Composers in Words and Music: Dvorák
2:33
43
Antonin Dvorák
Antonin Dvorák
Hymn to the Most Holy Trinity, B. 82
[excerpt]
Hymn to the Most Holy Trinity, B. 82
[excerpt]
Great Composers in Words and Music: Dvorák
1:7
44
null
null
Introduction
Introduction
Introduction
Great Composers in Words & Music: Mendelssohn
10
45
Felix Mendelssohn
Felix Mendelssohn
The uncle from Boston
Act I: Overture [excerpt]
Der Onkel aus Boston
Act I: Overture [excerpt]
Great Composers in Words & Music: Mendelssohn
1:14
46
null
null
Der Onkel aus Boston (The Uncle from Boston), a three-act dramatic work by Felix Mendelssohn, begun in May 1822 and completed in November 1823
Der Onkel aus Boston (The Uncle from Boston), a three-act dramatic work by Felix Mendelssohn, begun in May 1822 and completed in November 1823
Der Onkel aus Boston (The Uncle from Boston), a three-act dramatic work by Felix Mendelssohn, begun in May 1822 and completed in November 1823
Great Composers in Words & Music: Mendelssohn
6:59
47
Felix Mendelssohn
Felix Mendelssohn
Children's piece, for piano in G major, Op. 72/1
Sechs Kinderst체cke, Op. 72 (Six Children's Pieces) - No. 1. Allegro non troppo
Kinderstück, for piano in G major, Op. 72/1
Sechs Kinderst체cke, Op. 72 (Six Children's Pieces) - No. 1. Allegro non troppo
Great Composers in Words & Music: Mendelssohn
59
48
null
null
An extract from Mendelssohn's piano collection Kinderst체cke (Children's Pieces), published after the composer's death in 1847
An extract from Mendelssohn's piano collection Kinderst체cke (Children's Pieces), published after the composer's death in 1847
An extract from Mendelssohn's piano collection Kinderst체cke (Children's Pieces), published after the composer's death in 1847
Great Composers in Words & Music: Mendelssohn
2:57
49
Felix Mendelssohn
Felix Mendelssohn
Song for my good father's birthday
Lied zum Geburtstag meines guten Vaters
Lied zum Gebrutstag meines guten Vaters
Lied zum Geburtstag meines guten Vaters
Great Composers in Words & Music: Mendelssohn
1:12
50
null
null
By His Early Teens, Mendelssohn Had Already Acquired an Impressive Portfolio of Musical Compositions Across a Range of Genres: Chamber Music, Psalm Settings, String Sinfonias and Keyboard Works
By His Early Teens, Mendelssohn Had Already Acquired an Impressive Portfolio of Musical Compositions Across a Range of Genres: Chamber Music, Psalm Settings, String Sinfonias and Keyboard Works
By His Early Teens, Mendelssohn Had Already Acquired an Impressive Portfolio of Musical Compositions Across a Range of Genres: Chamber Music, Psalm Settings, String Sinfonias and Keyboard Works
Great Composers in Words & Music: Mendelssohn
5:40
51
Felix Mendelssohn
Felix Mendelssohn
Octet for strings in E flat major, Op. 20
III. Scherzo: Allegro leggierissimo [excerpt]
Octet for strings in E flat major, Op. 20
III. Scherzo: Allegro leggierissimo [excerpt]
Great Composers in Words & Music: Mendelssohn
1:0
52
null
null
A Similar Musical Atmosphere Was Created in the Second of Mendelssohn's Towering Early Works: His Overture to A Midsummer Night's Dream, Finished in Early August 1826 and, Like the Octet, Most Probably First Performed in the Family Home
A Similar Musical Atmosphere Was Created in the Second of Mendelssohn's Towering Early Works: His Overture to A Midsummer Night's Dream, Finished in Early August 1826 and, Like the Octet, Most Probably First Performed in the Family Home
A Similar Musical Atmosphere Was Created in the Second of Mendelssohn's Towering Early Works: His Overture to A Midsummer Night's Dream, Finished in Early August 1826 and, Like the Octet, Most Probably First Performed in the Family Home
Great Composers in Words & Music: Mendelssohn
55
53
Felix Mendelssohn
Felix Mendelssohn
A Midsummer Night's Dream, overture, Op. 21
Overture [excerpt]
A Midsummer Night's Dream, overture, Op. 21
Overture [excerpt]
Great Composers in Words & Music: Mendelssohn
1:35
54
null
null
The Period also Witnessed the Inensification of Mendelssohn's Historical Interest in Earlier Styles, Particularly Sacred Vocal Music
The Period also Witnessed the Inensification of Mendelssohn's Historical Interest in Earlier Styles, Particularly Sacred Vocal Music
The Period also Witnessed the Inensification of Mendelssohn's Historical Interest in Earlier Styles, Particularly Sacred Vocal Music
Great Composers in Words & Music: Mendelssohn
3:10
55
Felix Mendelssohn
Felix Mendelssohn
Est time in G minor/A major
[excerpt]
Hora est in G minor/A major
[excerpt]
Great Composers in Words & Music: Mendelssohn
2:22
56
null
null
1829 Saw the Beginning of Mendelssohn's Grand Tour of Europe, a Series of Excursions That Took the Composer North to Scotland and South to Italy, Both Countries Providing Inspiration for Symphonies He Would Go On to Write
1829 Saw the Beginning of Mendelssohn's Grand Tour of Europe, a Series of Excursions That Took the Composer North to Scotland and South to Italy, Both Countries Providing Inspiration for Symphonies He Would Go On to Write
1829 Saw the Beginning of Mendelssohn's Grand Tour of Europe, a Series of Excursions That Took the Composer North to Scotland and South to Italy, Both Countries Providing Inspiration for Symphonies He Would Go On to Write
Great Composers in Words & Music: Mendelssohn
2:31
57
Felix Mendelssohn
Felix Mendelssohn
The Hebrides in B minor, Op. 26 "Fingal's Cave"
[excerpt]
The Hebrides in B minor, Op. 26 "Fingal's Cave"
[excerpt]
Great Composers in Words & Music: Mendelssohn
1:6
58
null
null
At the Home of a Wealthy Mine Owner in North Wales, the Next Stop in His Tour, Mendelssohn First Contemplated a Large-Scale Orchestral Work Now Known as the Reformation Symphony
At the Home of a Wealthy Mine Owner in North Wales, the Next Stop in His Tour, Mendelssohn First Contemplated a Large-Scale Orchestral Work Now Known as the Reformation Symphony
At the Home of a Wealthy Mine Owner in North Wales, the Next Stop in His Tour, Mendelssohn First Contemplated a Large-Scale Orchestral Work Now Known as the Reformation Symphony
Great Composers in Words & Music: Mendelssohn
4:49
59
Felix Mendelssohn
Felix Mendelssohn
Symphony No. 4 in A major, Op. 90 Italian
IV. Saltarello: Presto [excerpt]
Symphony No. 4 in A major, Op. 90 "Italian"
IV. Saltarello: Presto [excerpt]
Great Composers in Words & Music: Mendelssohn
1:8
60
null
null
The Second Opportunity to Present Itself on Mendelssohn's Return to Berlin, Following His European Tour, Was the Directorship of the 15th Niederrheinisches Musikfest...
The Second Opportunity to Present Itself on Mendelssohn's Return to Berlin, Following His European Tour, Was the Directorship of the 15th Niederrheinisches Musikfest...
The Second Opportunity to Present Itself on Mendelssohn's Return to Berlin, Following His European Tour, Was the Directorship of the 15th Niederrheinisches Musikfest...
Great Composers in Words & Music: Mendelssohn
2:8
61
Felix Mendelssohn
Felix Mendelssohn
Overture for orchestra in C major "Trumpet", Op. 101
[excerpt]
Overture for orchestra in C major "Trumpet", Op. 101
[excerpt]
Great Composers in Words & Music: Mendelssohn
47
62
null
null
The Success of Mendelssohn's Directorship of the D체sseldorf Festival - to One Commentator, ''the Greatest Public Success That He Had Yet Had in Germany' - Led to a Three-Year Appointment as Director of Music in the City
The Success of Mendelssohn's Directorship of the D체sseldorf Festival - to One Commentator, ''the Greatest Public Success That He Had Yet Had in Germany' - Led to a Three-Year Appointment as Director of Music in the City
The Success of Mendelssohn's Directorship of the D체sseldorf Festival - to One Commentator, ''the Greatest Public Success That He Had Yet Had in Germany' - Led to a Three-Year Appointment as Director of Music in the City
Great Composers in Words & Music: Mendelssohn
5:19
63
Felix Mendelssohn
Felix Mendelssohn
Paul, Op. 36
How Lovely Are the Messengers (Sung in English) [excerpt]
Paulus, Op. 36
How Lovely Are the Messengers (Sung in English) [excerpt]
Great Composers in Words & Music: Mendelssohn
1:41
64
null
null
Roughly One Month Earlier, the 9th of September 1836, Mendelssohn Had Become Engaged to C챕cile Jeanrenaud...
Roughly One Month Earlier, the 9th of September 1836, Mendelssohn Had Become Engaged to C챕cile Jeanrenaud...
Roughly One Month Earlier, the 9th of September 1836, Mendelssohn Had Become Engaged to C챕cile Jeanrenaud...
Great Composers in Words & Music: Mendelssohn
2:58
65
Felix Mendelssohn
Felix Mendelssohn
Motets (3) for female chorus & organ, Op. 39
No. 1. Veni, Domine (Hear My Prayer, O Lord) [excerpt]
Motets (3) for female chorus & organ, Op. 39
No. 1. Veni, Domine (Hear My Prayer, O Lord) [excerpt]
Great Composers in Words & Music: Mendelssohn
51
66
null
null
The Next Few Years in Leipzig Witnessed the Completion of Mendelssohn's String Quartets Op. 44, His Piano Trio in D Minor, the Overture 'Ruy Blas'...
The Next Few Years in Leipzig Witnessed the Completion of Mendelssohn's String Quartets Op. 44, His Piano Trio in D Minor, the Overture 'Ruy Blas'...
The Next Few Years in Leipzig Witnessed the Completion of Mendelssohn's String Quartets Op. 44, His Piano Trio in D Minor, the Overture 'Ruy Blas'...
Great Composers in Words & Music: Mendelssohn
3:30
67
Felix Mendelssohn
Felix Mendelssohn
Organ Sonata No. 2 in C minor/C major, Op. 65/2
II. Allegro maestoso e vivace [excerpt]
Organ Sonata No. 2 in C minor/C major, Op. 65/2
II. Allegro maestoso e vivace [excerpt]
Great Composers in Words & Music: Mendelssohn
1:5
68
null
null
It Is Easy to Forget That, While Mendelssohn Was Most Famous During His Lifetime as a Composer, Conductor and virtuoso pianist, His Skills Extended to the Organ
It Is Easy to Forget That, While Mendelssohn Was Most Famous During His Lifetime as a Composer, Conductor and virtuoso pianist, His Skills Extended to the Organ
It Is Easy to Forget That, While Mendelssohn Was Most Famous During His Lifetime as a Composer, Conductor and virtuoso pianist, His Skills Extended to the Organ
Great Composers in Words & Music: Mendelssohn
3:11
69
Felix Mendelssohn
Felix Mendelssohn
Violin Concerto in E minor, Op.64
III. Allegro molto vivace [excerpt]
Violin Concerto in E minor, Op. 64
III. Allegro molto vivace [excerpt]
Great Composers in Words & Music: Mendelssohn
1:9
70
null
null
Hear My Prayer, a Short Standalone Piece of Sacred Choral Music Also Composed in 1844, Cannot Be Described as a Masterpiece
Hear My Prayer, a Short Standalone Piece of Sacred Choral Music Also Composed in 1844, Cannot Be Described as a Masterpiece
Hear My Prayer, a Short Standalone Piece of Sacred Choral Music Also Composed in 1844, Cannot Be Described as a Masterpiece
Great Composers in Words & Music: Mendelssohn
1:2
71
Felix Mendelssohn
Felix Mendelssohn
Hear My Prayer in G major
[excerpt]
Hear My Prayer in G major
[excerpt]
Great Composers in Words & Music: Mendelssohn
1:28
72
null
null
Ten Years After the Premiere of St Paul, Mendelssohn Turned His Attention Once Again to the Genre of the Oratorio: the Result Was Elijah...
Ten Years After the Premiere of St Paul, Mendelssohn Turned His Attention Once Again to the Genre of the Oratorio: the Result Was Elijah...
Ten Years After the Premiere of St Paul, Mendelssohn Turned His Attention Once Again to the Genre of the Oratorio: the Result Was Elijah...
Great Composers in Words & Music: Mendelssohn
2:6
73
Felix Mendelssohn
Felix Mendelssohn
Elijah, Op.70
Part II, No. 42. Alsdann wird euer Licht hervorbrechen (And Then Shall Your Light Break Forth [excerpt]
Elijah, Op. 70
Part II, No. 42. Alsdann wird euer Licht hervorbrechen (And Then Shall Your Light Break Forth [excerpt]
Great Composers in Words & Music: Mendelssohn
45
74
null
null
Mendelssohn Died on the 4th of November 1847 Following a Series of Strokes
Mendelssohn Died on the 4th of November 1847 Following a Series of Strokes
Mendelssohn Died on the 4th of November 1847 Following a Series of Strokes
Great Composers in Words & Music: Mendelssohn
3:37
75
Felix Mendelssohn
Felix Mendelssohn
Song Without Words for piano No. 28 in G major, Op. 62/4
Lieder ohne Worte (Songs without Words), Book 5, Op. 62 - No. 28 in G major, Op. 62, No. 4
Song Without Words for piano No. 28 in G major, Op. 62/4
Lieder ohne Worte (Songs without Words), Book 5, Op. 62 - No. 28 in G major, Op. 62, No. 4
Great Composers in Words & Music: Mendelssohn
1:26
76
Antonin Dvorák
Antonin Dvorák
Violin Concerto in A minor, B. 96/B. 108, Op.53
Allegro ma non troppo
Violin Concerto in A minor, B. 96/B. 108, Op. 53
Allegro ma non troppo
Dvorák: Complete Works for Violin
11:7
77
Antonin Dvorák
Antonin Dvorák
Violin Concerto in A minor, B. 96/B. 108, Op.53
Adagio ma non troppo
Violin Concerto in A minor, B. 96/B. 108, Op. 53
Adagio ma non troppo
Dvorák: Complete Works for Violin
10:12
78
Antonin Dvorák
Antonin Dvorák
Violin Concerto in A minor, B. 96/B. 108, Op.53
Allegro giocoso, ma non troppo
Violin Concerto in A minor, B. 96/B. 108, Op. 53
Allegro giocoso, ma non troppo
Dvorák: Complete Works for Violin
10:49
79
Antonin Dvorák
Antonin Dvorák
Romance for violin & orchestra in F minor, B. 39, Op. 11
Romance in F Minor for Violin and Orchestra, Op. 11
Romance for violin & orchestra in F minor, B. 39, Op. 11
Romance in F Minor for Violin and Orchestra, Op. 11
Dvorák: Complete Works for Violin
11:11
80
Antonin Dvorák
Antonin Dvorák
Mazurka in E minor, B. 90, Op.49
Mazurek in E Minor for Violin and Orchestra, Op. 49
Mazurek in E minor, B. 90, Op.49
Mazurek in E Minor for Violin and Orchestra, Op. 49
Dvorák: Complete Works for Violin
6:40
81
George Gershwin
George Gershwin
Rhapsody in Blue, for piano & orchestra
Rhapsody in Blue, for piano & orchestra
Classical Colors - Blue
16:33
82
Pyotr Ilyich Tchaikovsky
Pyotr Il'yich Tchaikovsky
The Swan Lake, continued
Tanz der Schwäne
The Swan Lake, suite
Tanz der Schwäne
Klassik ohne Krise: Zeit zum Chillen
6:45
83
Felix Mendelssohn
Felix Mendelssohn
A Midsummer Night's Dream, incidental music, Op. 61
Notturno
A Midsummer Night's Dream, incidental music, Op. 61
Notturno
Klassik ohne Krise: Zeit zum Chillen
6:27
84
Modest Mussorgsky
Modest Mussorgsky
Pictures at an Exhibition, for piano
Das alte Schloss
Pictures at an Exhibition, for piano
Das alte Schloss
Klassik ohne Krise: Zeit zum Chillen
4:51
85
Pyotr Ilyich Tchaikovsky
Pyotr Il'yich Tchaikovsky
Melancholy Serenade in B minor, Op. 26
Sérénade mélancolique in B minor, Op. 26
Klassik ohne Krise: Zeit zum Chillen
9:58
86
Felix Mendelssohn
Felix Mendelssohn
Violin Concerto in E minor, Op.64
II. Andante
Violin Concerto in E minor, Op. 64
II. Andante
Klassik ohne Krise: Zeit zum Chillen
8:36
87
Ludwig van Beethoven
Ludwig van Beethoven
Romance for violin & orchestra No. 2 in F major, Op. 50
Romance for violin & orchestra No. 2 in F major, Op. 50
Klassik ohne Krise: Zeit zum Chillen
9:56
88
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
Rondo for violin & orchestra in C major, K. 373
Rondo for violin & orchestra in C major, K. 373
Von Weber: Clarinet Concertos - Mozart: Rondo for Flute
5:39
89
Carl Maria von Weber
Carl Maria von Weber
The Marksman
Ouvertüre
Der Freischütz
Ouvertüre
Klassik für die Kleinen: Die Welt der Oper, Vol. 1
10:59
90
Georges Bizet
Georges Bizet
L'Arlésienne, suite for orchestra No. 1
III. Adagietto
L' Arlésienne, suite for orchestra No. 1
III. Adagietto
Tranquility - Soothing Classical Music
3:32
91
Ludwig van Beethoven
Ludwig van Beethoven
Violin Concerto in D major, Op. 61
II. Larghetto
Violin Concerto in D major, Op. 61
II. Larghetto
Tranquility - Soothing Classical Music
10:18
92
Richard Strauss
Richard Strauss
The Knight of the Rose
Walzer für Orchester
Der Rosenkavalier
Walzer für Orchester
Klassik für die Kleinen: Die Welt der Oper, Vol. 2
8:47
93
Pyotr Ilyich Tchaikovsky
Pyotr Il'yich Tchaikovsky
Violin Concerto in D major, Op. 35
I. Allegro moderato
Violin Concerto in D major, Op. 35
I. Allegro moderato
The Essentials: Works for Violin
20:1
94
Pyotr Ilyich Tchaikovsky
Pyotr Il'yich Tchaikovsky
Violin Concerto in D major, Op. 35
II. Canzonetta. Andante
Violin Concerto in D major, Op. 35
II. Canzonetta. Andante
The Essentials: Works for Violin
7:19
95
Pyotr Ilyich Tchaikovsky
Pyotr Il'yich Tchaikovsky
Violin Concerto in D major, Op. 35
III. Finale. Allegro vivacissimo
Violin Concerto in D major, Op. 35
III. Finale. Allegro vivacissimo
The Essentials: Works for Violin
11:46
96
Max Bruch
Max Bruch
Violin Concerto No. 1 in G minor, Op. 26
II. Adagio
Violin Concerto No. 1 in G minor, Op. 26
II. Adagio
The Essentials: Works for Violin
9:24
97
Johannes Brahms
Johannes Brahms
Hungarian Dances (21) for orchestra, WoO 1
No. 4 in F-Sharp Minor
Hungarian Dances (21) for orchestra, WoO 1
No. 4 in F-Sharp Minor
Brahms and Chill
5:5
98
Johannes Brahms
Johannes Brahms
Hungarian Dances (21) for orchestra, WoO 1
No. 5 in G Minor
Hungarian Dances (21) for orchestra, WoO 1
No. 5 in G Minor
Brahms and Chill
2:23
99
Nikolai Rimsky-Korsakov
Nikolai Rimsky-Korsakov
Scheherazade, for orchestra, Op. 35
I. The Sea and Sindbad's Ship
Scheherazade, for orchestra, Op. 35
I. The Sea and Sindbad's Ship
Special Selection / Nikolai Rimsky-Korsakov: Scheherazade - Symphonic Suite, Op. 35
10:10
100
Nikolai Rimsky-Korsakov
Nikolai Rimsky-Korsakov
Scheherazade, for orchestra, Op. 35
II. The Tale of the Kalender Prince
Scheherazade, for orchestra, Op. 35
II. The Tale of the Kalender Prince
Special Selection / Nikolai Rimsky-Korsakov: Scheherazade - Symphonic Suite, Op. 35
11:32
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