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Great Composers in Words and Music: Dvorák
ALBUM NAME
Great Composers in Words and Music: Dvorák
Copyright
℗ 2023 Naxos Rights (Europe) Ltd
RELEASE DATE
July 14, 2023
TRACK
38
DURATION
1:13:13
ALBUM ARTIST
Various Artists
Album Track
•
3
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Bits and pieces are all we may know about the music of Antonín Dvořák
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Bits and pieces are all we may know about the music of Antonín Dvořák
 
4:3
 
5
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.
 
2:57
 
7
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague
 
2:48
 
8
Symphony No. 6 in G major "Historical", Op. 116 IV. Allerneueste Periode (The Very Latest Period) (1840): Allegro vivace [excerpt]
Symphony No. 6 in G major "Historical", Op. 116 IV. Allerneueste Periode (The Very Latest Period) (1840): Allegro vivace [excerpt]
37
 
9
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the
 
2:30
 
11
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....
 
1:34
 
13
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....
 
1:24
 
14
String Quartet No. 4 in E minor, B. 19 I. Assai con moto ed energico [excerpt]
String Quartet No. 4 in E minor, B. 19 I. Assai con moto ed energico [excerpt]
1:4
 
15
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.
 
3:56
 
16
King and Charcoal Burner Act I: Scene 9: Jaký zvuk to jest? (What sound is that?) [excerpt]
King and Charcoal Burner Act I: Scene 9: Jaký zvuk to jest? (What sound is that?) [excerpt]
41
 
17
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time
 
2:5
 
19
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise
 
2:16
 
21
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da
 
2:47
 
22
Piano Trio No. 3 in F minor, B. 130, Op. 65 I. Allegro ma non troppo [excerpt]
Piano Trio No. 3 in F minor, B. 130, Op. 65 I. Allegro ma non troppo [excerpt]
57
 
23
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.
 
1:21
 
24
Stabat Mater, B. 71, Op. 58 Stabat Mater dolorosa [excerpt]
Stabat Mater, B. 71, Op. 58 Stabat Mater dolorosa [excerpt]
53
 
25
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.
 
3:12
 
26
Piano Trio No. 4 in E minor "Dumky", B. 166, Op. 90 I. Lento maestoso - Allegro vivace, quasi doppio movimento - Tempo I [excerpt]
Piano Trio No. 4 in E minor "Dumky", B. 166, Op. 90 I. Lento maestoso - Allegro vivace, quasi doppio movimento - Tempo I [excerpt]
2:0
 
27
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.
 
3:19
 
28
Te Deum, B. 176, Op. 103 Te Deum laudamus: Allegro moderato, maestoso [excerpt]
Te Deum, B. 176, Op. 103 Te Deum laudamus: Allegro moderato, maestoso [excerpt]
1:31
 
29
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso
 
3:11
 
31
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York
 
3:36
•
32
Cello Concerto in B minor, B. 191, Op. 104 III. Finale: Andante - Allegro vivo [excerpt]
Cello Concerto in B minor, B. 191, Op. 104 III. Finale: Andante - Allegro vivo [excerpt]
1:13
 
33
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations: the poetic or pictorial aspect explored in pr
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations: the poetic or pictorial aspect explored in pr
 
2:58
 
35
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples During his final years, Dvořák became the recipient of various honours...
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples During his final years, Dvořák became the recipient of various honours...
 
3:50
 
36
Armida, opus, B. 206, Op.115 Act I: Scene 1: Jak z dervišových prstů řinou (As delightful rosary beads glide in the hands of the dervishes) [excerpt]
Armida, opera, B. 206, Op.115 Act I: Scene 1: Jak z dervišových prstů řinou (As delightful rosary beads glide in the hands of the dervishes) [excerpt]
1:40
 
37
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Dvořák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at the National Theatre in Prague, where the opera was being directed by Robert Polak and conducted by
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Dvořák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at the National Theatre in Prague, where the opera was being directed by Robert Polak and conducted by
 
2:33
 
Album Artist
Alfred Walter
Conductor
Antoni Wit
Conductor
Antonin Dvorák
composer
Dalibor Jenis
Baritone (Vocal)
Fine Arts Quartet
String Quartet
Gerd Albrecht
Conductor
Hana Dobesová
Mezzo-Soprano (Vocal)
Iwona Sakowicz
Mezzo-Soprano (Vocal)
Joachim Trio
Ensemble
Louis Spohr
composer
Manuel Lange
Piano
Michael Halász
Conductor
Michaela Ruzicková Rózsa
Soprano (Vocal)
Michelle Breedt
Mezzo-Soprano (Vocal)
Nicholas Boulton
Narrator
Orfeon Pamplones Choir
Primary Artist
Peter Mikulás
Bass (Vocal)
Prague Chamber Choir
Choir/Chorus
Robert Shafer
Conductor
Roman Janal
Bass (Vocal)
Spoken Word
composer
Tempest Trio
Ensemble
WDR Rundfunkchor Köln
Choir/Chorus
Zdenek Kosler
Conductor
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