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An Introduction to Der Ring des Nibelungen
Artboard 2
ALBUM NAME
An Introduction to Der Ring des Nibelungen
Copyright
℗ 1968 Decca Music Group Limited
RELEASE DATE
January 1, 1968
TRACK
40
DURATION
2:20:31
ALBUM ARTIST
Album TRACKS
1
An Introduction to Wagner's "The Ring of the Nibelung" Of all great musical compositions... [Examples 1-4]
An Introduction to Wagner's "Der Ring des Nibelungen" Of all great musical compositions... [Examples 1-4]
3:37
 
2
 
 
The fundamental symbol... [Examples 5-11]
4:46
3
 
 
Returning now to the Nature Motive... [Examples 6, 12-16]
3:22
4
 
 
A number of further motives... [Examples 5, 17-21]
3:17
5
 
 
A second, much smaller family... [Examples 22-25]
2:35
6
 
 
So much for nature. [Examples 26-38]
7:56
7
 
 
The cause of the deterioration... [Examples 39-44]
3:30
8
 
 
The other transformation... [Examples 45-48]
3:44
9
 
 
Several other motives... [Examples 49-52]
2:47
10
 
 
Two further motives... [Examples 41, 53-61]
7:12
11
 
 
The basic motive associated with the spear... [Examples 62-68]
5:17
12
 
 
Along another, more complex line... [Examples 69-72]
2:12
13
 
 
In Act Two of "Walküre"... [Examples 69, 73-75]
2:21
14
 
 
Returning now to Act Two of "Walküre"... [Examples 76-79]
3:54
15
 
 
Love is another of the central symbols... [Examples 80-83]
3:6
16
 
 
Later in the same scene... [Examples 84-87]
2:22
17
 
 
Freia's Motive has two independent segments... [Examples 88-91]
2:1
18
 
 
The label 'Flight'... [Example 92]
56
19
 
 
When Fasolt, in Scene Two of "Rhinegold"... [Examples 93-98]
5:23
20
 
 
A little later in this interlude... [Examples 99-103]
3:7
21
 
 
The other new motive... [Examples 104-109]
3:36
22
 
 
There are several independent love-themes... [Examples 110-114]
2:55
23
 
 
The characters in whose lives... [Examples 115-120]
5:27
24
 
 
One further motive belongs... [Example 121]
1:25
25
 
 
The Sword Motive occurs... [Examples 122-130]
4:28
26
 
 
Ironically, this phrase... [Examples 131-135]
2:58
27
 
 
Closely associated with Gutrune's Motive... [Examples 136-140]
2:26
28
 
 
Here we come to the end... [Examples 141-146]
3:43
29
 
 
Complementary to this symbol... [Examples 147-149]
2:14
30
 
 
One last central symbol... [Examples 150-157]
4:54
31
 
 
One further motive connected... [Examples 158-161]
2:52
32
 
 
There are one or two motives... [Examples 162-168]
3:48
33
 
 
These motives of Alberich and Mime... [Examples 169-171]
2:7
34
 
 
Quite a number of the subsidiary motives... [Examples 172-176]
2:50
35
 
 
Besides this family of motives... [Examples 177-180]
2:31
36
 
 
Our final example... [Examples 10, 181, 182]
3:57
37
 
 
In the final scene of "Götterdämmerung"... [Examples 181-183]
2:45
38
 
 
Even more masterly... [Examples 184-188]
4:31
39
 
 
Now if we return... [Examples 189-191]
2:47
40
 
 
This masterly way... [Examples 192, 193]
4:52
 
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