×
M
O
B
classic
ORCHESTRAL
Orchestral MUSICS
 
1
5:22
2
2:59
3
Ballerinas, Op. 266  Allegretto - Tempo di Valse risoluto - Più vivo
Ballerinas (Baletky), Op. 266  Allegretto - Tempo di Valse risoluto - Più vivo
 
1:24
4
 
1:48
5
Ballerinas, Op. 266  II. Meno con delicatezza
Ballerinas (Baletky), Op. 266  II. Meno con delicatezza
 
1:23
6
 
1:36
7
Ballerinas, Op. 266  Coda. [ ] - Meno con delicatezza
Ballerinas (Baletky), Op. 266  Coda. [ ] - Meno con delicatezza
 
1:54
8
Mississippi River  The Mississippi River, Op. 160 (161)
Mississippi River  The Mississippi River, Op. 160 (161)
2:47
9
Under the Admiral's Flag, Op. 82  Unter der Admiralsflagge, Op. 82
Under the Admirals Flag, Op. 82  Unter der Admiralsflagge, Op. 82
3:44
10
9:29
11
Don Juan, Op. 20  Don Juan Op. 20, Tondichtung für großes Orchester
Don Juan, Op. 20  Don Juan Op. 20, Tondichtung für großes Orchester
18:25
12
Swanwhite, for orchestra & organ, Op.54  I. En horn signal i fjärran (A horn signal in the distance) - Largo
Swanwhite, for orchestra & organ, Op. 54  I. En horn signal i fjärran (A horn signal in the distance) - Largo
17
13
Swanwhite, for orchestra & organ, Op.54  II. Tyst duvan, min prins kommer (Be silent, dove, my Prince is coming) - Comodo
Swanwhite, for orchestra & organ, Op. 54  II. Tyst duvan, min prins kommer (Be silent, dove, my Prince is coming) - Comodo
2:51
14
Swanwhite, for orchestra & organ, Op.54  III. En svan flyger förbi (A swan flies past) - Adagio
Swanwhite, for orchestra & organ, Op. 54  III. En svan flyger förbi (A swan flies past) - Adagio
19
15
Swanwhite, for orchestra & organ, Op.54  IV. Dä börjar harpan spela (now the harp begins to play) - Lento assai
Swanwhite, for orchestra & organ, Op. 54  IV. Dä börjar harpan spela (now the harp begins to play) - Lento assai
3:36
16
Swanwhite, for orchestra & organ, Op.54  V. Dä drager en vit svan förbi (A white swan flies past) - Adagio
Swanwhite, for orchestra & organ, Op. 54  V. Dä drager en vit svan förbi (A white swan flies past) - Adagio
19
17
Swanwhite, for orchestra & organ, Op.54  VI. Svanvits moder (Swanwhite's mother) - Lento - Comodo - Lento - Allegro
Swanwhite, for orchestra & organ, Op. 54  VI. Svanvits moder (Swanwhite's mother) - Lento - Comodo - Lento - Allegro
5:49
18
Swanwhite, for orchestra & organ, Op.54  VII. harpan tystnar ett ögonblick och tar så upp en ny melodi (The harp falls briefly silent and strikes up a new melody) - Andantino
Swanwhite, for orchestra & organ, Op. 54  VII. harpan tystnar ett ögonblick och tar så upp en ny melodi (The harp falls briefly silent and strikes up a new melody) - Andantino
2:21
19
Swanwhite, for orchestra & organ, Op.54  VIII. Annorstädes! (Elsewhere!) - Andante
Swanwhite, for orchestra & organ, Op. 54  VIII. Annorstädes! (Elsewhere!) - Andante
2:46
20
Swanwhite, for orchestra & organ, Op.54  IX. Styvmodern (Stepmother: Where is the bride?) - Lento
Swanwhite, for orchestra & organ, Op. 54  IX. Styvmodern (Stepmother: Where is the bride?) - Lento
2:25
21
Swanwhite, for orchestra & organ, Op.54  X. Guldmolnen bli rosenröda (the golden clouds become rose red) - Moderato
Swanwhite, for orchestra & organ, Op. 54  X. Guldmolnen bli rosenröda (the golden clouds become rose red) - Moderato
2:51
22
Swanwhite, for orchestra & organ, Op.54  XI. Svanevit (Swanwhite) - Allegretto
Swanwhite, for orchestra & organ, Op. 54  XI. Svanevit (Swanwhite) - Allegretto
1:10
23
Swanwhite, for orchestra & organ, Op.54  XII. Eld på borgen (Fire at the castle) - largamente
Swanwhite, for orchestra & organ, Op. 54  XII. Eld på borgen (Fire at the castle) - largamente
1:33
24
Swanwhite, for orchestra & organ, Op.54  XIII. Nu spelar harpan (Now the harp plays) - Adagio
Swanwhite, for orchestra & organ, Op. 54  XIII. Nu spelar harpan (Now the harp plays) - Adagio
1:35
25
Swanwhite, for orchestra & organ, Op.54  XIV. Alla böja knä som om de tackade och lovade (All bend their knees as if in thanks and praise) - Largamente molto
Swanwhite, for orchestra & organ, Op. 54  XIV. Alla böja knä som om de tackade och lovade (All bend their knees as if in thanks and praise) - Largamente molto
1:36
26
3:36
27
22:11
28
The Countess's Portrait  Grevinnans konterfej (The Countess' Portrait), JS88
The Countess's Portrait  Grevinnans konterfej (The Countess' Portrait), JS88
4:24
29
5:54
30
4:47
31
4:49
32
The Sleeping Beauty, continued  1. Introduction et La Fée des Lilas
The Sleeping Beauty, suite  1. Introduction et La Fée des Lilas
5:3
33
6:39
34
3:6
35
4:58
36
16:42
37
 
2:42
38
 
1:25
39
Svante Sture  II. Entr' acte between Acts I & II
Svante Sture  II. Entr' acte between Acts I & II
 
2:2
40
Svante Sture  III. Postlude after Act II
Svante Sture  III. Postlude after Act II
 
53
41
Svante Sture  IV. Entr'acte between Acts II & III
Svante Sture  IV. Entr'acte between Acts II & III
 
2:20
42
Svante Sture  V. Prelude to Act III: Marche
Svante Sture  V. Prelude to Act III: Marche
 
1:14
43
Svante Sture  VI. Marche and Chorale
Svante Sture  VI. Marche and Chorale
 
3:56
44
Svante Sture  VII. Entr' acte between Acts III & IV
Svante Sture  VII. Entr' acte between Acts III & IV
 
1:13
45
Svante Sture  VIII. Entr' acte between Acts IV & V
Svante Sture  VIII. Entr' acte between Acts IV & V
 
1:12
46
Franciscan Landscapes  I. Au jardin de Sainte Claire (Couvent de Saint Damien). Andantino - Trés calme
Franciscan Landscapes  I. Au jardin de Sainte Claire (Couvent de Saint Damien). Andantino - Trés calme
4:38
47
Franciscan Landscapes  II. Les Olivaies de la plaine d'Assise (Crépuscule d'automne). Modéré - Tranquillo - Tempo I - Tranquillo - Tempo I - Tranquillo - Sempre tranquillo - Calme
Franciscan Landscapes  II. Les Olivaies de la plaine d'Assise (Crépuscule d'automne). Modéré - Tranquillo - Tempo I - Tranquillo - Tempo I - Tranquillo - Sempre tranquillo - Calme
5:26
48
Franciscan Landscapes  III. Sur la route de Poggio-Bustone (La Procession). Modéré
Franciscan Landscapes  III. Sur la route de Poggio-Bustone (La Procession). Modéré
8:46
49
3:34
50
2:30
51
6:28
52
5:53
53
3:4
54
8:14
55
Serenade  I. Phaedrus; Pausanias (Lento; Allegro marcato)
Serenade  I. Phaedrus; Pausanias (Lento; Allegro marcato)
6:19
56
Serenade  II. Aristophanes (Allegretto)
Serenade  II. Aristophanes (Allegretto)
4:13
57
Serenade  III. Eryximachus (Presto)
Serenade  III. Eryximachus (Presto)
1:31
58
Serenade  IV. Agathon (Adagio)
Serenade  IV. Agathon (Adagio)
6:45
59
Serenade  V. Socrates; Alcibiades (Molto tenuto; Allegro molto vivace)
Serenade  V. Socrates; Alcibiades (Molto tenuto; Allegro molto vivace)
10:37
60
3:11
61
13:4
62
10:21
63
Rolling River, Sketches on Shenandoah  Rolling River: Sketches on Shenandoah
Rolling River, Sketches on Shenandoah  Rolling River: Sketches on Shenandoah
4:54
64
 
4:19
65
9:15
66
5:46
67
Romeo and Juliet in B minor (3 versions)  Romeo and Juliet: Overture - fantasia (final version dating from 1880)
Romeo and Juliet in B minor (3 versions)  Romeo and Juliet: Overture - fantasia (final version dating from 1880)
19:35
68
Francesca da Rimini in E minor, Op. 32  Francesca da Rimini, Op. 32, Fantasy for orchestra after Dante
Francesca da Rimini in E minor, Op. 32  Francesca da Rimini, Op. 32, Fantasy for orchestra after Dante
24:30
69
15:43
70
The Lark  The Lark (Concert version with narrator)
The Lark  The Lark (Concert version with narrator)
16:34
71
Symphony No. 4 ("The How and the Why of Memory")  The How and the Why of Memory: Symphony #4
Symphony No. 4 ("The How and the Why of Memory")  The How and the Why of Memory: Symphony #4
 
23:24
72
The Oresteia: Apollo's Temple at Delphi  Temple of Apollo at Delphi, entr'acte before Scene 2, act III of the musical trilogy Oresteia based on the tragedy by Aeschylus
The Oresteia: Apollo's Temple in Delphi  Temple of Apollo at Delphi, entr'acte before Scene 2, act III of the musical trilogy Oresteia based on the tragedy by Aeschylus
 
5:56
73
Finlandia, Op.26  Finlandia Op. 26
Finlandia, Op. 26  Finlandia Op. 26
8:46
74
4:50
75
 
12:19
76
4:45
77
9:55
78
12:9
79
Fires  I. Misterioso
Fires  I. Misterioso
5:44
80
Fires  II. Con brio
Fires  II. Con brio
4:49
81
Robert Browning Overture, p. 27  Robert Browning Overture for orchestra
Robert Browning Overture, S. 27  Robert Browning Overture for orchestra
23:16
82
Accompaniment to a Film Scene, Op. 34  Begleitmusik zu einer Lichtspielszene
Accompaniment to a Film-Scene, Op. 34  Begleitmusik zu einer Lichtspielszene
8:59
83
Pelléas et Mélisande, for orchestra, Op. 46  Act I: No. 1. Grave e largamente (Prelude, Scene 1)
Pelléas et Mélisande, for orchestra, Op. 46  Act I: No. 1. Grave e largamente (Prelude, Scene 1)
3:42
84
Pelléas et Mélisande, for orchestra, Op. 46  Act I: No. 2. Andantino con moto (Scene 2)
Pelléas et Mélisande, for orchestra, Op. 46  Act I: No. 2. Andantino con moto (Scene 2)
4:34
85
2:26
86
Pelléas et Mélisande, for orchestra, Op. 46  Act II: No. 4. Comodo (Prelude. Scene 1)
Pelléas et Mélisande, for orchestra, Op. 46  Act II: No. 4. Comodo (Prelude. Scene 1)
2:4
87
Pelléas et Mélisande, for orchestra, Op. 46  Act III: No. 5. Con moto (ma non tanto) (Prelude, Scene 1)
Pelléas et Mélisande, for orchestra, Op. 46  Act III: No. 5. Con moto (ma non tanto) (Prelude, Scene 1)
2:29
88
Pelléas et Mélisande, for orchestra, Op. 46  Act III. No. 6. Tranquillo (Mélisande's Song, Scene 2) 'De trenne blinda systrar' [The Three Blind Sisters]
Pelléas et Mélisande, for orchestra, Op. 46  Act III. No. 6. Tranquillo (Mélisande's Song, Scene 2) 'De trenne blinda systrar' [The Three Blind Sisters]
2:23
89
Pelléas et Mélisande, for orchestra, Op. 46  Act III: No. 7. Andantino pastorale (Scene 4)
Pelléas et Mélisande, for orchestra, Op. 46  Act III: No. 7. Andantino pastorale (Scene 4)
2:7
90
Pelléas et Mélisande, for orchestra, Op. 46  Act IV: No. 8. Allegretto (Prelude, Scene 1)
Pelléas et Mélisande, for orchestra, Op. 46  Act IV: No. 8. Allegretto (Prelude, Scene 1)
3:11
91
Pelléas et Mélisande, for orchestra, Op. 46  Act IV: No. 9. [no tempo marking] (Scene 2)
Pelléas et Mélisande, for orchestra, Op. 46  Act IV: No. 9. [no tempo marking] (Scene 2)
3:17
92
Pelléas et Mélisande, for orchestra, Op. 46  Act V: No. 10. Andante (Prelude, Scene 2)
Pelléas et Mélisande, for orchestra, Op. 46  Act V: No. 10. Andante (Prelude, Scene 2)
7:24
93
Dance Intermezzo, Op. 45/2  Musilk zu einer Szene
Dance Intermezzo, Op. 45/2  Musilk zu einer Szene
6:20
94
4:48
95
Formerly, Op. 96b  Autrefois - Scène pastorale, Op. 96b
Autrefois, Op. 96b  Autrefois - Scène pastorale, Op. 96b
5:35
96
4:49
97
8:44
98
Metabolisms  Incantatoire
Métaboles  Incantatoire
3:19
99
2:48
100
Metabolisms  Obsessionnel
Métaboles  Obsessionnel
3:30
Copyright Ⓒ 2013 Davinci Finger. All rights reseved     Service Terms & Policy