×
M
O
B
classic
MISCELLANEOUS
Miscellaneous MUSICS
 
1
An Introduction to Wagner's "The Ring of the Nibelung"  In Act Two of "Walküre"... [Examples 69, 73-75]
An Introduction to Wagner's "Der Ring des Nibelungen"  In Act Two of "Walküre"... [Examples 69, 73-75]
 
2:21
2
An Introduction to Wagner's "The Ring of the Nibelung"  Returning now to Act Two of "Walküre"... [Examples 76-79]
An Introduction to Wagner's "Der Ring des Nibelungen"  Returning now to Act Two of "Walküre"... [Examples 76-79]
 
3:54
3
An Introduction to Wagner's "The Ring of the Nibelung"  Love is another of the central symbols... [Examples 80-83]
An Introduction to Wagner's "Der Ring des Nibelungen"  Love is another of the central symbols... [Examples 80-83]
 
3:6
4
An Introduction to Wagner's "The Ring of the Nibelung"  Later in the same scene... [Examples 84-87]
An Introduction to Wagner's "Der Ring des Nibelungen"  Later in the same scene... [Examples 84-87]
 
2:22
5
An Introduction to Wagner's "The Ring of the Nibelung"  Freia's Motive has two independent segments... [Examples 88-91]
An Introduction to Wagner's "Der Ring des Nibelungen"  Freia's Motive has two independent segments... [Examples 88-91]
 
2:1
6
 
56
7
An Introduction to Wagner's "The Ring of the Nibelung"  When Fasolt, in Scene Two of "Rhinegold"... [Examples 93-98]
An Introduction to Wagner's "Der Ring des Nibelungen"  When Fasolt, in Scene Two of "Rhinegold"... [Examples 93-98]
 
5:23
8
An Introduction to Wagner's "The Ring of the Nibelung"  A little later in this interlude... [Examples 99-103]
An Introduction to Wagner's "Der Ring des Nibelungen"  A little later in this interlude... [Examples 99-103]
 
3:7
9
An Introduction to Wagner's "The Ring of the Nibelung"  The other new motive... [Examples 104-109]
An Introduction to Wagner's "Der Ring des Nibelungen"  The other new motive... [Examples 104-109]
 
3:36
10
An Introduction to Wagner's "The Ring of the Nibelung"  There are several independent love-themes... [Examples 110-114]
An Introduction to Wagner's "Der Ring des Nibelungen"  There are several independent love-themes... [Examples 110-114]
 
2:55
11
An Introduction to Wagner's "The Ring of the Nibelung"  The characters in whose lives... [Examples 115-120]
An Introduction to Wagner's "Der Ring des Nibelungen"  The characters in whose lives... [Examples 115-120]
 
5:27
12
An Introduction to Wagner's "The Ring of the Nibelung"  One further motive belongs... [Example 121]
An Introduction to Wagner's "Der Ring des Nibelungen"  One further motive belongs... [Example 121]
 
1:25
13
An Introduction to Wagner's "The Ring of the Nibelung"  The Sword Motive occurs... [Examples 122-130]
An Introduction to Wagner's "Der Ring des Nibelungen"  The Sword Motive occurs... [Examples 122-130]
 
4:28
14
An Introduction to Wagner's "The Ring of the Nibelung"  Ironically, this phrase... [Examples 131-135]
An Introduction to Wagner's "Der Ring des Nibelungen"  Ironically, this phrase... [Examples 131-135]
 
2:58
15
An Introduction to Wagner's "The Ring of the Nibelung"  Closely associated with Gutrune's Motive... [Examples 136-140]
An Introduction to Wagner's "Der Ring des Nibelungen"  Closely associated with Gutrune's Motive... [Examples 136-140]
 
2:26
16
An Introduction to Wagner's "The Ring of the Nibelung"  Here we come to the end... [Examples 141-146]
An Introduction to Wagner's "Der Ring des Nibelungen"  Here we come to the end... [Examples 141-146]
 
3:43
17
An Introduction to Wagner's "The Ring of the Nibelung"  Complementary to this symbol... [Examples 147-149]
An Introduction to Wagner's "Der Ring des Nibelungen"  Complementary to this symbol... [Examples 147-149]
 
2:14
18
An Introduction to Wagner's "The Ring of the Nibelung"  One last central symbol... [Examples 150-157]
An Introduction to Wagner's "Der Ring des Nibelungen"  One last central symbol... [Examples 150-157]
 
4:54
19
An Introduction to Wagner's "The Ring of the Nibelung"  One further motive connected... [Examples 158-161]
An Introduction to Wagner's "Der Ring des Nibelungen"  One further motive connected... [Examples 158-161]
 
2:52
20
An Introduction to Wagner's "The Ring of the Nibelung"  There are one or two motives... [Examples 162-168]
An Introduction to Wagner's "Der Ring des Nibelungen"  There are one or two motives... [Examples 162-168]
 
3:48
21
An Introduction to Wagner's "The Ring of the Nibelung"  These motives of Alberich and Mime... [Examples 169-171]
An Introduction to Wagner's "Der Ring des Nibelungen"  These motives of Alberich and Mime... [Examples 169-171]
 
2:7
22
An Introduction to Wagner's "The Ring of the Nibelung"  Quite a number of the subsidiary motives... [Examples 172-176]
An Introduction to Wagner's "Der Ring des Nibelungen"  Quite a number of the subsidiary motives... [Examples 172-176]
 
2:50
23
An Introduction to Wagner's "The Ring of the Nibelung"  Besides this family of motives... [Examples 177-180]
An Introduction to Wagner's "Der Ring des Nibelungen"  Besides this family of motives... [Examples 177-180]
 
2:31
24
An Introduction to Wagner's "The Ring of the Nibelung"  Our final example... [Examples 10, 181, 182]
An Introduction to Wagner's "Der Ring des Nibelungen"  Our final example... [Examples 10, 181, 182]
 
3:57
25
An Introduction to Wagner's "The Ring of the Nibelung"  In the final scene of "Götterdämmerung"... [Examples 181-183]
An Introduction to Wagner's "Der Ring des Nibelungen"  In the final scene of "Götterdämmerung"... [Examples 181-183]
 
2:45
26
An Introduction to Wagner's "The Ring of the Nibelung"  Even more masterly... [Examples 184-188]
An Introduction to Wagner's "Der Ring des Nibelungen"  Even more masterly... [Examples 184-188]
 
4:31
27
 
2:47
28
An Introduction to Wagner's "The Ring of the Nibelung"  This masterly way... [Examples 192, 193]
An Introduction to Wagner's "Der Ring des Nibelungen"  This masterly way... [Examples 192, 193]
 
4:52
29
17:3
30
9:7
31
 
15:3
32
14:40
33
 
6:28
34
15:41
35
3:33
36
20
37
1:28
38
 
54
39
Jewish Chronicle  Prolog: Dies geschieht heute
Jüdische Chronik  Prolog: Dies geschieht heute
 
2:55
40
Jewish Chronicle  Prolog: Werden die Stummen rufen?
Jüdische Chronik  Prolog: Werden die Stummen rufen?
 
3:44
41
Jewish Chronicle  Ghetto: Berichtet wird
Jüdische Chronik  Ghetto: Berichtet wird
 
6:39
42
Jewish Chronicle  Aufstand: Ach, Erde, bedecke mein Blut nicht! - Im Januareis glomm das Feuer
Jüdische Chronik  Aufstand: Ach, Erde, bedecke mein Blut nicht! - Im Januareis glomm das Feuer
 
8:41
43
Jewish Chronicle  Epilog: Dies geschieht heute
Jüdische Chronik  Epilog: Dies geschieht heute
 
3:53
44
 
 
4:37
45
15:41
46
 
8:33
47
 
3:34
48
 
4:46
49
 
3:22
50
 
3:17
51
 
2:35
52
 
7:56
53
 
3:30
54
 
3:44
55
 
2:47
56
 
7:12
57
An Introduction to Wagner's "The Ring of the Nibelung"  11. Basic Motive Associated With the Spear
An Introduction to Wagner's "Der Ring des Nibelungen"  11. Basic Motive Associated With the Spear
 
5:17
58
 
2:12
59
 
2:21
60
An Introduction to Wagner's "The Ring of the Nibelung"  14. Returning Now to Act 2 of 'Walküre
An Introduction to Wagner's "Der Ring des Nibelungen"  14. Returning Now to Act 2 of 'Walküre
 
3:54
61
An Introduction to Wagner's "The Ring of the Nibelung"  15. Love Is Another of the Central Symbols
An Introduction to Wagner's "Der Ring des Nibelungen"  15. Love Is Another of the Central Symbols
 
3:10
62
 
2:23
63
An Introduction to Wagner's "The Ring of the Nibelung"  17. Freia's Motive Has 2 Independent Segments
An Introduction to Wagner's "Der Ring des Nibelungen"  17. Freia's Motive Has 2 Independent Segments
 
2:1
64
 
56
65
An Introduction to Wagner's "The Ring of the Nibelung"  19. When Fasolt, in Scene 2 of 'Rhinegold'
An Introduction to Wagner's "Der Ring des Nibelungen"  19. When Fasolt, in Scene 2 of 'Rhinegold'
 
5:23
66
 
3:1
67
 
3:33
68
An Introduction to Wagner's "The Ring of the Nibelung"  22. There Are Several Independent Love-Motives
An Introduction to Wagner's "Der Ring des Nibelungen"  22. There Are Several Independent Love-Motives
 
2:55
69
 
5:27
70
 
1:25
71
 
4:28
72
 
2:58
73
An Introduction to Wagner's "The Ring of the Nibelung"  27. Closely Associated With Gutrune's Motive
An Introduction to Wagner's "Der Ring des Nibelungen"  27. Closely Associated With Gutrune's Motive
 
2:26
74
 
3:43
75
 
2:14
76
 
4:54
77
 
2:52
78
 
3:48
79
 
2:7
80
An Introduction to Wagner's "The Ring of the Nibelung"  34. Quite a Number of Subsidiary Motives
An Introduction to Wagner's "Der Ring des Nibelungen"  34. Quite a Number of Subsidiary Motives
 
2:50
81
 
2:31
82
 
3:57
83
An Introduction to Wagner's "The Ring of the Nibelung"  37. in the Final Scene of 'Götterdämmerung'
An Introduction to Wagner's "Der Ring des Nibelungen"  37. in the Final Scene of 'Götterdämmerung'
 
2:45
84
 
4:31
85
 
2:47
86
 
4:47
87
1:42
88
1:57
89
2:50
90
 
11:46
91
Notebook for Anna Magdalena Bach II  Menuet G Major & G Minor, BWV 114/115
Notebook for Anna Magdalena Bach II  Menuet G Major & G Minor, BWV 114/115
2:36
92
13:37
93
1:48
94
3:57
95
 
3:59
96
 
2:33
97
3:53
98
 
2:22
99
2:34
100
3:0
Copyright Ⓒ 2013 Davinci Finger. All rights reseved     Service Terms & Policy