×
M
O
B
classic
Gerd Albrecht
ARTIST MUSICS
1
The Distant Sound  Act 2: Scene 6: Lied: Wer kennt sie nicht
Der Ferne Klang  Act 2: Scene 6: Lied: Wer kennt sie nicht
4:19
3
Tannhäuser  Arie: Dich teure Halle grüß ich wieder
Tannhäuser  Arie: Dich teure Halle grüß ich wieder
4:47
4
Turandot  Act 1: Scene 2: Aria: Konfutse, dir hab ich geschworen
Turandot  Act 1: Scene 2: Aria: Konfutse, dir hab ich geschworen
2:21
5
The horse trade  Der Mädchenraub: Ich wohne auf der anderen Seite
Der Kuhhandel  Der Mädchenraub: Ich wohne auf der anderen Seite
7:31
7
Yo be Maria  Maria de Buenos Aires Part 1 / Scene 3b: Yo soy Maria
Yo soy María  Maria de Buenos Aires Part 1 / Scene 3b: Yo soy Maria
3:28
17
Parting without Sorrow, B. 60/4, Op. 29/4  Moravian Duets: We were friends upon meeting, Op. 32 (B 60)
Parting without Sorrow, B. 60/4, Op. 29/4  Moravian Duets: We were friends upon meeting, Op. 32 (B 60)
 
1:0
18
Sadness of Heart B. 62/2 Op. 32/2  Moravian Duets: Water and Tears, Op. 32 (B 62)
Sad of Heart, B. 62/2, Op. 32/2  Moravian Duets: Water and Tears, Op. 32 (B 62)
 
2:6
19
Greeting from Afar B. 69/2 Op. 38/2  Moravian Duets: The apple, Op. 38 (B 69)
Greeting from Afar, B. 69/2, Op. 38/2  Moravian Duets: The apple, Op. 38 (B 69)
 
1:55
21
Dimitri  Act 2: Baťuško můj...
Dimitrij  Act 2: Baťuško můj...
5:22
26
My Home, B. 125a, Op. 62  My Home, Overture to F.F. Šamberk's play Josef Kajetán Tyl, Op. 62 (B 125a)
My Home, B. 125a, Op. 62  My Home, Overture to F.F. Šamberk's play Josef Kajetán Tyl, Op. 62 (B 125a)
9:42
31
Rusalka  Act 2: Běda! Běda! Ubohá Rusalko bledá - Celý svět nedá ti, nedá
Rusalka  Act 2: Běda! Běda! Ubohá Rusalko bledá - Celý svět nedá ti, nedá
5:41
32
Jacobess  Act 1: Chci s tebou mluvit - Pohleď mi do oči, podej mi ruku
Jakobin  Act 1: Chci s tebou mluvit - Pohleď mi do oči, podej mi ruku
4:27
34
Love Songs (8), B. 160, Op. 83  III. Now as by that house I tread
Love Songs (8), B. 160, Op. 83  III. Now as by that house I tread
1:57
36
Love Songs (8), B. 160, Op. 83  VII. In the sweet power of thine eyes
Love Songs (8), B. 160, Op. 83  VII. In the sweet power of thine eyes
2:5
37
Love Songs (8), B. 160, Op. 83  VIII. My only dear one, my dear love
Love Songs (8), B. 160, Op. 83  VIII. My only dear one, my dear love
1:28
38
Cypresses, B. 152  V. The old letter in my book
Cypresses, B. 152  V. The old letter in my book
3:54
39
Cypresses, B. 152  XI. Nature lies peaceful in slumber and dreaming
Cypresses, B. 152  XI. Nature lies peaceful in slumber and dreaming
2:39
40
Toying B. 161/2 PK 85/2  Poetic Moods II. Žertem / Jokingly, Op. 85/2 (B 161)
Toying, B. 161/2, Op. 85/2  Poetic Moods II. Žertem / Jokingly, Op. 85/2 (B 161)
 
4:27
42
Jacobess  Acte 2: School Serenade: Tak, moji drazi!
Jakobin  Acte 2: School Serenade: Tak, moji drazi!
6:35
44
Silent Woods, for cello & orchestra, B. 182, Op. 68/5  Silent Woods for Cello and Orchestra, Op. 68/5 (B 182)
Silent Woods, for cello & orchestra, B. 182, Op. 68/5  Silent Woods for Cello and Orchestra, Op. 68/5 (B 182)
6:23
45
In Nature's Realm, B. 126, Op. 63  II. Bells Untied in an Evening Wood
In Nature's Realm, B. 126, Op. 63  II. Bells Untied in an Evening Wood
4:22
46
In Nature's Realm, B. 168, Op. 91  In Nature's Realm. Overture, Op. 91 (B 168, 91)
In Nature's Realm, B. 168, Op. 91  In Nature's Realm. Overture, Op. 91 (B 168, 91)
13:38
47
Saint Ludmilla, B. 144, Op. 71  Part III: The Velehrad Cathedral: Introduzione e coro. Hospodine, pomiluj ny! / Lord have mercy upon us
Saint Ludmilla, B. 144, Op. 71  Part III: The Velehrad Cathedral: Introduzione e coro. Hospodine, pomiluj ny! / Lord have mercy upon us
4:8
50
Te Deum, B. 176, Op. 103  III-IV: Aeterna fac cum sanctis, Dignare Domine, die ista
Te Deum, B. 176, Op. 103  III-IV: Aeterna fac cum sanctis, Dignare Domine, die ista
8:59
53
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Bits and pieces are all we may know about the music of Antonín Dvořák  Bits and pieces are all we may know about the music of Antonín Dvořák
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Bits and pieces are all we may know about the music of Antonín Dvořák
 
4:3
55
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.  The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.
 
2:57
57
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague  Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague
 
2:48
58
Symphony No. 6 in G major "Historical", Op. 116  IV. Allerneueste Periode (The Very Latest Period) (1840): Allegro vivace [excerpt]
Symphony No. 6 in G major "Historical", Op. 116  IV. Allerneueste Periode (The Very Latest Period) (1840): Allegro vivace [excerpt]
37
59
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the  Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the
 
2:30
61
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....  Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....
 
1:34
63
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....  In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....
 
1:24
65
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.  Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.
 
3:56
66
King and Charcoal Burner  Act I: Scene 9: Jaký zvuk to jest? (What sound is that?) [excerpt]
King and Charcoal Burner  Act I: Scene 9: Jaký zvuk to jest? (What sound is that?) [excerpt]
41
67
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time  It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time
 
2:5
69
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise  In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise
 
2:16
71
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da  While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da
 
2:47
73
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.  In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.
 
1:21
75
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.  Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.
 
3:12
76
Piano Trio No. 4 in E minor "Dumky", B. 166, Op. 90  I. Lento maestoso - Allegro vivace, quasi doppio movimento - Tempo I [excerpt]
Piano Trio No. 4 in E minor "Dumky", B. 166, Op. 90  I. Lento maestoso - Allegro vivace, quasi doppio movimento - Tempo I [excerpt]
2:0
77
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.  In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.
 
3:19
78
Te Deum, B. 176, Op. 103  Te Deum laudamus: Allegro moderato, maestoso [excerpt]
Te Deum, B. 176, Op. 103  Te Deum laudamus: Allegro moderato, maestoso [excerpt]
1:31
79
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso  The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso
 
3:11
81
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York  Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York
 
3:36
82
Cello Concerto in B minor, B. 191, Op. 104  III. Finale: Andante - Allegro vivo [excerpt]
Cello Concerto in B minor, B. 191, Op. 104  III. Finale: Andante - Allegro vivo [excerpt]
1:13
83
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations: the poetic or pictorial aspect explored in pr  The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations: the poetic or pictorial aspect explored in pr
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations: the poetic or pictorial aspect explored in pr
 
2:58
85
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples During his final years, Dvořák became the recipient of various honours...  During his final years, Dvořák became the recipient of various honours...
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  During his final years, Dvořák became the recipient of various honours...
 
3:50
86
Armida, opus, B. 206, Op.115  Act I: Scene 1: Jak z dervišových prstů řinou (As delightful rosary beads glide in the hands of the dervishes) [excerpt]
Armida, opera, B. 206, Op.115  Act I: Scene 1: Jak z dervišových prstů řinou (As delightful rosary beads glide in the hands of the dervishes) [excerpt]
1:40
87
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Dvořák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at the National Theatre in Prague, where the opera was being directed by Robert Polak and conducted by  Dvořák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at the National Theatre in Prague, where the opera was being directed by Robert Polak and conducted by
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Dvořák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at the National Theatre in Prague, where the opera was being directed by Robert Polak and conducted by
 
2:33
90
Wozzeck, Op. 16  Scene 9: Ein Jager aus der Pfalz ritt einst durch einen grunen Wald
Wozzeck, Op. 16  Scene 9: Ein Jager aus der Pfalz ritt einst durch einen grunen Wald
2:14
91
Wozzeck, Op. 16  Epilogue: Klage um Wozzeck
Wozzeck, Op. 16  Epilogue: Klage um Wozzeck
4:10
97
Harlequin rondo, Op. 46, KiV 266  I. Rondo Arlecchinesco: Allegro Molto - un Poco Meno Allegro, Ma Sempre Vivace - Andante Sostenuto - Tempo I - Sempre Allegro
Rondo arlecchinesco, Op. 46, KiV 266  I. Rondo Arlecchinesco: Allegro Molto - un Poco Meno Allegro, Ma Sempre Vivace - Andante Sostenuto - Tempo I - Sempre Allegro
11:49
98
Harlequin rondo, Op. 46, KiV 266  II. Processione e Danza: Tempo Di Minuetto Sostenuto
Rondo arlecchinesco, Op. 46, KiV 266  II. Processione e Danza: Tempo Di Minuetto Sostenuto
1:45
Copyright Ⓒ 2013 Davinci Finger. All rights reseved     Service Terms & Policy