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1
Peter Maxwell Davies
Peter Maxwell Davies
Caroline Mathilde: Concert Suite from Act I of the Ballet, J. 244
1. A Public Square
Caroline Mathilde: Concert Suite from Act I of the Ballet, J. 244
1. A Public Square
Peter Maxwell Davies: Caroline Mathilde Ballet Suites; Chat Moss; Ojai Festival Overture
3:40
2
Peter Maxwell Davies
Peter Maxwell Davies
Caroline Mathilde: Concert Suite from Act I of the Ballet, J. 244
2. Inside the Castle
Caroline Mathilde: Concert Suite from Act I of the Ballet, J. 244
2. Inside the Castle
Peter Maxwell Davies: Caroline Mathilde Ballet Suites; Chat Moss; Ojai Festival Overture
5:19
3
Peter Maxwell Davies
Peter Maxwell Davies
Caroline Mathilde: Concert Suite from Act I of the Ballet, J. 244
3. The Queen's Chamber
Caroline Mathilde: Concert Suite from Act I of the Ballet, J. 244
3. The Queen's Chamber
Peter Maxwell Davies: Caroline Mathilde Ballet Suites; Chat Moss; Ojai Festival Overture
2:47
4
Peter Maxwell Davies
Peter Maxwell Davies
Caroline Mathilde: Concert Suite from Act I of the Ballet, J. 244
4. The Royal Chambers
Caroline Mathilde: Concert Suite from Act I of the Ballet, J. 244
4. The Royal Chambers
Peter Maxwell Davies: Caroline Mathilde Ballet Suites; Chat Moss; Ojai Festival Overture
13:18
5
Peter Maxwell Davies
Peter Maxwell Davies
Caroline Mathilde: Concert Suite from Act II of the Ballet, J. 249
1. A Public Square
Caroline Mathilde: Concert Suite from Act II of the Ballet, J. 249
1. A Public Square
Peter Maxwell Davies: Caroline Mathilde Ballet Suites; Chat Moss; Ojai Festival Overture
2:43
6
Peter Maxwell Davies
Peter Maxwell Davies
Caroline Mathilde: Concert Suite from Act II of the Ballet, J. 249
2. The Conspiracy
Caroline Mathilde: Concert Suite from Act II of the Ballet, J. 249
2. The Conspiracy
Peter Maxwell Davies: Caroline Mathilde Ballet Suites; Chat Moss; Ojai Festival Overture
4:10
7
Peter Maxwell Davies
Peter Maxwell Davies
Caroline Mathilde: Concert Suite from Act II of the Ballet, J. 249
3. The Masked Ball - Court Dance
Caroline Mathilde: Concert Suite from Act II of the Ballet, J. 249
3. The Masked Ball - Court Dance
Peter Maxwell Davies: Caroline Mathilde Ballet Suites; Chat Moss; Ojai Festival Overture
4:30
8
Peter Maxwell Davies
Peter Maxwell Davies
Caroline Mathilde: Concert Suite from Act II of the Ballet, J. 249
4. The Masked Ball - Pas de deux
Caroline Mathilde: Concert Suite from Act II of the Ballet, J. 249
4. The Masked Ball - Pas de deux
Peter Maxwell Davies: Caroline Mathilde Ballet Suites; Chat Moss; Ojai Festival Overture
6:28
9
Peter Maxwell Davies
Peter Maxwell Davies
Caroline Mathilde: Concert Suite from Act II of the Ballet, J. 249
5. The Arrest
Caroline Mathilde: Concert Suite from Act II of the Ballet, J. 249
5. The Arrest
Peter Maxwell Davies: Caroline Mathilde Ballet Suites; Chat Moss; Ojai Festival Overture
5:12
10
Peter Maxwell Davies
Peter Maxwell Davies
Caroline Mathilde: Concert Suite from Act II of the Ballet, J. 249
6. The Execution
Caroline Mathilde: Concert Suite from Act II of the Ballet, J. 249
6. The Execution
Peter Maxwell Davies: Caroline Mathilde Ballet Suites; Chat Moss; Ojai Festival Overture
5:13
11
Peter Maxwell Davies
Peter Maxwell Davies
Caroline Mathilde: Concert Suite from Act II of the Ballet, J. 249
7. The Exile of Caroline Mathilde
Caroline Mathilde: Concert Suite from Act II of the Ballet, J. 249
7. The Exile of Caroline Mathilde
Peter Maxwell Davies: Caroline Mathilde Ballet Suites; Chat Moss; Ojai Festival Overture
9:11
12
Peter Maxwell Davies
Peter Maxwell Davies
Cat Moss, J. 264
Chat Moss
Chat Moss, J. 264
Chat Moss
Peter Maxwell Davies: Caroline Mathilde Ballet Suites; Chat Moss; Ojai Festival Overture
5:33
13
Peter Maxwell Davies
Peter Maxwell Davies
Ojai Festival Overture, J.240
Ojai Festival Overture
Ojai Festival Overture, J. 240
Ojai Festival Overture
Peter Maxwell Davies: Caroline Mathilde Ballet Suites; Chat Moss; Ojai Festival Overture
5:33
14
Frederick Delius
Frederick Delius
Continued, RT vii/1
I. Pastorale. Andante quasi Allegretto
Suite, RT vii/1
I. Pastorale. Andante quasi Allegretto
Tasmin Little Plays Haydn Wood, Samuel Coleridge-Taylor, Frederick Delius
5:38
15
Frederick Delius
Frederick Delius
Continued, RT vii/1
II. Intermezzo. Allegro molto vivace
Suite, RT vii/1
II. Intermezzo. Allegro molto vivace
Tasmin Little Plays Haydn Wood, Samuel Coleridge-Taylor, Frederick Delius
3:4
16
Frederick Delius
Frederick Delius
Continued, RT vii/1
III. [Élégie.] Adagio cantabile - [] - Tempo I
Suite, RT vii/1
III. [Élégie.] Adagio cantabile - [] - Tempo I
Tasmin Little Plays Haydn Wood, Samuel Coleridge-Taylor, Frederick Delius
5:20
17
Frederick Delius
Frederick Delius
Continued, RT vii/1
IV. [Finale.] Allegro animato - Tranquillo - Tempo I - Più lento, molto tranquillo - Tempo I - maestoso
Suite, RT vii/1
IV. [Finale.] Allegro animato - Tranquillo - Tempo I - Più lento, molto tranquillo - Tempo I - maestoso
Tasmin Little Plays Haydn Wood, Samuel Coleridge-Taylor, Frederick Delius
4:41
18
Aaron Copland
Aaron Copland
The Mexico Hall
El Salon Mexico
El Salón México
El Salon Mexico
Copland: Orchestral Works, Vol. 1 – Ballets
11:24
19
Aaron Copland
Aaron Copland
Billy the Kid
Introduction
Billy the Kid
Introduction
Copland: Orchestral Works, Vol. 1 – Ballets
3:25
20
Aaron Copland
Aaron Copland
Billy the Kid
Street in a Frontier Town
Billy the Kid
Street in a Frontier Town
Copland: Orchestral Works, Vol. 1 – Ballets
3:17
21
Aaron Copland
Aaron Copland
Billy the Kid
Mexican Dance and Finale
Billy the Kid
Mexican Dance and Finale
Copland: Orchestral Works, Vol. 1 – Ballets
3:14
22
Aaron Copland
Aaron Copland
Billy the Kid
Prairie Night (Card game at night)
Billy the Kid
Prairie Night (Card game at night)
Copland: Orchestral Works, Vol. 1 – Ballets
3:13
23
Aaron Copland
Aaron Copland
Billy the Kid
Gun Battle
Billy the Kid
Gun Battle
Copland: Orchestral Works, Vol. 1 – Ballets
1:57
24
Aaron Copland
Aaron Copland
Billy the Kid
Celebration (after Billy's capture)
Billy the Kid
Celebration (after Billy's capture)
Copland: Orchestral Works, Vol. 1 – Ballets
2:12
25
Aaron Copland
Aaron Copland
Billy the Kid
Billy's Death
Billy the Kid
Billy's Death
Copland: Orchestral Works, Vol. 1 – Ballets
1:17
26
Aaron Copland
Aaron Copland
Billy the Kid
The Open Prairie again
Billy the Kid
The Open Prairie again
Copland: Orchestral Works, Vol. 1 – Ballets
1:45
27
Aaron Copland
Aaron Copland
Appalachian Spring, concert suite for 13 instruments
Very slowly
Appalachian Spring, concert suite for 13 instruments
Very slowly
Copland: Orchestral Works, Vol. 1 – Ballets
2:49
28
Aaron Copland
Aaron Copland
Appalachian Spring, concert suite for 13 instruments
Allegro
Appalachian Spring, concert suite for 13 instruments
Allegro
Copland: Orchestral Works, Vol. 1 – Ballets
2:53
29
Aaron Copland
Aaron Copland
Appalachian Spring, concert suite for 13 instruments
Moderato
Appalachian Spring, concert suite for 13 instruments
Moderato
Copland: Orchestral Works, Vol. 1 – Ballets
3:51
30
Aaron Copland
Aaron Copland
Appalachian Spring, concert suite for 13 instruments
Fast
Appalachian Spring, concert suite for 13 instruments
Fast
Copland: Orchestral Works, Vol. 1 – Ballets
3:23
31
Aaron Copland
Aaron Copland
Appalachian Spring, concert suite for 13 instruments
Subito allegro
Appalachian Spring, concert suite for 13 instruments
Subito allegro
Copland: Orchestral Works, Vol. 1 – Ballets
3:8
32
Aaron Copland
Aaron Copland
Appalachian Spring, concert suite for 13 instruments
Meno mosso
Appalachian Spring, concert suite for 13 instruments
Meno mosso
Copland: Orchestral Works, Vol. 1 – Ballets
55
33
Aaron Copland
Aaron Copland
Appalachian Spring, concert suite for 13 instruments
As at first (slowly)
Appalachian Spring, concert suite for 13 instruments
As at first (slowly)
Copland: Orchestral Works, Vol. 1 – Ballets
7:30
34
Alberto Ginastera
Alberto Ginastera
Pampean No. 3, op. 24
I. Adagio contemplativo - Poco più mosso - Tempo I - A tempo ma pochissimo più lento
Pampeana No. 3, Op. 24
I. Adagio contemplativo - Poco più mosso - Tempo I - A tempo ma pochissimo più lento
Ginastera: Orchestral Works, Vol. 1 - Estancia; Ollantay; Pampeana No. 3
6:52
35
Alberto Ginastera
Alberto Ginastera
Pampean No. 3, op. 24
II. Impetuosamente - Intermezzo quasi Trio. Un poco meno mosso [Tempo II] - Più mosso - Tempo II - Più mosso - Tempo II - Tempo I - Poco a poco precipitando - Tempo I
Pampeana No. 3, Op. 24
II. Impetuosamente - Intermezzo quasi Trio. Un poco meno mosso [Tempo II] - Più mosso - Tempo II - Più mosso - Tempo II - Tempo I - Poco a poco precipitando - Tempo I
Ginastera: Orchestral Works, Vol. 1 - Estancia; Ollantay; Pampeana No. 3
5:41
36
Alberto Ginastera
Alberto Ginastera
Pampean No. 3, op. 24
III. Largo con poetica esaltazione - Pochissimo più lento
Pampeana No. 3, Op. 24
III. Largo con poetica esaltazione - Pochissimo più lento
Ginastera: Orchestral Works, Vol. 1 - Estancia; Ollantay; Pampeana No. 3
5:47
37
Alberto Ginastera
Alberto Ginastera
Ollantay, 3 symphonic movements, Op. 17
Paisaje de Ollantaytambo (The Landscape of Ollantaytambo). Lento
Ollantay, 3 symphonic movements, Op. 17
Paisaje de Ollantaytambo (The Landscape of Ollantaytambo). Lento
Ginastera: Orchestral Works, Vol. 1 - Estancia; Ollantay; Pampeana No. 3
4:29
38
Alberto Ginastera
Alberto Ginastera
Ollantay, 3 symphonic movements, Op. 17
Los guerreros (The Warriors). Allegro - Poco più mosso - Tempo I - Presto e agitato
Ollantay, 3 symphonic movements, Op. 17
Los guerreros (The Warriors). Allegro - Poco più mosso - Tempo I - Presto e agitato
Ginastera: Orchestral Works, Vol. 1 - Estancia; Ollantay; Pampeana No. 3
3:6
39
Alberto Ginastera
Alberto Ginastera
Ollantay, 3 symphonic movements, Op. 17
La muerte de Ollantay (The Death of Ollantay). Andante - Adagio - Largo e desolato
Ollantay, 3 symphonic movements, Op. 17
La muerte de Ollantay (The Death of Ollantay). Andante - Adagio - Largo e desolato
Ginastera: Orchestral Works, Vol. 1 - Estancia; Ollantay; Pampeana No. 3
6:2
40
Alfredo Casella
Alfredo Casella
Symphonic fragments from the opera The snake woman, Op. 50
First Series: A Fritz Reiner: Musica del sogno di re Altidòr. Andante (Tempo di Berceuse) -
Symphonic fragments from the opera La donna serpente, Op. 50
First Series: A Fritz Reiner: Musica del sogno di re Altidòr. Andante (Tempo di Berceuse) -
Noseda conducts Casella
2:50
41
Alfredo Casella
Alfredo Casella
Symphonic fragments from the opera The snake woman, Op. 50
First Series: A Fritz Reiner: Interludio. Andante moderato -
Symphonic fragments from the opera La donna serpente, Op. 50
First Series: A Fritz Reiner: Interludio. Andante moderato -
Noseda conducts Casella
1:22
42
Alfredo Casella
Alfredo Casella
Symphonic fragments from the opera The snake woman, Op. 50
First Series: A Fritz Reiner: Marcia guerriera. Tempa di marcia (piuttosto vivace ma non troppo) -
Symphonic fragments from the opera La donna serpente, Op. 50
First Series: A Fritz Reiner: Marcia guerriera. Tempa di marcia (piuttosto vivace ma non troppo) -
Noseda conducts Casella
5:21
43
Alfredo Casella
Alfredo Casella
Symphonic fragments from the opera The snake woman, Op. 50
Second Series: A Bernardino Molinari: Sinfonia. Allegro vivacissimo - Pochissimo meno mosso -
Symphonic fragments from the opera La donna serpente, Op. 50
Second Series: A Bernardino Molinari: Sinfonia. Allegro vivacissimo - Pochissimo meno mosso -
Noseda conducts Casella
5:28
44
Alfredo Casella
Alfredo Casella
Symphonic fragments from the opera The snake woman, Op. 50
Second Series: A Bernardino Molinari: Preludio. Lento, ma non troppo - Sempre più fortissimo
Symphonic fragments from the opera La donna serpente, Op. 50
Second Series: A Bernardino Molinari: Preludio. Lento, ma non troppo - Sempre più fortissimo
Noseda conducts Casella
6:49
45
Alfredo Casella
Alfredo Casella
Symphonic fragments from the opera The snake woman, Op. 50
Second Series: A Bernardino Molinari: Battaglia e Finale. Allegro vivacissimo - sempre fortissimo - Largamente - Di nuovo vivacissimo - Sempre animatissimo - Largamente, pesante - Finale. Tempo di marcia
Symphonic fragments from the opera La donna serpente, Op. 50
Second Series: A Bernardino Molinari: Battaglia e Finale. Allegro vivacissimo - sempre fortissimo - Largamente - Di nuovo vivacissimo - Sempre animatissimo - Largamente, pesante - Finale. Tempo di marcia
Noseda conducts Casella
4:26
46
Ernst von Dohnányi
Ernst von Dohnányi
Ruralia Hungarica (5) for orchestra, Op. 32b
2. Presto, ma non tanto
Ruralia Hungarica (5) for orchestra, Op. 32b
2. Presto, ma non tanto
Dohnányi: Orchestral Works
3:50
47
Ernst von Dohnányi
Ernst von Dohnányi
Ruralia Hungarica (5) for orchestra, Op. 32b
4. Adagio non troppo - Agitato, ma soltanto un poco più mosso - Tempo I - Più adagio
Ruralia Hungarica (5) for orchestra, Op. 32b
4. Adagio non troppo - Agitato, ma soltanto un poco più mosso - Tempo I - Più adagio
Dohnányi: Orchestral Works
7:52
48
Aaron Copland
Aaron Copland
Orchestral Variations
Theme. Grave (Quarter Note = 48) -
Orchestral Variations
Theme. Grave (Quarter Note = 48) -
Copland: Orchestral Works, Vol. 2 – Symphonies
1:6
49
Aaron Copland
Aaron Copland
Orchestral Variations
Variation I (Quarter Note = 54) - Variation II. Più mosso (Quarter Note = 72) - Variation III. Più mosso (Quarter Note = 100) -
Orchestral Variations
Variation I (Quarter Note = 54) - Variation II. Più mosso (Quarter Note = 72) - Variation III. Più mosso (Quarter Note = 100) -
Copland: Orchestral Works, Vol. 2 – Symphonies
1:49
50
Aaron Copland
Aaron Copland
Orchestral Variations
Variation IV. Meno mosso (Quarter Note = 80) - Variation V - Variation VI. Più mosso (Quarter Note - 112) -
Orchestral Variations
Variation IV. Meno mosso (Quarter Note = 80) - Variation V - Variation VI. Più mosso (Quarter Note - 112) -
Copland: Orchestral Works, Vol. 2 – Symphonies
1:5
51
Aaron Copland
Aaron Copland
Orchestral Variations
Variation VII. Boldly, very marked - Variation VIII. Più mosso ancora (Quarter Note = 132) - Variation IX -
Orchestral Variations
Variation VII. Boldly, very marked - Variation VIII. Più mosso ancora (Quarter Note = 132) - Variation IX -
Copland: Orchestral Works, Vol. 2 – Symphonies
56
52
Aaron Copland
Aaron Copland
Orchestral Variations
Variation X. Più largamente (Quarter Note 76) -
Orchestral Variations
Variation X. Più largamente (Quarter Note 76) -
Copland: Orchestral Works, Vol. 2 – Symphonies
37
53
Aaron Copland
Aaron Copland
Orchestral Variations
Variation XI. Lento e liberamente (Quarter Note = 66) -
Orchestral Variations
Variation XI. Lento e liberamente (Quarter Note = 66) -
Copland: Orchestral Works, Vol. 2 – Symphonies
53
54
Aaron Copland
Aaron Copland
Orchestral Variations
Variation XII. Subito allegretto (Quarter Note = 126) - Variation XIII. Poco più mosso (Quarter Note = 138)
Orchestral Variations
Variation XII. Subito allegretto (Quarter Note = 126) - Variation XIII. Poco più mosso (Quarter Note = 138)
Copland: Orchestral Works, Vol. 2 – Symphonies
26
55
Aaron Copland
Aaron Copland
Orchestral Variations
Variation XIV. Allegro con brio (Quarter Note = 176) - Variation XV - Variation XVI - Variation XVII -
Orchestral Variations
Variation XIV. Allegro con brio (Quarter Note = 176) - Variation XV - Variation XVI - Variation XVII -
Copland: Orchestral Works, Vol. 2 – Symphonies
1:40
56
Aaron Copland
Aaron Copland
Orchestral Variations
Variation XVIII - Variation XIX. Molto meno mosso (Quarter Note = 104) - Subito allegro (Quarter Note = 152) - Variation XX (not too fast) - Allegro vivo (Quarter Note = 184) - Poco accelerando ancora (Quarter Note = 204) -
Orchestral Variations
Variation XVIII - Variation XIX. Molto meno mosso (Quarter Note = 104) - Subito allegro (Quarter Note = 152) - Variation XX (not too fast) - Allegro vivo (Quarter Note = 184) - Poco accelerando ancora (Quarter Note = 204) -
Copland: Orchestral Works, Vol. 2 – Symphonies
1:41
57
Aaron Copland
Aaron Copland
Orchestral Variations
Coda. Subito lento moderato (Quarter Note =72) - Poco largamente (Quarter Note = 66) - Più largamente ancora (Quarter Note = 58)
Orchestral Variations
Coda. Subito lento moderato (Quarter Note =72) - Poco largamente (Quarter Note = 66) - Più largamente ancora (Quarter Note = 58)
Copland: Orchestral Works, Vol. 2 – Symphonies
2:26
58
Aaron Copland
Aaron Copland
Symphonic Ode
Largamente e maestoso - Poco animando - Poco più mosso - Più mosso ancora -
Symphonic Ode
Largamente e maestoso - Poco animando - Poco più mosso - Più mosso ancora -
Copland: Orchestral Works, Vol. 2 – Symphonies
3:54
59
Aaron Copland
Aaron Copland
Symphonic Ode
Subito allegro -
Symphonic Ode
Subito allegro -
Copland: Orchestral Works, Vol. 2 – Symphonies
4:22
60
Aaron Copland
Aaron Copland
Symphonic Ode
Subito lento e drammatico - Un poco largamente - Tempo I (Largamente) -
Symphonic Ode
Subito lento e drammatico - Un poco largamente - Tempo I (Largamente) -
Copland: Orchestral Works, Vol. 2 – Symphonies
4:53
61
Aaron Copland
Aaron Copland
Symphonic Ode
Subito doppio movimento - A tempo II [Allegro] -
Symphonic Ode
Subito doppio movimento - A tempo II [Allegro] -
Copland: Orchestral Works, Vol. 2 – Symphonies
1:38
62
Aaron Copland
Aaron Copland
Symphonic Ode
Più mosso (Molto ritmico) - Pochettino meno mosso - Più deliberato - Molto ritardando - Lento maestoso - Più largamente (con tutta forza)
Symphonic Ode
Più mosso (Molto ritmico) - Pochettino meno mosso - Più deliberato - Molto ritardando - Lento maestoso - Più largamente (con tutta forza)
Copland: Orchestral Works, Vol. 2 – Symphonies
3:28
63
William Alwyn
William Alwyn
The Black Tent
1. Main Titles and Opening Scene. Moderato
The Black Tent
1. Main Titles and Opening Scene. Moderato
The Film Music of William Alwyn, Vol. 4
2:37
64
William Alwyn
William Alwyn
The Black Tent
2. Arab Scene. Moderato
The Black Tent
2. Arab Scene. Moderato
The Film Music of William Alwyn, Vol. 4
3:37
65
William Alwyn
William Alwyn
The Black Tent
3. In the Camp. Moderato
The Black Tent
3. In the Camp. Moderato
The Film Music of William Alwyn, Vol. 4
4:3
66
William Alwyn
William Alwyn
The Black Tent
4. Nocturne and Finale. Moderato - Poco meno mosso - Moderato
The Black Tent
4. Nocturne and Finale. Moderato - Poco meno mosso - Moderato
The Film Music of William Alwyn, Vol. 4
5:8
67
William Alwyn
William Alwyn
On Approval
1. Title Music. Moderato - Vivace - A tempo di valse -
On Approval
1. Title Music. Moderato - Vivace - A tempo di valse -
The Film Music of William Alwyn, Vol. 4
1:8
68
William Alwyn
William Alwyn
On Approval
2. Polka. Tempo di polka
On Approval
2. Polka. Tempo di polka
The Film Music of William Alwyn, Vol. 4
1:5
69
William Alwyn
William Alwyn
On Approval
3. Proposal Waltz. Moderato - Tempo di valse
On Approval
3. Proposal Waltz. Moderato - Tempo di valse
The Film Music of William Alwyn, Vol. 4
1:32
70
William Alwyn
William Alwyn
On Approval
4. The Lancers. Vivace - Poco meno mosso - Tempo I - Poco meno mosso - Tempo I
On Approval
4. The Lancers. Vivace - Poco meno mosso - Tempo I - Poco meno mosso - Tempo I
The Film Music of William Alwyn, Vol. 4
2:29
71
William Alwyn
William Alwyn
The Master of Ballantrae
1. Main Titles. Moderato
The Master of Ballantrae
1. Main Titles. Moderato
The Film Music of William Alwyn, Vol. 4
1:22
72
William Alwyn
William Alwyn
The Master of Ballantrae
2. Jamie and Alison. Adagio - [ ] - A tempo I
The Master of Ballantrae
2. Jamie and Alison. Adagio - [ ] - A tempo I
The Film Music of William Alwyn, Vol. 4
2:18
73
William Alwyn
William Alwyn
The Master of Ballantrae
3. Spanish Dance. Vivace - A tempo giusto ma meno
The Master of Ballantrae
3. Spanish Dance. Vivace - A tempo giusto ma meno
The Film Music of William Alwyn, Vol. 4
2:19
74
William Alwyn
William Alwyn
Shake Hands with the Devil
1. Dublin 1921. Moderato
Shake Hands with the Devil
1. Dublin 1921. Moderato
The Film Music of William Alwyn, Vol. 4
2:57
75
William Alwyn
William Alwyn
Shake Hands with the Devil
2. People of Erin. [ ]
Shake Hands with the Devil
2. People of Erin. [ ]
The Film Music of William Alwyn, Vol. 4
2:14
76
William Alwyn
William Alwyn
Shake Hands with the Devil
3. The Black and Tans. Moderato - Molto meno mosso - Più mosso e molto accelerando
Shake Hands with the Devil
3. The Black and Tans. Moderato - Molto meno mosso - Più mosso e molto accelerando
The Film Music of William Alwyn, Vol. 4
2:53
77
William Alwyn
William Alwyn
Shake Hands with the Devil
4. Professor Sean Lenihan. [ ]
Shake Hands with the Devil
4. Professor Sean Lenihan. [ ]
The Film Music of William Alwyn, Vol. 4
1:59
78
William Alwyn
William Alwyn
Shake Hands with the Devil
5. Trouble. [ ]
Shake Hands with the Devil
5. Trouble. [ ]
The Film Music of William Alwyn, Vol. 4
1:48
79
William Alwyn
William Alwyn
Shake Hands with the Devil
6. Rebel to the End. Andante
Shake Hands with the Devil
6. Rebel to the End. Andante
The Film Music of William Alwyn, Vol. 4
2:18
80
William Alwyn
William Alwyn
They Flew Alone
1. Prelude. Molto maestoso - A tempo, ma più mosso - A tempo, ma stringendo -
They Flew Alone
1. Prelude. Molto maestoso - A tempo, ma più mosso - A tempo, ma stringendo -
The Film Music of William Alwyn, Vol. 4
2:4
81
William Alwyn
William Alwyn
They Flew Alone
2. Nocturne. Moderato (à la Chopin) - Alla marcia -
They Flew Alone
2. Nocturne. Moderato (à la Chopin) - Alla marcia -
The Film Music of William Alwyn, Vol. 4
1:53
82
William Alwyn
William Alwyn
They Flew Alone
3. March. Alla marcia - Poco meno mosso - Tempo I
They Flew Alone
3. March. Alla marcia - Poco meno mosso - Tempo I
The Film Music of William Alwyn, Vol. 4
3:4
83
William Alwyn
William Alwyn
Manchester Suite from 'A City Speaks'
1. Prelude. maestoso
Manchester Suite from 'A City Speaks'
1. Prelude. maestoso
The Film Music of William Alwyn, Vol. 4
1:45
84
William Alwyn
William Alwyn
Manchester Suite from 'A City Speaks'
2. March. Alla marcia - Coda
Manchester Suite from 'A City Speaks'
2. March. Alla marcia - Coda
The Film Music of William Alwyn, Vol. 4
3:48
85
William Alwyn
William Alwyn
Manchester Suite from 'A City Speaks'
3. Interlude. Allegro ritmico - Molto meno mosso - A tempo moderato
Manchester Suite from 'A City Speaks'
3. Interlude. Allegro ritmico - Molto meno mosso - A tempo moderato
The Film Music of William Alwyn, Vol. 4
3:19
86
William Alwyn
William Alwyn
Manchester Suite from 'A City Speaks'
4. Scherzo. Vivace - Coda
Manchester Suite from 'A City Speaks'
4. Scherzo. Vivace - Coda
The Film Music of William Alwyn, Vol. 4
56
87
William Alwyn
William Alwyn
Manchester Suite from 'A City Speaks'
5. Finale. Moderato - Tempo pesante - L'istesso tempo - L'istesso tempo - Broader - Meno - Maestoso
Manchester Suite from 'A City Speaks'
5. Finale. Moderato - Tempo pesante - L'istesso tempo - L'istesso tempo - Broader - Meno - Maestoso
The Film Music of William Alwyn, Vol. 4
4:58
88
Gabriel Pierné
Gabriel Pierné
Franciscan Landscapes
I. Au jardin de Sainte Claire (Couvent de Saint Damien). Andantino - Trés calme
Franciscan Landscapes
I. Au jardin de Sainte Claire (Couvent de Saint Damien). Andantino - Trés calme
Pierné: Orchestral Works, Vol. 2
4:38
89
Gabriel Pierné
Gabriel Pierné
Franciscan Landscapes
II. Les Olivaies de la plaine d'Assise (Crépuscule d'automne). Modéré - Tranquillo - Tempo I - Tranquillo - Tempo I - Tranquillo - Sempre tranquillo - Calme
Franciscan Landscapes
II. Les Olivaies de la plaine d'Assise (Crépuscule d'automne). Modéré - Tranquillo - Tempo I - Tranquillo - Tempo I - Tranquillo - Sempre tranquillo - Calme
Pierné: Orchestral Works, Vol. 2
5:26
90
Gabriel Pierné
Gabriel Pierné
Franciscan Landscapes
III. Sur la route de Poggio-Bustone (La Procession). Modéré
Franciscan Landscapes
III. Sur la route de Poggio-Bustone (La Procession). Modéré
Pierné: Orchestral Works, Vol. 2
8:46
91
George Antheil
George Antheil
Over the Plains, W180
Over the Plains: Allegro - Poco meno, espressivo - Poco più mosso - Pesante - A tempo (Allegro) - Pesante - Allegro moderate - Poco più mosso - Poco più mosso - A tempo I - Molto marcato - Misterioso, espressivo - A tempo I
Over the Plains, W. 180
Over the Plains: Allegro - Poco meno, espressivo - Poco più mosso - Pesante - A tempo (Allegro) - Pesante - Allegro moderate - Poco più mosso - Poco più mosso - A tempo I - Molto marcato - Misterioso, espressivo - A tempo I
George Antheil: Symphony No. 4 "1942"; Symphony No. 5 "Joyous"; Over the Plains
7:41
92
George Enescu
George Enescu
Suite for orchestra No. 3 in D major "Villageoise", Op. 27
I. Rural springtime. Allegro moderato
Suite for orchestra No. 3 in D major "Villageoise", Op. 27
I. Rural springtime. Allegro moderato
Enescu: The Three Symphonies; Suite No. 3 "Villageoise"; Romanian Rhapsodies Nos. 1 and 2
6:9
93
George Enescu
George Enescu
Suite for orchestra No. 3 in D major "Villageoise", Op. 27
II. Children playing outdoors. Allegro con brio
Suite for orchestra No. 3 in D major "Villageoise", Op. 27
II. Children playing outdoors. Allegro con brio
Enescu: The Three Symphonies; Suite No. 3 "Villageoise"; Romanian Rhapsodies Nos. 1 and 2
3:54
94
George Enescu
George Enescu
Suite for orchestra No. 3 in D major "Villageoise", Op. 27
III. The old childhood house in the sunset. Shepherd. Migrating birds and crows. The vesper bell. Moderato pensieroso, quasi andante
Suite for orchestra No. 3 in D major "Villageoise", Op. 27
III. The old childhood house in the sunset. Shepherd. Migrating birds and crows. The vesper bell. Moderato pensieroso, quasi andante
Enescu: The Three Symphonies; Suite No. 3 "Villageoise"; Romanian Rhapsodies Nos. 1 and 2
11:38
95
George Enescu
George Enescu
Suite for orchestra No. 3 in D major "Villageoise", Op. 27
IV. Moonlight upon the river. Moderato malinconico, ma senza lentezza
Suite for orchestra No. 3 in D major "Villageoise", Op. 27
IV. Moonlight upon the river. Moderato malinconico, ma senza lentezza
Enescu: The Three Symphonies; Suite No. 3 "Villageoise"; Romanian Rhapsodies Nos. 1 and 2
3:34
96
George Enescu
George Enescu
Suite for orchestra No. 3 in D major "Villageoise", Op. 27
V. Rustic dances. Allegro giocoso, non troppo mosso
Suite for orchestra No. 3 in D major "Villageoise", Op. 27
V. Rustic dances. Allegro giocoso, non troppo mosso
Enescu: The Three Symphonies; Suite No. 3 "Villageoise"; Romanian Rhapsodies Nos. 1 and 2
5:20
97
George Enescu
George Enescu
Romanian Rhapsodies (2), Op.11
Lent - Mouvement - Vite
Roumanian Rhapsodies (2), Op. 11
Lent - Mouvement - Vite
Enescu: The Three Symphonies; Suite No. 3 "Villageoise"; Romanian Rhapsodies Nos. 1 and 2
14:15
98
George Enescu
George Enescu
Romanian Rhapsody No. 1 in A major, Op. 11/1
Romanian Rhapsody, Op. 11 No. 1 in A major: Modéré - Trés vite - Premier mouvement - Posément - Même temps - Plus vite - Posément - Même temps - Posément - Plus vite - Encore plus vite - Très vif - Allègrement - Très vif
Roumanian Rhapsody No. 1 in A major, Op. 11/1
Romanian Rhapsody, Op. 11 No. 1 in A major: Modéré - Trés vite - Premier mouvement - Posément - Même temps - Plus vite - Posément - Même temps - Posément - Plus vite - Encore plus vite - Très vif - Allègrement - Très vif
Enescu: The Three Symphonies; Suite No. 3 "Villageoise"; Romanian Rhapsodies Nos. 1 and 2
12:57
99
Carl Nielsen
Carl Nielsen
Aladdin, FS 89, Op.34
Act III: No. 11 Oriental Festival March
Aladdin, FS 89, Op. 34
Act III: No. 11 Oriental Festival March
Explosive Classics
3:18
100
Edvard Grieg
Edvard Grieg
Peer Gynt Suite for orchestra No. 1, Op. 46
No. 4 In the Hall of the Mountain King
Peer Gynt Suite for orchestra No. 1, Op. 46
No. 4 In the Hall of the Mountain King
Explosive Classics
2:24
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