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MISCELLANEOUS

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ALBUMS

MUSICS

WORKS

MOVIES

Miscellaneous WORKS

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5501

Tylman Susato

Tylman Susato

Where does this come from, Bergerette

Dont vient céla, Bergerette

5502

Spoken Word

Spoken Word

The Third movement is a marvel (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

The Third movement is a marvel (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

5503

Tobias Forster / Kilian Forster / Tim Hahn

Tobias Forster / Kilian Forster / Tim Hahn

Cuban Dance (after Brahms' Hungarian Dance No. 5)

Cuban Dance (after Brahms' Hungarian Dance No. 5)

5504

Stanton-Burleigh

Stanton-Burleigh

John

Jean

5505

Marcel Tournier

Marcel Tournier

Russian Lullaby Op. 40

Berceuse Russe Op. 40

5506

Barbara Strozzi

Barbara Strozzi

Think carefully my heart

Pensaci ben mio core

5507

Spoken Word

Spoken Word

Award

Sentence

5508

Éric Tanguy

Éric Tanguy

Towards

Towards

5509

Spoken Word

Spoken Word

Wilhelm Furtwänlger talks about a conductor's problems, concert audiences, Bruckner's music, accompanying singers

Wilhelm Furtwänlger talks about a conductor's problems, concert audiences, Bruckner's music, accompanying, singers

5510

Thomas Tomkins

Thomas Tomkins

Funeral Sentences

Funeral Sentences

5511

Alessandro Stradella

Alessandro Stradella

Work(s)

Work(s)

5512

Traditional

Traditional

General's March

Generals March

5513

Dylan Thomas

Dylan Thomas

Memories of Christmas

Memories of Christmas

5514

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about Verdi's Otello

Wilhelm Furtwänlger talks about Verdi's Otello

5515

Paolo Tosti

Paolo Tosti

Pink

Rosa

5516

Barrett Strong

Barrett Strong

I Heard It Through The Grapevine

I Heard It Through The Grapevine

5517

Spoken Word

Spoken Word

Post session Thanks To the Performers

Post-Session Thanks To the Performers

5518

Howard Swanson

Howard Swanson

The Cuckoo

The Cuckoo

5519

Spoken Word

Spoken Word

Well, we have had a microscopic view (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

Well, we have had a microscopic view (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5520

Thomas Tollett

Thomas Tollett

Queen's Farewell

Queen's Farewell

5521

M. Storkin

M. Storkin

Small Doxology

Small Doxology

5522

Traditional

Traditional

Doodletown Fifers

Doodletown Fifers

5523

Joachim Stutschewsky

Joachim Stutschewsky

Hassidic Suite

Hassidic Suite

5524

Spoken Word

Spoken Word

The Darkling Thrush

The Darkling Thrush

5525

Oscar Strock

Oscar Strock

Where Shall I Go?

Where Shall I Go?

5526

Traditional

Traditional

Kongrei

Kongerei

5527

Spoken Word

Spoken Word

Now think of it - we have so far only had 44 bars of music (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

Now think of it - we have so far only had 44 bars of music (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5528

Harold Sventelius

Harold Sventelius

O peerless star

O makalösa stjärna

5529

Spoken Word

Spoken Word

To my mind, Schumann follows in this tradition... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

To my mind, Schumann follows in this tradition... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

5530

Tobias Forster / Kilian Forster / Tim Hahn

Tobias Forster / Kilian Forster / Tim Hahn

SalsaNo. V (after Beethoven's Symphony No. 5)

Salsa No. V (after Beethoven's Symphony No. 5)

5531

Bernard Stevens

Bernard Stevens

Mark of Cain

Mark of Cain

5532

René Touzet

René Touzet

Recording to the Master

Recordando al Maestro

5533

Gregorio Strozzi

Gregorio Strozzi

Elevation touch

Toccata per l'Elevazione

5534

Spoken Word

Spoken Word

So we arrive at the coda (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

So we arrive at the coda (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5535

Svend Erik Tarp

Svend Erik Tarp

The Battle of Jericho, Op.51

The Battle of Jericho, Op. 51

5536

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about music in opera

Wilhelm Furtwänlger talks about music in opera

5537

Paolo Tosti

Paolo Tosti

Arcane!

Arcano!

5538

Tylman Susato

Tylman Susato

From post

De post

5539

Spoken Word

Spoken Word

The study of the Eroica is a lifetime work - Symphony No. 3 (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

The study of the Eroica is a lifetime work - Symphony No. 3 (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

5540

Liu Tian-hua

Liu Tian-hua

Liang Xiao

Liang Xiao

5541

St. Godrich

St. Godrich

Saint Nicolaes Godes Drud

Sainte Nicolaes Godes Drud

5542

Paolo Tosti

Paolo Tosti

Work(s)

Work(s)

5543

Barbara Strozzi

Barbara Strozzi

Cottage, o giorni dolenti

Gite, o giorni dolenti

5544

Spoken Word

Spoken Word

Second Lesson—Genesis 22:15-18

Second Lesson - Genesis 22:15-18

5545

Louise Talma

Louise Talma

Let's Touch the Sky

Let's Touch the Sky

5546

Spoken Word

Spoken Word

Wilhelm Furtwaenlger On the nature of the symphonic, tempo and the general pause

Wilhelm Furtwänlger On the nature of the symphonic, tempo and the General Pause

5547

Tomas Gubitsch / Hughes de Courson

Tomas Gubitsch / Hughes de Courson

The Flight

El Vuelo

5548

Alessandro Stradella

Alessandro Stradella

The strength of the stars

La forza delle Stelle

5549

Traditional

Traditional

El Rey de France

El Rey de Francia

5550

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about scoring, instrumental technique, expression, melody and legato

Wilhelm Furtwänlger talks about scoring, instrumental technique, expression, melody and legato

5551

Paolo Tosti

Paolo Tosti

Dream

Rêve

5552

Strokin

Strokin

Now Let This Servant Department

Now Let This Thy Servant Depart

5553

Traditional

Traditional

Last Post, bugle call

Last Post, bugle call

5554

Spoken Word

Spoken Word

Perhaps the most admirable example... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

Perhaps the most admirable example... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

5555

Timothy Swan

Timothy Swan

Rainbows

Rainbow

5556

Spoken Word

Spoken Word

We have just been examining... (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

We have just been examining... (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

5557

Thomas Tollett

Thomas Tollett

Ground

Ground

5558

Stephen Storace

Stephen Storace

The Curfew

The Curfew

5559

Traditional

Traditional

Claros y Frescoes rios

Claros y Frescos rios

5560

Joachim Stutschewsky

Joachim Stutschewsky

Free salmon

Freilachs

5561

Spoken Word

Spoken Word

Ghosts Introduction by John Browning

Spoken Introduction by John Browning

5562

Giovanni Antonio Terzi

Giovanni Antonio Terzi

Variations on Palestrina's "Vestiva and colli"

Variations on Palestrina's "Vestiva i colli"

5563

Traditional

Traditional

Jovan Jovanka

Jovano Jovanke

5564

Spoken Word

Spoken Word

Now there is a melody (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

Now there is a melody (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)

5565

Tylman Susato

Tylman Susato

Ronde, "Where Bistu"

Ronde, "Wo Bistu"

5566

Spoken Word

Spoken Word

This brings us to the development section proper (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

This brings us to the development section proper (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5567

Tobias Forster / Kilian Forster / Tim Hahn

Tobias Forster / Kilian Forster / Tim Hahn

Mambozart (after Mozart's Symphony No. 40)

Mambozart (after Mozart's Symphony No. 40)

5568

Michael Stegemann

Michael Stegemann

The Glenn Gould Trilogy, A Life

The Glenn Gould Trilogy, A Life

5569

René Touzet

René Touzet

Cervantine

Cervantina

5570

Barbara Strozzi

Barbara Strozzi

Work(s)

Work(s)

5571

Spoken Word

Spoken Word

Simplicity itself (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

Simplicity itself (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)

5572

William Tans'ur

William Tans'ur

Colchester "O'twas a joyful sound to hear"

Colchester "O 'twas a joyful sound to hear"

5573

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about acoustics in large and small halls

Wilhelm Furtwänlger talks about acoustics in large and small halls

5574

Tomás de Torrejón y Velasco

Tomás de Torrejón y Velasco

In this pilgrim sol

A este sol peregrino

5575

Isaac Strauss

Isaac Strauss

Orpheus in the underworld

Orphée aux enfers

5576

Spoken Word

Spoken Word

The final claim... (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

The final claim... (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

5577

Benny Thomasson

Benny Thomasson

Speed the Plow Medley

Speed the Plow Medley

5578

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about Weber's Der Freischütz

Wilhelm Furtwänlger talks about Weber's Der Freischütz

5579

Paolo Tosti

Paolo Tosti

Without love

Senza l'amore

5580

Barbara Strozzi

Barbara Strozzi

Next to the soft silvers

Appresso ai molli argenti

5581

Spoken Word

Spoken Word

Robert Schumann has been dead... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

Robert Schumann has been dead... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)

5582

Mario Talavera

Mario Talavera

China

La China

5583

Spoken Word

Spoken Word

What the Edinburgh Festival Has Meant to Me, spoken comment by Kathleen Ferrier

What the Edinburgh Festival Has Meant to Me, spoken commentary by Kathleen Ferrier

5584

Peire Raimon de Tolosa

Peire Raimon de Tolosa

Pessamen ai and cossir

Pessamen ai e cossir

5585

Jack Strachey

Jack Strachey

In Party Mood

In Party Mood

5586

Traditional

Traditional

Crying

El Llorar

5587

Joachim Stutschewsky

Joachim Stutschewsky

Kaddish

Kadish

5588

Paolo Tosti

Paolo Tosti

My mandola is a hook

La mia mandola è un amo

5589

Alois Strohmayer

Alois Strohmayer

Ottakringer March

Ottakringer Marsch

5590

Traditional

Traditional

The Cancion de Cuna

La Cancion de Cuna

5591

Spoken Word

Spoken Word

Our journey begins without introduction (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

Our journey begins without introduction (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)

5592

Georgy Sviridov

Georgy Sviridov

The Forest Sheds Its Crimson Dress

The Forest Sheds Its Crimson Dress

5593

Spoken Word

Spoken Word

We come now to the second movement (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

We come now to the second movement (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)

5594

Toifl

Toifl

Imagine the world was a bouquet of flowers

Denk dir die Welt wár einn Blumenstrauss

5595

Stephen Storace

Stephen Storace

Captivity

Captivity

5596

Traditional

Traditional

Bonseaba

Bonse aba

5597

Nicolaus Adam Strungk

Nicolaus Adam Strungk

Capriccio in F major

Capriccio in F major

5598

Spoken Word

Spoken Word

Speech by Ralph Vaughan Williams

Speech by Ralph Vaughan Williams

5599

Otto Teich

Otto Teich

In the Grunewald, there is a wood auction in the Grunewald

Im Grunewald, im Grunewald ist Holzauktion

5600

Spoken Word

Spoken Word

Wilhelm Furtwaenlger talks about questions of style, performance markings, alternative versions

Wilhelm Furtwänlger talks about questions of style, performance markings, alternative versions

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