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WDR Rundfunkchor Köln
ARTIST MUSICS
1
Alceste (English version)  Act 3, Recitativo, Aria and Duet: Vivre sans toi - Alceste, aux noms des Dieux
Alceste (French version)  Act 3, Recitativo, Aria and Duet: Vivre sans toi - Alceste, aux noms des Dieux
7:22
2
Alceste (English version)  Act 3, Trio: Reçois, Dieu bienfaisant
Alceste (French version)  Act 3, Trio: Reçois, Dieu bienfaisant
1:53
4
Iphigenia in Tauride  Act 1, Scene 2: De noirs pressentiments
Iphigénie en Tauride  Act 1, Scene 2: De noirs pressentiments
2:27
5
Iphigenia in Tauride  Act 2, Scene 6: Patrie infortunée
Iphigénie en Tauride  Act 2, Scene 6: Patrie infortunée
4:35
6
Iphigenia in Tauride  Act 3. Scene 4: Et tu prétends encore
Iphigénie en Tauride  Act 3. Scene 4: Et tu prétends encore
3:14
7
Iphigenia in Tauride  Act 3, Scene 7: Divinité de grandes âmes
Iphigénie en Tauride  Act 3, Scene 7: Divinité de grandes âmes
2:8
8
Iphigenia in Tauride  Act 4, Scene 1: Non, cet affreux devoir
Iphigénie en Tauride  Act 4, Scene 1: Non, cet affreux devoir
4:30
9
Iphigenia in Tauride  Act 4, Scene 2: Ô Diane, sois-nous propice
Iphigénie en Tauride  Act 4, Scene 2: Ô Diane, sois-nous propice
1:34
10
Iphigenia in Tauride  Act 4, Final Chorus: Les Dieux longtemps en courroux
Iphigénie en Tauride  Act 4, Final Chorus: Les Dieux longtemps en courroux
1:57
11
Cinemasi  Aria: Son lungi e non mi brami
Le cinesi  Aria: Son lungi e non mi brami
11:27
12
Cinemasi  Aria: Quartet: Voli il piede in lieti gin
Le cinesi  Aria: Quartet: Voli il piede in lieti gin
5:54
14
Orpheus and Eurydice (Italian version)  Act 1, Scene 1: Ah. se intorno a quest'urna funesta
Orfeo ed Euridice (Italian version)  Act 1, Scene 1: Ah. se intorno a quest'urna funesta
3:38
15
Orpheus and Eurydice (Italian version)  Act 1. Scene 1: Aria: Chiamo il mio ben cosi - Recitativo: Euridice, ombra cura - Aria: Cerco il mio ben così
Orfeo ed Euridice (Italian version)  Act 1. Scene 1: Aria: Chiamo il mio ben cosi - Recitativo: Euridice, ombra cura - Aria: Cerco il mio ben così
4:19
16
Orpheus and Eurydice (Italian version)  Act 1, Scene 2. Aria: Gli sguardi trattieni
Orfeo ed Euridice (Italian version)  Act 1, Scene 2. Aria: Gli sguardi trattieni
3:10
17
Orpheus and Eurydice (Italian version)  Act 2, Scene 2: Ballo (Dance of the blessed Spirits)
Orfeo ed Euridice (Italian version)  Act 2, Scene 2: Ballo (Dance of the blessed Spirits)
2:28
18
Orpheus and Eurydice (Italian version)  Act 3. Scene 1, Duet: Vieni appaga il tuo consorte
Orfeo ed Euridice (Italian version)  Act 3. Scene 1, Duet: Vieni appaga il tuo consorte
3:53
19
Orpheus and Eurydice (Italian version)  Act 3, Scene 1, Aria: Che fiero momento
Orfeo ed Euridice (Italian version)  Act 3, Scene 1, Aria: Che fiero momento
3:5
20
Orpheus and Eurydice (Italian version)  Act 3. Scene 1. Aria: Che faro senza Euridice?
Orfeo ed Euridice (Italian version)  Act 3. Scene 1. Aria: Che faro senza Euridice?
4:3
23
Paris and Helena  Act 1. Scene 1: Non sdegnare, o bella Venere
Paride ed Elena  Act 1. Scene 1: Non sdegnare, o bella Venere
3:26
24
Paris and Helena  Act 1, Scene 1: O del mio dolce ardor
Paride ed Elena  Act 1, Scene 1: O del mio dolce ardor
2:56
25
Paris and Helena  Act 1, Scene 3: Nell'idea ch'ei volge in mente
Paride ed Elena  Act 1, Scene 3: Nell'idea ch'ei volge in mente
3:11
26
Paris and Helena  Act 3, Duet: Fingere piu non so
Paride ed Elena  Act 3, Duet: Fingere piu non so
5:53
27
Paris and Helena  Act 5, Aria: Donzelle semplici, no. non credete
Paride ed Elena  Act 5, Aria: Donzelle semplici, no. non credete
2:44
28
Paris and Helena  Act 5. Scene 3. Aria: Va coll' amata in seno
Paride ed Elena  Act 5. Scene 3. Aria: Va coll' amata in seno
2:46
30
The unexpected encounter  Act 1, Aria: Les hommes pieusement pour Caton
La rencontre imprévue  Act 1, Aria: Les hommes pieusement pour Caton
3:34
31
The unexpected encounter  Act 2. Aria: Jusqu'au moment qui m'otera le jour
La rencontre imprévue  Act 2. Aria: Jusqu'au moment qui m'otera le jour
4:5
32
The unexpected encounter  Act 2, Finale: Ah, je suis en transe
La rencontre imprévue  Act 2, Finale: Ah, je suis en transe
2:57
33
The unexpected encounter  Act 3, Aria: Maitre des coeurs
La rencontre imprévue  Act 3, Aria: Maitre des coeurs
5:9
34
The unexpected encounter  Act 3, Duet: Qu'il est doux de partager ses chaines
La rencontre imprévue  Act 3, Duet: Qu'il est doux de partager ses chaines
2:54
35
The unexpected encounter  Act 3, Finale: Cessons de repandre des larmes
La rencontre imprévue  Act 3, Finale: Cessons de repandre des larmes
2:16
49
Canticum calamitatis maritimæ  Canticum calamitatis maritimae (Requiem zum Untergang der Estonia)
Canticum calamitatis maritimæ  Canticum calamitatis maritimae (Requiem zum Untergang der Estonia)
11:15
72
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Bits and pieces are all we may know about the music of Antonín Dvořák  Bits and pieces are all we may know about the music of Antonín Dvořák
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Bits and pieces are all we may know about the music of Antonín Dvořák
 
4:3
74
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.  The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.
 
2:57
76
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague  Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague
 
2:48
77
Symphony No. 6 in G major "Historical", Op. 116  IV. Allerneueste Periode (The Very Latest Period) (1840): Allegro vivace [excerpt]
Symphony No. 6 in G major "Historical", Op. 116  IV. Allerneueste Periode (The Very Latest Period) (1840): Allegro vivace [excerpt]
37
78
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the  Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the
 
2:30
80
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....  Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....
 
1:34
82
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....  In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....
 
1:24
84
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.  Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.
 
3:56
85
King and Charcoal Burner  Act I: Scene 9: Jaký zvuk to jest? (What sound is that?) [excerpt]
King and Charcoal Burner  Act I: Scene 9: Jaký zvuk to jest? (What sound is that?) [excerpt]
41
86
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time  It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time
 
2:5
88
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise  In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise
 
2:16
90
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da  While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da
 
2:47
92
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.  In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.
 
1:21
94
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.  Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.
 
3:12
95
Piano Trio No. 4 in E minor "Dumky", B. 166, Op. 90  I. Lento maestoso - Allegro vivace, quasi doppio movimento - Tempo I [excerpt]
Piano Trio No. 4 in E minor "Dumky", B. 166, Op. 90  I. Lento maestoso - Allegro vivace, quasi doppio movimento - Tempo I [excerpt]
2:0
96
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.  In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.
 
3:19
97
Te Deum, B. 176, Op. 103  Te Deum laudamus: Allegro moderato, maestoso [excerpt]
Te Deum, B. 176, Op. 103  Te Deum laudamus: Allegro moderato, maestoso [excerpt]
1:31
98
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso  The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso
 
3:11
100
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York  Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York
 
3:36
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