Ton Koopman
Released Album
Choral
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May 24, 2024
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May 10, 2024
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April 4, 2024
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March 15, 2024
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April 7, 2023
Keyboard
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November 4, 2022
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May 1, 2021
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February 28, 2020
Chamber
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September 23, 2022
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October 22, 2021
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September 3, 2021
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December 14, 2019
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October 5, 2018
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June 30, 2017
Concerto
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March 11, 2022
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January 2, 2022
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May 7, 2021
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February 21, 2020
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July 10, 2012
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April 17, 2012
Artist Info
Role:ConductorCountry:
NetherlandsBirth:October 12, 1944 in Zwolle, The NetherlandsGenre:ChamberChoralConcertoKeyboardTon Koopman is a renowned Dutch conductor, harpsichordist, and organist who has made significant contributions to the world of classical music. Born on October 2, 1944, in Zwolle, Netherlands, Koopman grew up in a musical family. His father was a choral conductor, and his mother was a singer. Koopman started playing the organ at the age of twelve and later studied harpsichord and organ at the Amsterdam Conservatory. Koopman's career in music began in the early 1970s when he founded the Amsterdam Baroque Orchestra and Choir. The ensemble specialized in performing Baroque music, and Koopman served as the conductor and harpsichordist. The group quickly gained recognition for their authentic and historically informed performances of works by composers such as Bach, Handel, and Vivaldi. In addition to his work with the Amsterdam Baroque Orchestra and Choir, Koopman has also performed as a soloist and conductor with many other orchestras and ensembles around the world. He has collaborated with renowned musicians such as Yo-Yo Ma, Cecilia Bartoli, and Andreas Scholl, and has performed at major music festivals such as the Salzburg Festival and the BBC Proms. One of Koopman's most significant achievements was his complete recording of Bach's cantatas. The project, which took over twenty years to complete, involved recording all of Bach's sacred cantatas using period instruments and historically informed performance practices. The recordings were released on the Erato label and received critical acclaim, earning Koopman numerous awards and accolades. Koopman has also been recognized for his contributions to the field of early music. In 2003, he was awarded the Bach Medal by the city of Leipzig, Germany, in recognition of his work in promoting and performing the music of Bach. He has also received the Edison Award, the Diapason d'Or, and the Echo Klassik Award for his recordings. Throughout his career, Koopman has remained committed to promoting the music of the Baroque era and educating audiences about the historical context and performance practices of the time. He has written extensively on the subject and has given lectures and masterclasses around the world. In recent years, Koopman has continued to perform and record, collaborating with ensembles such as the Philharmonia Baroque Orchestra and the Tafelmusik Baroque Orchestra. He has also served as a guest conductor with orchestras such as the Berlin Philharmonic and the New York Philharmonic. Koopman's contributions to the world of classical music have been significant, and his dedication to historical accuracy and authenticity has helped to shape the way that Baroque music is performed and understood today. His recordings and performances continue to inspire and educate audiences around the world, and his legacy as a musician and scholar of early music is sure to endure for generations to come.More....
Recent Artist Music
1
Suitte d'un gout etranger (Pieces for viol, Book IV, Nos. 55B-87)
Marche Tartare for bass viol, IV 55
02:7
2
3:6
3
07:21
6
10:33
7
Cantata no. 207a, "Up, blaring tones", BWV 207a
Chorus. Auf, schmetternde Töne der muntern Trompeten
4:25
9
Cantata no. 140, "Wake up, the voice is calling us", BWV 140
No. 7. Wachet auf, ruft uns die Stimme
01:28
10
9:44
11
2:7
12
Christmas Oratorio (Christmas Oratorio), BWV 248
For The First Day Of The Nativity- 'Jauchzet, frohlocket, auf, preiset die Tage'
7:47
14
7:48
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