William Winant
ARTIST MUSICS
1
Moon Viewing Music (Inscrutable Stillness Studies No. 1)
Living alone in the woods
Moon Viewing Music (Inscrutable Stillness Studies No. 1)
Living alone in the woods
4:20
2
4:48
3
Moon Viewing Music (Inscrutable Stillness Studies No. 1)
Only the moon
Moon Viewing Music (Inscrutable Stillness Studies No. 1)
Only the moon
5:3
4
Moon Viewing Music (Inscrutable Stillness Studies No. 1)
As I look at the moon
Moon Viewing Music (Inscrutable Stillness Studies No. 1)
As I look at the moon
9:36
5
5:23
6
Moon Viewing Music (Inscrutable Stillness Studies No. 1)
I cleansed the mirror
Moon Viewing Music (Inscrutable Stillness Studies No. 1)
I cleansed the mirror
4:56
24
Serenade for Guitar
Music for Harp with Percussion: Serenade
Serenade for Guitar
Music for Harp with Percussion: Serenade
2:4
25
Jahla, in the form of a Ductia to please Leopold Stokowski on his 90th birthday
Music for Harp with Percussion: Jahla
Jahla, in the form of a Ductia to please Leopold Stokowski on his 90th birthday
Music for Harp with Percussion: Jahla
2:3
26
Sonata in Ishartum
Music for Harp with Percussion: Sonata in Ishartum
Sonata in Ishartum
Music for Harp with Percussion: Sonata in Ishartum
1:56
27
Beverly's Troubadour Piece
Music for Harp with Percussion: Beverly's Troubadour Music
Beverly's Troubadour Piece
Music for Harp with Percussion: Beverly's Troubadour Music
1:30
28
Music for Bill & Me
Music for Harp with Percussion: Music for Bill and Me
Music for Bill & Me
Music for Harp with Percussion: Music for Bill and Me
4:28
29
Avalokiteshvara
Music for Harp with Percussion: Avalokiteshvara
Avalokiteshvara
Music for Harp with Percussion: Avalokiteshvara
2:10
30
Serenade for Guitar
Music for Harp with Percussion: Serenade
Serenade for Guitar
Music for Harp with Percussion: Serenade
2:22
31
Zones of Influence
Part 1. The Winding of a Spring. The Stochastic Part
Zones of Influence
Part 1. The Winding of a Spring. The Stochastic Part
11:24
32
Zones of Influence
Part 1. The Winding of a Spring. The Tripartite Structure
Zones of Influence
Part 1. The Winding of a Spring. The Tripartite Structure
12:10
33
Zones of Influence
Part 2. Closed Attracting Trajectories. Melody Set 1
Zones of Influence
Part 2. Closed Attracting Trajectories. Melody Set 1
13:52
34
Zones of Influence
Part 2. Closed Attracting Trajectories. Melody Set 2
Zones of Influence
Part 2. Closed Attracting Trajectories. Melody Set 2
13:48
35
Zones of Influence
Part 3. Given the Senses the Real Pregeometry
Zones of Influence
Part 3. Given the Senses the Real Pregeometry
8:40
36
Zones of Influence
Part 4. Epigenesis, Ontogenesis, Phylogenesis, Parthenogenesis
Zones of Influence
Part 4. Epigenesis, Ontogenesis, Phylogenesis, Parthenogenesis
9:11
37
Zones of Influence
Part 5. The Buckling of a Spring
Zones of Influence
Part 5. The Buckling of a Spring
17:33
39
45:17
40
Cage's Introduction to "45' for Speaker"
Cage's Introduction To 45' for Speaker
Cage's Introduction to "45' for Speaker"
Cage's Introduction To 45' for Speaker
5:8
42
Whimwhams
Whimwhams, for marimba and string quartet
Whimwhams
Whimwhams, for marimba and string quartet
13:57
43
Cognate Cannons & Percussion
Cognate Canons, for string quartet and percussion
Cognate Canons & percussion
Cognate Canons, for string quartet and percussion
23:9
44
s:c:a:t:t:e:r:i:n:g
s:c:a:t:t:e:r:i:n:g, for string quartet, marimba, tom toms, snare, Lou Harrison bell instrument, chimes, various metal percussion and spinning samples
s:c:a:t:t:e:r:i:n:g
s:c:a:t:t:e:r:i:n:g, for string quartet, marimba, tom toms, snare, Lou Harrison bell instrument, chimes, various metal percussion and spinning samples
25:22
45
23:47
46
In the Beginning
2. Song of Endless Light & Sextet
In the Beginning
2. Song of Endless Light & Sextet
28:37
47
18:47
49
In the Beginning
Etude No. 2 (Keyboard-Plucked Strings)
In the Beginning
Etude No. 2 (Keyboard-Plucked Strings)
7:59
50
In the Beginning
Etude No. 3 (Keyboard & Two Oranges)
In the Beginning
Etude No. 3 (Keyboard & Two Oranges)
6:15
51
12:9
59
Continental Divide or chamber orchestra
Continental Divide
Continental Divide (or chamber orchestra)
Continental Divide
10:52
60
1:59
61
1:26
62
2:6
65
How Much Better if Plymouth Rock Had Landed on the Pilgrims
Section 1. Essential tension to universe
How Much Better if Plymouth Rock Had Landed on the Pilgrims
Section 1. Essential tension to universe
2:21
66
How Much Better if Plymouth Rock Had Landed on the Pilgrims
Section 2. Symmetrical harmonies in chaotic orbits
How Much Better if Plymouth Rock Had Landed on the Pilgrims
Section 2. Symmetrical harmonies in chaotic orbits
13:3
67
How Much Better if Plymouth Rock Had Landed on the Pilgrims
Section 3. World
How Much Better if Plymouth Rock Had Landed on the Pilgrims
Section 3. World
2:16
68
How Much Better if Plymouth Rock Had Landed on the Pilgrims
Section 4. Life
How Much Better if Plymouth Rock Had Landed on the Pilgrims
Section 4. Life
9:7
69
How Much Better if Plymouth Rock Had Landed on the Pilgrims
Section 5. Humanity
How Much Better if Plymouth Rock Had Landed on the Pilgrims
Section 5. Humanity
34:37
70
How Much Better if Plymouth Rock Had Landed on the Pilgrims
Section 6. Culture
How Much Better if Plymouth Rock Had Landed on the Pilgrims
Section 6. Culture
16:52
71
How Much Better if Plymouth Rock Had Landed on the Pilgrims
Section 7. Impression
How Much Better if Plymouth Rock Had Landed on the Pilgrims
Section 7. Impression
13:36
72
How Much Better if Plymouth Rock Had Landed on the Pilgrims
Section 8. Unification
How Much Better if Plymouth Rock Had Landed on the Pilgrims
Section 8. Unification
12:45
73
How Much Better if Plymouth Rock Had Landed on the Pilgrims
Section 9. Links (a.k.a. "Piano Etude I")
How Much Better if Plymouth Rock Had Landed on the Pilgrims
Section 9. Links (a.k.a. "Piano Etude I")
12:40
74
1:54
76
2:16
78
2:39
88
4:52
89
6:15
90
4:21
91
4:6
92
1:40
93
2:3
94
2:
95
1:7
97
4:
98
3:26
99
8:55
100
5:3