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M
O
B
classic
John Cage
ARTIST MUSICS
11
First Construction  First Construction [in Metal]
First Construction  First Construction [in Metal]
11:27
23
Imaginary LandscapeNo. 1  Imaginary Landscape No. 1, per 4 esecutori
Imaginary Landscape No. 1  Imaginary Landscape No. 1, per 4 esecutori
6:23
24
Imaginary LandscapeNo. 3  Imaginary Landscape No. 3, per 6 percussionisti
Imaginary Landscape No. 3  Imaginary Landscape No. 3, per 6 percussionisti
3:4
25
Imaginary LandscapeNo. 5  Imaginary Landscape No. 5, per 42 registrazioni a scelta
Imaginary Landscape No. 5  Imaginary Landscape No. 5, per 42 registrazioni a scelta
3:4
26
Imaginary LandscapeNo. 2  Imaginary Landscape No. 2 (March No. 1), per quintetto di percussioni
Imaginary Landscape No. 2  Imaginary Landscape No. 2 (March No. 1), per quintetto di percussioni
5:32
27
Imaginary LandscapeNo. 4  Imaginary Landscape No. 4 (March No. 2), per 12 radio
Imaginary Landscape No. 4  Imaginary Landscape No. 4 (March No. 2), per 12 radio
5:51
44
Atlas Eclipticalis  Winter Music With Atlas Eclipticalis
Atlas Eclipticalis  Winter Music With Atlas Eclipticalis
30:2
46
ASLSP  No. 7 (as 2nd piece)
ASLSP  No. 7 (as 2nd piece)
7:38
49
ASLSP  No. 4
ASLSP  No. 4
10:18
50
ASLSP  No. 5
ASLSP  No. 5
10:29
53
They  One, for piano solo
One  One, for piano solo
10:15
54
One2  One2, for 1-4 pianos
One2  One2, for 1-4 pianos
40:49
55
One5  One5, for piano solo
One5  One5, for piano solo
20:35
56
Creed in US  Credo in Us, for percussion quartet (including piano and radio or phonograph)
Credo in US  Credo in Us, for percussion quartet (including piano and radio or phonograph)
12:57
57
Imaginary LandscapeNo. 5  Imaginary Landscape No. 5, for any 42 recordings, score to be realized as a magnetic tape
Imaginary Landscape No. 5  Imaginary Landscape No. 5, for any 42 recordings, score to be realized as a magnetic tape
3:8
58
Imaginary LandscapeNo. 4  Imaginary Landscape No. 4 ("March No. 2"), for 12 radios & ensemble
Imaginary Landscape No. 4  Imaginary Landscape No. 4 ("March No. 2"), for 12 radios & ensemble
4:26
59
Imaginary LandscapeNo. 1  Imaginary Landscape No. 1, for 2 variable-speed turntables, frequency recordings, muted piano and cymbal
Imaginary Landscape No. 1  Imaginary Landscape No. 1, for 2 variable-speed turntables, frequency recordings, muted piano and cymbal
6:52
60
Imaginary LandscapeNo. 2  Imaginary Landscape No. 2 ("March No. 1"), for percussion quintet
Imaginary Landscape No. 2  Imaginary Landscape No. 2 ("March No. 1"), for percussion quintet
6:49
61
Imaginary LandscapeNo. 3  Imaginary Landscape No. 3, for percussion sextet
Imaginary Landscape No. 3  Imaginary Landscape No. 3, for percussion sextet
4:6
62
Imaginary LandscapeNo. 4  Imaginary Landscape No. 4 ("March No. 2"), for 12 radios & ensemble
Imaginary Landscape No. 4  Imaginary Landscape No. 4 ("March No. 2"), for 12 radios & ensemble
4:29
63
Imaginary LandscapeNo. 5  Imaginary Landscape No. 5, for any 42 recordings, score to be realized as a magnetic tape
Imaginary Landscape No. 5  Imaginary Landscape No. 5, for any 42 recordings, score to be realized as a magnetic tape
3:7
64
Creed in US  Credo in Us, for percussion quartet (including piano and radio or phonograph)
Credo in US  Credo in Us, for percussion quartet (including piano and radio or phonograph)
15:
66
Haikai, for flute & zoomozophone  Haikai, for eight performers on gamelan degung
Haikai, for flute & zoomoozophone  Haikai, for eight performers on gamelan degung
15:54
67
Child of Tree  Improvisation 1a: Child of Tree, for percussionist using plant materials
Child of Tree  Improvisation 1a: Child of Tree, for percussionist using plant materials
8:12
68
Branches  Improvisation 2a: Branches, for percussionists using plant materials
Branches  Improvisation 2a: Branches, for percussionists using plant materials
8:14
69
Five4 "in memory of Stephan Wolpe"  Five 4, for soprano saxophone in B flat, alto saxophone in E flat and three percussionists
Five4 "in memory of Stephan Wolpe"  Five 4, for soprano saxophone in B flat, alto saxophone in E flat and three percussionists
5:11
70
Composed Improvisation  C composed Improvisation, version for bass guitar and snare drum
Composed Improvisation  C composed Improvisation, version for bass guitar and snare drum
8:10
71
Composed Improvisation For Snare Drum  C composed Improvisation, version for snare drum and one-sided drums
Composed Improvisation For Snare Drum  C composed Improvisation, version for snare drum and one-sided drums
8:14
72
But What About the Noise…  But What about the Noise of Crumpling Paper Which He Used to Do in Order to paint the series of "Papier froissés" or Tearing up paper to Make "Papier déchirés"? Arp Was Stimulated by Water (Sea, Lake and Flowing Waters like Rivers), Forests, version for ten performers
But What About the Noise…  But What about the Noise of Crumpling Paper Which He Used to Do in Order to paint the series of "Papier froissés" or Tearing up paper to Make "Papier déchirés"? Arp Was Stimulated by Water (Sea, Lake and Flowing Waters like Rivers), Forests, version for ten performers
18:32
90
Music for Piano, 1-84  Music for Piano 4 - 19 / 53 - 68
Music for Piano, 1-84  Music for Piano 4 - 19 / 53 - 68
 
9:8
99
One7  One7, for any way of producing sounds (Version for piano)
One7  One7, for any way of producing sounds (Version for piano)
30:15
100
Four6  Four6, for any way of producing sounds (Version for piano)
Four6  Four6, for any way of producing sounds (Version for piano)
30:
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