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classic
Dirk Luijmes
ARTIST MUSICS
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The Musical Offering (after JS Bach)  2. Tema e Variazioni. Canon a 2, Cancrizans
The Musical Offering (after J.S. Bach)  2. Tema e Variazioni. Canon a 2, Cancrizans
1:5
4
The Musical Offering (after JS Bach)  2. Tema e Variazioni. Canon Perpetuus super Thema Regium
The Musical Offering (after J.S. Bach)  2. Tema e Variazioni. Canon Perpetuus super Thema Regium
1:9
5
The Musical Offering (after JS Bach)  2. Tema e Variazioni. Per Motum Contrarium
The Musical Offering (after J.S. Bach)  2. Tema e Variazioni. Per Motum Contrarium
38
7
The Musical Offering (after JS Bach)  2. Tema e Variazioni. Per Motum Contrarium (Quaerendo invenietis)
The Musical Offering (after J.S. Bach)  2. Tema e Variazioni. Per Motum Contrarium (Quaerendo invenietis)
32
8
The Musical Offering (after JS Bach)  2. Tema e Variazioni. Per Motum Contrarium: Inversus Var. Vae
The Musical Offering (after J.S. Bach)  2. Tema e Variazioni. Per Motum Contrarium: Inversus Var. Vae
31
9
The Musical Offering (after JS Bach)  2. Tema e Variazioni. Fuga Canonica in Epidiapente
The Musical Offering (after J.S. Bach)  2. Tema e Variazioni. Fuga Canonica in Epidiapente
2:18
10
The Musical Offering (after JS Bach)  2. Tema e Variazioni. Per Augmentationem contrario motu
The Musical Offering (after J.S. Bach)  2. Tema e Variazioni. Per Augmentationem contrario motu
2:3
12
The Musical Offering (after JS Bach)  2. Tema e Variazioni. Canon Perpetuus a 4
The Musical Offering (after J.S. Bach)  2. Tema e Variazioni. Canon Perpetuus a 4
4:27
14
The Musical Offering (after JS Bach)  3. Sonata. Allegro (with Orchestral interpolations)
The Musical Offering (after J.S. Bach)  3. Sonata. Allegro (with Orchestral interpolations)
6:27
16
The Musical Offering (after JS Bach)  3. Sonata. Allegro giusto ('Canon concertante', i.e. Canon Perpetuus)
The Musical Offering (after J.S. Bach)  3. Sonata. Allegro giusto ('Canon concertante', i.e. Canon Perpetuus)
1:4
44
Via Crucis, for solo voices, chorus & organ, p. 53  II. Station I. Jesus wird zum Tode verdammt
Via Crucis, for solo voices, chorus & organ, S. 53  II. Station I. Jesus wird zum Tode verdammt
1:11
45
Via Crucis, for solo voices, chorus & organ, p. 53  III. Station II. Jesus trägt sein Kreuz
Via Crucis, for solo voices, chorus & organ, S. 53  III. Station II. Jesus trägt sein Kreuz
2:21
46
Via Crucis, for solo voices, chorus & organ, p. 53  IV. Station III. Jesus fällt zum ersten Mal
Via Crucis, for solo voices, chorus & organ, S. 53  IV. Station III. Jesus fällt zum ersten Mal
1:33
47
Via Crucis, for solo voices, chorus & organ, p. 53  V. Station IV. Jesus begegnet seiner heiligen Mutter
Via Crucis, for solo voices, chorus & organ, S. 53  V. Station IV. Jesus begegnet seiner heiligen Mutter
2:14
48
Via Crucis, for solo voices, chorus & organ, p. 53  VI. Station V. Simon von Kyrene hilft Jesus das Kreuz tragen
Via Crucis, for solo voices, chorus & organ, S. 53  VI. Station V. Simon von Kyrene hilft Jesus das Kreuz tragen
3:9
50
Via Crucis, for solo voices, chorus & organ, p. 53  VIII. Station VII. Jesus fällt zum zweiten Mal
Via Crucis, for solo voices, chorus & organ, S. 53  VIII. Station VII. Jesus fällt zum zweiten Mal
1:29
51
Via Crucis, for solo voices, chorus & organ, p. 53  IX. Station VIII. Die Frauen von Jerusalem
Via Crucis, for solo voices, chorus & organ, S. 53  IX. Station VIII. Die Frauen von Jerusalem
2:14
52
Via Crucis, for solo voices, chorus & organ, p. 53  X. Station IX. Jesus fällt zum dritten Mal
Via Crucis, for solo voices, chorus & organ, S. 53  X. Station IX. Jesus fällt zum dritten Mal
1:25
54
Via Crucis, for solo voices, chorus & organ, p. 53  XII. Station XI. Jesus wird ans Kreuz geschlagen
Via Crucis, for solo voices, chorus & organ, S. 53  XII. Station XI. Jesus wird ans Kreuz geschlagen
46
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Via Crucis, for solo voices, chorus & organ, p. 53  XIII. Station XII. Jesus stirbt am Kreuz
Via Crucis, for solo voices, chorus & organ, S. 53  XIII. Station XII. Jesus stirbt am Kreuz
7:49
56
Via Crucis, for solo voices, chorus & organ, p. 53  XIV. Station XIII. Jesus wird vom Kreuz genommen
Via Crucis, for solo voices, chorus & organ, S. 53  XIV. Station XIII. Jesus wird vom Kreuz genommen
3:46
57
Via Crucis, for solo voices, chorus & organ, p. 53  XV. Station XIV. Jesus wird ins Grab gelegt
Via Crucis, for solo voices, chorus & organ, S. 53  XV. Station XIV. Jesus wird ins Grab gelegt
5:11
58
On the Overgrown Path, JW 8/17  Naše večery. Our Evenings
On the Overgrown Path, JW 8/17  Naše večery. Our Evenings
3:45
59
On the Overgrown Path, JW 8/17  Lístek odvanutý. A Blown-Away Leaf
On the Overgrown Path, JW 8/17  Lístek odvanutý. A Blown-Away Leaf
3:19
60
On the Overgrown Path, JW 8/17  Sýček neodletěl!. The Barn Owl Has Not Flown Away!
On the Overgrown Path, JW 8/17  Sýček neodletěl!. The Barn Owl Has Not Flown Away!
4:21
61
Jan Nepomuk Polášek
From Z pod Hukvaldů, 2 skladby pro harmonium: Andante From Z pod Hukvaldů, 2 skladby pro harmonium: Andante  
From Z pod Hukvaldů, 2 skladby pro harmonium: Andante  
 
2:55
62
Jan Nepomuk Polášek
From Z pod Hukvaldů, 2 skladby pro harmonium: Allegro ma tanto From Z pod Hukvaldů, 2 skladby pro harmonium: Allegro ma tanto  
From Z pod Hukvaldů, 2 skladby pro harmonium: Allegro ma tanto  
 
4:44
63
Ján Levoslav Bella
Lied ohne Worte Lied ohne Worte  
Lied ohne Worte  
 
1:44
65
On the Overgrown Path, JW 8/17  Frýdecká panna Maria'. The Madonna of Frydek
On the Overgrown Path, JW 8/17  Frýdecká panna Maria'. The Madonna of Frydek
4:2
79
Max Reger
Romanze Romanze  
Romanze  
 
3:38
88
Sigfrid Karg-Elert
2 Tondichtungen, Op. 70: No. 2. Totentanz 2 Tondichtungen, Op. 70: No. 2. Totentanz  
2 Tondichtungen, Op. 70: No. 2. Totentanz  
 
4:21
89
Joaquín Turina
Preludio, Op. 10 Preludio, Op. 10  
Preludio, Op. 10  
 
3:43
90
Antonio López Almagro
Romanza sin Palabras, A minor Romanza sin Palabras, A minor  
Romanza sin Palabras, A minor  
 
5:59
93
Bolt IV  Poco adagio
Saeta IV  Poco adagio
 
3:54
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