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classic
Czech Philharmonic Orchestra
ARTIST MUSICS
5
Andante spienato and Grande Polonaise, Op. 22  Polonaise With Preceding Andante Spianato in E Flat Major, Op. 22 (Solo Piano Version)
Andante spianato and Grande Polonaise, Op. 22  Polonaise With Preceding Andante Spianato in E Flat Major, Op. 22 (Solo Piano Version)
13:51
19
Mazurka for piano No. 47 in A minor, Op. 68/2  Mazurka No. 49 in A Minor, Op. posth. 68/2
Mazurka for piano No. 47 in A minor, Op. 68/2  Mazurka No. 49 in A Minor, Op. posth. 68/2
3:4
21
Waltz for piano No. 1 in E flat major, Op. 18  Waltz in E Flat Major, Op. 18 ("Grand valse brillante")
Waltz for piano No. 1 in E flat major, Op. 18  Waltz in E Flat Major, Op. 18 ("Grand valse brillante")
5:43
22
Fantasy Impromptu for piano in C sharp minor, Op. 66  Fantaisie Impromptu in C Sharp Minor, Op. 66
Fantasy-Impromptu for piano in C sharp minor, Op. 66  Fantaisie Impromptu in C Sharp Minor, Op. 66
5:7
29
Andante spienato and Grande Polonaise, Op. 22  Andante Spianato et Grande Polonaise in E Flat Major, Op. 22
Andante spianato and Grande Polonaise, Op. 22  Andante Spianato et Grande Polonaise in E Flat Major, Op. 22
14:28
38
King Stephen, Op. 117  II. Men's Chorus - Ruhend von seinen Thaten
König Stephan, Op. 117  II. Men's Chorus - Ruhend von seinen Thaten
2:31
40
Name Celebration Overture in C major, Op. 115  Overture in C Major, Op. 115 "Name Day Overture"
Namensfeier Overture in C major, Op. 115  Overture in C Major, Op. 115 "Name Day Overture"
6:52
49
Symphony No. 2 in C minor "Resurrection"  Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
Symphony No. 2 in C minor "Resurrection"  Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
23:15
50
Symphony No. 2 in C minor "Resurrection"  Andante moderato. Sehr gemächlich
Symphony No. 2 in C minor "Resurrection"  Andante moderato. Sehr gemächlich
10:55
52
Symphony No. 2 in C minor "Resurrection"  "Urlicht". Sehr feierlich aber schlicht
Symphony No. 2 in C minor "Resurrection"  "Urlicht". Sehr feierlich aber schlicht
5:29
53
Symphony No. 2 in C minor "Resurrection"  Im Tempo des Scherzos. Wild herausfahrend - Maestoso. Sehr zuruckhaltend
Symphony No. 2 in C minor "Resurrection"  Im Tempo des Scherzos. Wild herausfahrend - Maestoso. Sehr zuruckhaltend
20:47
54
Symphony No. 2 in C minor "Resurrection"  "Aufersteh'n, ja aufersteh'n wirst du". Langsam, misterioso - "O glaube, mein Herz, o glaube". Etwas bewegter
Symphony No. 2 in C minor "Resurrection"  "Aufersteh'n, ja aufersteh'n wirst du". Langsam, misterioso - "O glaube, mein Herz, o glaube". Etwas bewegter
15:11
58
Rusalka  Act 2: Běda! Běda! Ubohá Rusalko bledá - Celý svět nedá ti, nedá
Rusalka  Act 2: Běda! Běda! Ubohá Rusalko bledá - Celý svět nedá ti, nedá
5:41
59
Jacobess  Act 1: Chci s tebou mluvit - Pohleď mi do oči, podej mi ruku
Jakobin  Act 1: Chci s tebou mluvit - Pohleď mi do oči, podej mi ruku
4:27
61
Love Songs (8), B. 160, Op. 83  III. Now as by that house I tread
Love Songs (8), B. 160, Op. 83  III. Now as by that house I tread
1:57
63
Love Songs (8), B. 160, Op. 83  VII. In the sweet power of thine eyes
Love Songs (8), B. 160, Op. 83  VII. In the sweet power of thine eyes
2:5
64
Love Songs (8), B. 160, Op. 83  VIII. My only dear one, my dear love
Love Songs (8), B. 160, Op. 83  VIII. My only dear one, my dear love
1:28
65
Cypresses, B. 152  V. The old letter in my book
Cypresses, B. 152  V. The old letter in my book
3:54
66
Cypresses, B. 152  XI. Nature lies peaceful in slumber and dreaming
Cypresses, B. 152  XI. Nature lies peaceful in slumber and dreaming
2:39
67
Jacobess  Acte 2: School Serenade: Tak, moji drazi!
Jakobin  Acte 2: School Serenade: Tak, moji drazi!
6:35
69
In Nature's Realm, B. 168, Op. 91  In Nature's Realm. Overture, Op. 91 (B 168, 91)
In Nature's Realm, B. 168, Op. 91  In Nature's Realm. Overture, Op. 91 (B 168, 91)
13:38
70
Saint Ludmilla, B. 144, Op. 71  Part III: The Velehrad Cathedral: Introduzione e coro. Hospodine, pomiluj ny! / Lord have mercy upon us
Saint Ludmilla, B. 144, Op. 71  Part III: The Velehrad Cathedral: Introduzione e coro. Hospodine, pomiluj ny! / Lord have mercy upon us
4:8
72
Te Deum, B. 176, Op. 103  III-IV: Aeterna fac cum sanctis, Dignare Domine, die ista
Te Deum, B. 176, Op. 103  III-IV: Aeterna fac cum sanctis, Dignare Domine, die ista
8:59
75
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Bits and pieces are all we may know about the music of Antonín Dvořák  Bits and pieces are all we may know about the music of Antonín Dvořák
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Bits and pieces are all we may know about the music of Antonín Dvořák
 
4:3
77
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.  The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.
 
2:57
79
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague  Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague
 
2:48
80
Symphony No. 6 in G major "Historical", Op. 116  IV. Allerneueste Periode (The Very Latest Period) (1840): Allegro vivace [excerpt]
Symphony No. 6 in G major "Historical", Op. 116  IV. Allerneueste Periode (The Very Latest Period) (1840): Allegro vivace [excerpt]
37
81
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the  Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the
 
2:30
83
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....  Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....
 
1:34
85
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....  In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....
 
1:24
87
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.  Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.
 
3:56
88
King and Charcoal Burner  Act I: Scene 9: Jaký zvuk to jest? (What sound is that?) [excerpt]
King and Charcoal Burner  Act I: Scene 9: Jaký zvuk to jest? (What sound is that?) [excerpt]
41
89
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time  It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time
 
2:5
91
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise  In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise
 
2:16
93
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da  While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da
 
2:47
95
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.  In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.
 
1:21
97
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.  Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.
 
3:12
98
Piano Trio No. 4 in E minor "Dumky", B. 166, Op. 90  I. Lento maestoso - Allegro vivace, quasi doppio movimento - Tempo I [excerpt]
Piano Trio No. 4 in E minor "Dumky", B. 166, Op. 90  I. Lento maestoso - Allegro vivace, quasi doppio movimento - Tempo I [excerpt]
2:0
99
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.  In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.
 
3:19
100
Te Deum, B. 176, Op. 103  Te Deum laudamus: Allegro moderato, maestoso [excerpt]
Te Deum, B. 176, Op. 103  Te Deum laudamus: Allegro moderato, maestoso [excerpt]
1:31
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