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Czech Philharmonic Orchestra
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Great Composers in Words and Music: Antonín Dvořák, narration with musical examples The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso  The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso
 
3:11
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Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York  Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York
 
3:36
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Cello Concerto in B minor, B. 191, Op. 104  III. Finale: Andante - Allegro vivo [excerpt]
Cello Concerto in B minor, B. 191, Op. 104  III. Finale: Andante - Allegro vivo [excerpt]
1:13
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Great Composers in Words and Music: Antonín Dvořák, narration with musical examples The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations: the poetic or pictorial aspect explored in pr  The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations: the poetic or pictorial aspect explored in pr
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations: the poetic or pictorial aspect explored in pr
 
2:58
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Great Composers in Words and Music: Antonín Dvořák, narration with musical examples During his final years, Dvořák became the recipient of various honours...  During his final years, Dvořák became the recipient of various honours...
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  During his final years, Dvořák became the recipient of various honours...
 
3:50
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Armida, opus, B. 206, Op.115  Act I: Scene 1: Jak z dervišových prstů řinou (As delightful rosary beads glide in the hands of the dervishes) [excerpt]
Armida, opera, B. 206, Op.115  Act I: Scene 1: Jak z dervišových prstů řinou (As delightful rosary beads glide in the hands of the dervishes) [excerpt]
1:40
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Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Dvořák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at the National Theatre in Prague, where the opera was being directed by Robert Polak and conducted by  Dvořák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at the National Theatre in Prague, where the opera was being directed by Robert Polak and conducted by
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Dvořák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at the National Theatre in Prague, where the opera was being directed by Robert Polak and conducted by
 
2:33
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Symphony No. 1 in D major "Titan"  I. Langsam, schleppend - Immer sehr gemächlich
Symphony No. 1 in D major "Titan"  I. Langsam, schleppend - Immer sehr gemächlich
16:39
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Symphony No. 1 in D major "Titan"  II. Kräftig bewegt, doch nicht zu schnell
Symphony No. 1 in D major "Titan"  II. Kräftig bewegt, doch nicht zu schnell
7:29
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Symphony No. 1 in D major "Titan"  III. Feierlich und gemessen, ohne zu schleppen
Symphony No. 1 in D major "Titan"  III. Feierlich und gemessen, ohne zu schleppen
10:34
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Hungarian Folksongs (5) Hungarian folk songs, No. 101  No. 3 S찼rga csik처, cseng철 rajta (Yellow Pony, Harness Jingling)
Hungarian Folksongs (5) Magyar népdalok, Sz. 101  No. 3 S찼rga csik처, cseng철 rajta (Yellow Pony, Harness Jingling)
1:34
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Hungarian Folksongs (5) Hungarian folk songs, No. 101  No. 5 Vir찼g챕kn찼l 챕g a vil찼g (Vir찼g's lamps are burning brightly)
Hungarian Folksongs (5) Magyar népdalok, Sz. 101  No. 5 Vir찼g챕kn찼l 챕g a vil찼g (Vir찼g's lamps are burning brightly)
1:26
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Folk Songs  No. 1 Black is the Colour
Folk Songs  No. 1 Black is the Colour
2:43
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Folk Songs  No. 2 I Wonder as I wander
Folk Songs  No. 2 I Wonder as I wander
1:48
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Folk Songs  No. 3 Loosin yelav
Folk Songs  No. 3 Loosin yelav
2:48
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Folk Songs  No. 4 Rossignolet du bois
Folk Songs  No. 4 Rossignolet du bois
1:30
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Folk Songs  No. 5 a la femminisca
Folk Songs  No. 5 a la femminisca
1:25
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Folk Songs  No. 6 La donna ideale
Folk Songs  No. 6 La donna ideale
1:15
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Folk Songs  No. 7 Ballo
Folk Songs  No. 7 Ballo
1:30
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Folk Songs  No. 8 Motettu de Tristura
Folk Songs  No. 8 Motettu de Tristura
2:3
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Folk Songs  No. 9 Malurous qu'o uno fenno
Folk Songs  No. 9 Malurous qu'o uno fenno
1:0
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Folk Songs  No. 10 Lo fiolair챕
Folk Songs  No. 10 Lo fiolair챕
2:44
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Folk Songs  No. 11 Azerbaijan Love Song
Folk Songs  No. 11 Azerbaijan Love Song
2:32
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Five popular Greek melodies  No. 1. Chanson de la maril챕e
Cinq mélodies populaires grecques  No. 1. Chanson de la maril챕e
1:27
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Five popular Greek melodies  No. 2. L횪-bas, vers l'eglise
Cinq mélodies populaires grecques  No. 2. L횪-bas, vers l'eglise
1:33
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Five popular Greek melodies  No. 3. Quel galant m'est comparable
Cinq mélodies populaires grecques  No. 3. Quel galant m'est comparable
54
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Five popular Greek melodies  No. 4. Chanson des cueilleuses de lentisques
Cinq mélodies populaires grecques  No. 4. Chanson des cueilleuses de lentisques
2:59
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Black songs (5)  No. 1. Cuba dentro de un piano
Canciones negras (5)  No. 1. Cuba dentro de un piano
3:56
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Black songs (5)  No. 2. Punto de Habanera
Canciones negras (5)  No. 2. Punto de Habanera
1:48
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Black songs (5)  No. 4. Canci처n de cuna para dormir a un negrito
Canciones negras (5)  No. 4. Canci처n de cuna para dormir a un negrito
2:47
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My Homeland, JB 1:112  I. Vysehrad (The High Castle)
Má Vlast, JB 1:112  I. Vysehrad (The High Castle)
15:59
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My Homeland, JB 1:112  II. Vltava (The Moldau)
Má Vlast, JB 1:112  II. Vltava (The Moldau)
13:9
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My Homeland, JB 1:112  IV. Z ceských luhu (From Bohemia's Woods and Fields)
Má Vlast, JB 1:112  IV. Z ceských luhu (From Bohemia's Woods and Fields)
12:47
82
Mass, JW 3/9  I. Úvod – Introduction
Mass, JW 3/9  I. Úvod – Introduction
3:18
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Mass, JW 3/9  II. Gospodi Pomiluj – Kyrie
Mass, JW 3/9  II. Gospodi Pomiluj – Kyrie
9:33
84
Mass, JW 3/9  III. Slava – Gloria
Mass, JW 3/9  III. Slava – Gloria
7:12
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Mass, JW 3/9  IV. Vĕruju – Credo
Mass, JW 3/9  IV. Vĕruju – Credo
4:23
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Mass, JW 3/9  V. Svet – Sanctus
Mass, JW 3/9  V. Svet – Sanctus
6:
87
Mass, JW 3/9  VI. Agneče božij – Agnus dei
Mass, JW 3/9  VI. Agneče božij – Agnus dei
4:47
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Mass, JW 3/9  VII. Varhany Sólo (Postludium) – Organ Solo
Mass, JW 3/9  VII. Varhany Sólo (Postludium) – Organ Solo
2:50
89
Mass, JW 3/9  VIII. Intrada – Exodus
Mass, JW 3/9  VIII. Intrada – Exodus
1:45
90
Symphony No. 1 in D major "Titan"  1. Langsam. Schleppend. Wie ein Naturlaut.
Symphony No. 1 in D major "Titan"  1. Langsam. Schleppend. Wie ein Naturlaut.
15:
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Symphony No. 1 in D major "Titan"  2. Kraftig bewegt, doch nicht zu schnell
Symphony No. 1 in D major "Titan"  2. Kraftig bewegt, doch nicht zu schnell
7:57
92
Symphony No. 1 in D major "Titan"  3. Feierlich und gemessen, ohne zu schleppen
Symphony No. 1 in D major "Titan"  3. Feierlich und gemessen, ohne zu schleppen
9:22
93
Symphony No. 1 in D major "Titan"  4. Sturmisch bewegt - Energisch
Symphony No. 1 in D major "Titan"  4. Sturmisch bewegt - Energisch
18:39
100
Requiem, B.165, Op.89  Confutatis maledictis
Requiem, B. 165, Op. 89  Confutatis maledictis
4:42
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