×
M
O
B
classic
Amadinda Percussion Group
ARTIST MUSICS
19
 
3:26
25
 
4:41
26
Rebuild  Altatódal és bevezetés / Lullaby and Introduction
Reconstruction  Altatódal és bevezetés / Lullaby and Introduction
 
3:47
27
Rebuild  Aranykor / Golden Age
Reconstruction  Aranykor / Golden Age
 
1:47
28
Rebuild  Ezüstkor / Silver Age
Reconstruction  Ezüstkor / Silver Age
 
4:
29
Rebuild  Bronzkor / Bronze Age
Reconstruction  Bronzkor / Bronze Age
 
2:32
30
Rebuild  Vaskor / Iron Age
Reconstruction  Vaskor / Iron Age
 
5:49
31
Rebuild  Jóslat / Prophecy
Reconstruction  Jóslat / Prophecy
 
4:54
35
loves  No. 1, Solo for Prepared Piano
Amores  No. 1, Solo for Prepared Piano
1:10
36
loves  No. 2, Trio (9 tom-toms, pod rattle)
Amores  No. 2, Trio (9 tom-toms, pod rattle)
3:
37
loves  No. 3, Trio (7 woodblocks, not Chinese, Waltz from: Trio of 1936)
Amores  No. 3, Trio (7 woodblocks, not Chinese, Waltz from: Trio of 1936)
1:18
38
loves  No. 4, Solo for Prepared Piano
Amores  No. 4, Solo for Prepared Piano
3:52
46
Fads and Fancies In the Academy  1. Axioms. a. The pupil is eager to learn
Fads and Fancies In the Academy  1. Axioms. a. The pupil is eager to learn
2:58
47
Fads and Fancies In the Academy  1. Axioms. b. The pupil is constitutionally lazy
Fads and Fancies In the Academy  1. Axioms. b. The pupil is constitutionally lazy
2:24
48
Fads and Fancies In the Academy  1. Axioms. c. We deal with the total child
Fads and Fancies In the Academy  1. Axioms. c. We deal with the total child
2:31
49
Fads and Fancies In the Academy  2. A Short Historical Sketch. a. Reactionaries
Fads and Fancies In the Academy  2. A Short Historical Sketch. a. Reactionaries
1:50
50
Fads and Fancies In the Academy  2. A Short Historical Sketch. b. Revolutionaries - Pitched Battle
Fads and Fancies In the Academy  2. A Short Historical Sketch. b. Revolutionaries - Pitched Battle
1:50
51
Fads and Fancies In the Academy  3. Vistas of the Future. a. Pessimist
Fads and Fancies In the Academy  3. Vistas of the Future. a. Pessimist
2:7
52
Fads and Fancies In the Academy  3. Vistas of the Future. b. Optimist
Fads and Fancies In the Academy  3. Vistas of the Future. b. Optimist
3:31
62
Haikai, for flute & zoomozophone  Haikai, for eight performers on gamelan degung
Haikai, for flute & zoomoozophone  Haikai, for eight performers on gamelan degung
15:54
63
Child of Tree  Improvisation 1a: Child of Tree, for percussionist using plant materials
Child of Tree  Improvisation 1a: Child of Tree, for percussionist using plant materials
8:12
64
Five4 "in memory of Stephan Wolpe"  Five 4, for soprano saxophone in B flat, alto saxophone in E flat and three percussionists
Five4 "in memory of Stephan Wolpe"  Five 4, for soprano saxophone in B flat, alto saxophone in E flat and three percussionists
5:11
65
Composed Improvisation  C composed Improvisation, version for bass guitar and snare drum
Composed Improvisation  C composed Improvisation, version for bass guitar and snare drum
8:10
66
Composed Improvisation For Snare Drum  C composed Improvisation, version for snare drum and one-sided drums
Composed Improvisation For Snare Drum  C composed Improvisation, version for snare drum and one-sided drums
8:14
67
But What About the Noise…  But What about the Noise of Crumpling Paper Which He Used to Do in Order to paint the series of "Papier froissés" or Tearing up paper to Make "Papier déchirés"? Arp Was Stimulated by Water (Sea, Lake and Flowing Waters like Rivers), Forests, version for ten performers
But What About the Noise…  But What about the Noise of Crumpling Paper Which He Used to Do in Order to paint the series of "Papier froissés" or Tearing up paper to Make "Papier déchirés"? Arp Was Stimulated by Water (Sea, Lake and Flowing Waters like Rivers), Forests, version for ten performers
18:32
68
Interlude  Interludio for folk flute
Interludio  Interludio for folk flute
 
2:15
69
Post ludes  Postludes/Posztludiumok
Postludes  Postludes/Posztludiumok
 
5:31
74
loves  I. Solo: prepared piano
Amores  I. Solo: prepared piano
1:10
75
loves  II. Trio: nine tom-toms, pod rattle
Amores  II. Trio: nine tom-toms, pod rattle
3:6
76
loves  III. Trio: seven wood-blocks
Amores  III. Trio: seven wood-blocks
1:23
77
loves  IV. Solo: prepared piano
Amores  IV. Solo: prepared piano
3:56
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