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Carlo Maria Giulini
ARTIST MUSICS
1
Thus spoke Zarathustra, Op. 30  4. Von den Freuden und Leidenschaften
Also sprach Zarathustra, Op. 30  4. Von den Freuden und Leidenschaften
1:56
7
The Planets, Op.32, H.125  1. Mars, The Bringer Of War
The Planets, Op. 32, H. 125  1. Mars, The Bringer Of War
6:37
8
The Planets, Op.32, H.125  2. Venus, The Bringer Of Peace
The Planets, Op. 32, H. 125  2. Venus, The Bringer Of Peace
7:25
9
The Planets, Op.32, H.125  3. Mercury, The Winged Messenger
The Planets, Op. 32, H. 125  3. Mercury, The Winged Messenger
3:59
10
The Planets, Op.32, H.125  4. Jupiter, The Bringer Of Jollity
The Planets, Op. 32, H. 125  4. Jupiter, The Bringer Of Jollity
8:1
11
The Planets, Op.32, H.125  5. Saturn, The Bringer Of Old Age
The Planets, Op. 32, H. 125  5. Saturn, The Bringer Of Old Age
7:45
15
The Sea, L. 109  1. De l'aube à midi sur la mer
La Mer, L. 109  1. De l'aube à midi sur la mer
9:26
17
The Sea, L. 109  3. Dialogue du vent et de la mer
La Mer, L. 109  3. Dialogue du vent et de la mer
8:44
22
Appalachian Spring, concert suite for full orchestra  Appalachian Spring - 1945 Suite. Very slowly- Allegro - Moderato - Fast-More deliberate tempo - Molto moderato - Allegro - Presto - Meno mosso - As at first (slowly) - Doppio movimento - A trifle slower - Broadly
Appalachian Spring, concert suite for full orchestra  Appalachian Spring - 1945 Suite. Very slowly- Allegro - Moderato - Fast-More deliberate tempo - Molto moderato - Allegro - Presto - Meno mosso - As at first (slowly) - Doppio movimento - A trifle slower - Broadly
25:37
23
Latin American Sketches (3)  1. Estribillo (Bold, sharply accented)
Latin American Sketches (3)  1. Estribillo (Bold, sharply accented)
3:11
24
Latin American Sketches (3)  2. Paisaje Mexicano (Soft and sad,in a moderate tempo)
Latin American Sketches (3)  2. Paisaje Mexicano (Soft and sad,in a moderate tempo)
3:32
25
Latin American Sketches (3)  3. Danza de Jalisco (Lively and fast)
Latin American Sketches (3)  3. Danza de Jalisco (Lively and fast)
3:38
34
The Firebird, suite for orchestra No. 2  II. Dance of the Firebird - The Firebird's Variation (1919 Version)
L'oiseau de feu, suite for orchestra No. 2  II. Dance of the Firebird - The Firebird's Variation (1919 Version)
1:40
35
The Firebird, suite for orchestra No. 2  III. Khorovod. Round Dance of the Princesses (1919 Version)
L'oiseau de feu, suite for orchestra No. 2  III. Khorovod. Round Dance of the Princesses (1919 Version)
5:45
36
The Firebird, suite for orchestra No. 2  IV. Infernal Dance of King Kashchei (1919 Version)
L'oiseau de feu, suite for orchestra No. 2  IV. Infernal Dance of King Kashchei (1919 Version)
5:8
75
The Sea, L. 109  I. De l'aube à midi sur la mer
La Mer, L. 109  I. De l'aube à midi sur la mer
9:26
97
Thamos, king in Egypt, c. 345 (336a)  Act I: 'Il Dramma Si Apre con una grande scena corale'
Thamos, König in Ägypten, K. 345 (336a)  Act I: 'Il Dramma Si Apre con una grande scena corale'
7:15
98
Thamos, king in Egypt, c. 345 (336a)  Act I: 'Un manifesto è stato affisso da mani ignote sulle porte del tempio'
Thamos, König in Ägypten, K. 345 (336a)  Act I: 'Un manifesto è stato affisso da mani ignote sulle porte del tempio'
6:10
99
Thamos, king in Egypt, c. 345 (336a)  Act II: 'Tuttora ignara del suo vero essere, Sahis Ama Thamos'
Thamos, König in Ägypten, K. 345 (336a)  Act II: 'Tuttora ignara del suo vero essere, Sahis Ama Thamos'
4:56
100
Thamos, king in Egypt, c. 345 (336a)  Act II: ' E davvero la sincerità di Thamos non ha limiti'
Thamos, König in Ägypten, K. 345 (336a)  Act II: ' E davvero la sincerità di Thamos non ha limiti'
4:14
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