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Prague Chamber Choir
ARTIST MUSICS
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Symphony No. 6 in G major "Historical", Op. 116  IV. Allerneueste Periode (The Very Latest Period) (1840): Allegro vivace [excerpt]
Symphony No. 6 in G major "Historical", Op. 116  IV. Allerneueste Periode (The Very Latest Period) (1840): Allegro vivace [excerpt]
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Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the  Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the
 
2:30
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Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....  Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....
 
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Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....  In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....
 
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Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.  Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.
 
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King and Charcoal Burner  Act I: Scene 9: Jaký zvuk to jest? (What sound is that?) [excerpt]
King and Charcoal Burner  Act I: Scene 9: Jaký zvuk to jest? (What sound is that?) [excerpt]
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Great Composers in Words and Music: Antonín Dvořák, narration with musical examples It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time  It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time
 
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Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise  In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise
 
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Great Composers in Words and Music: Antonín Dvořák, narration with musical examples While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da  While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da
 
2:47
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Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.  In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.
 
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Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.  Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.
 
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Piano Trio No. 4 in E minor "Dumky", B. 166, Op. 90  I. Lento maestoso - Allegro vivace, quasi doppio movimento - Tempo I [excerpt]
Piano Trio No. 4 in E minor "Dumky", B. 166, Op. 90  I. Lento maestoso - Allegro vivace, quasi doppio movimento - Tempo I [excerpt]
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Great Composers in Words and Music: Antonín Dvořák, narration with musical examples In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.  In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.
 
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Te Deum, B. 176, Op. 103  Te Deum laudamus: Allegro moderato, maestoso [excerpt]
Te Deum, B. 176, Op. 103  Te Deum laudamus: Allegro moderato, maestoso [excerpt]
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Great Composers in Words and Music: Antonín Dvořák, narration with musical examples The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso  The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso
 
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Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York  Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York
 
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Cello Concerto in B minor, B. 191, Op. 104  III. Finale: Andante - Allegro vivo [excerpt]
Cello Concerto in B minor, B. 191, Op. 104  III. Finale: Andante - Allegro vivo [excerpt]
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Great Composers in Words and Music: Antonín Dvořák, narration with musical examples The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations: the poetic or pictorial aspect explored in pr  The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations: the poetic or pictorial aspect explored in pr
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations: the poetic or pictorial aspect explored in pr
 
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Great Composers in Words and Music: Antonín Dvořák, narration with musical examples During his final years, Dvořák became the recipient of various honours...  During his final years, Dvořák became the recipient of various honours...
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  During his final years, Dvořák became the recipient of various honours...
 
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Armida, opus, B. 206, Op.115  Act I: Scene 1: Jak z dervišových prstů řinou (As delightful rosary beads glide in the hands of the dervishes) [excerpt]
Armida, opera, B. 206, Op.115  Act I: Scene 1: Jak z dervišových prstů řinou (As delightful rosary beads glide in the hands of the dervishes) [excerpt]
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Great Composers in Words and Music: Antonín Dvořák, narration with musical examples Dvořák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at the National Theatre in Prague, where the opera was being directed by Robert Polak and conducted by  Dvořák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at the National Theatre in Prague, where the opera was being directed by Robert Polak and conducted by
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples  Dvořák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at the National Theatre in Prague, where the opera was being directed by Robert Polak and conducted by
 
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Paul, Op. 36  Herr! Der Du Bist Der Gott
Paulus, Op. 36  Herr! Der Du Bist Der Gott
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Paul, Op. 36  Chorale: Allein Gott In Der Hoh' Sei Ehr'
Paulus, Op. 36  Chorale: Allein Gott In Der Hoh' Sei Ehr'
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Paul, Op. 36  Recitative and Duet: Die Menge Der Glaubigen
Paulus, Op. 36  Recitative and Duet: Die Menge Der Glaubigen
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Paul, Op. 36  Dieser Mensch Hort Nicht Auf
Paulus, Op. 36  Dieser Mensch Hort Nicht Auf
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Paul, Op. 36  Recitative: Und Sie Sahen Auf Ihn
Paulus, Op. 36  Recitative: Und Sie Sahen Auf Ihn
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Paul, Op. 36  Aria: Jerusalem! Die Du Totest Die Propheten
Paulus, Op. 36  Aria: Jerusalem! Die Du Totest Die Propheten
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Paul, Op. 36  Recitative: Sie Aber Sturmten Auf Ihn Ein
Paulus, Op. 36  Recitative: Sie Aber Sturmten Auf Ihn Ein
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Paul, Op. 36  Recitative: Und Sie Steinigten Ihn (Tenor) - Chorale: Dir, Herr, Dir Will Ich Mich Ergeben
Paulus, Op. 36  Recitative: Und Sie Steinigten Ihn (Tenor) - Chorale: Dir, Herr, Dir Will Ich Mich Ergeben
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Paul, Op. 36  Recitative: Und Die Zeugen Legten Ab Ihre Kleider
Paulus, Op. 36  Recitative: Und Die Zeugen Legten Ab Ihre Kleider
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Paul, Op. 36  Siehe! Wir Preisen Selig
Paulus, Op. 36  Siehe! Wir Preisen Selig
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Paul, Op. 36  Recitative: Saulus Aber Zerstorte Die Gemeinde (Tenor) - Aria: Vertilge Sie, Herr Zebaoth
Paulus, Op. 36  Recitative: Saulus Aber Zerstorte Die Gemeinde (Tenor) - Aria: Vertilge Sie, Herr Zebaoth
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Paul, Op. 36  Recitative: Und Zog Mit Einer Schar (Alto) - Arioso: Doch Der Herr Vergisst Der Seinen Nicht
Paulus, Op. 36  Recitative: Und Zog Mit Einer Schar (Alto) - Arioso: Doch Der Herr Vergisst Der Seinen Nicht
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Paul, Op. 36  Recitative: Und Als Er Auf Dem Wege War
Paulus, Op. 36  Recitative: Und Als Er Auf Dem Wege War
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Paul, Op. 36  Mache Dich Auf! Werde Licht!
Paulus, Op. 36  Mache Dich Auf! Werde Licht!
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Paul, Op. 36  Chorale: Wachet Auf! Ruft Uns Die Stimme
Paulus, Op. 36  Chorale: Wachet Auf! Ruft Uns Die Stimme
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Paul, Op. 36  Recitative: Die Manner Aber
Paulus, Op. 36  Recitative: Die Manner Aber
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Paul, Op. 36  Aria: Gott, Sei Mir Gnadig
Paulus, Op. 36  Aria: Gott, Sei Mir Gnadig
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Paul, Op. 36  Recitative: Es War Aber Ein Junger
Paulus, Op. 36  Recitative: Es War Aber Ein Junger
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Paul, Op. 36  Aria: Ich Danke Dir, Herr, Mein Gott
Paulus, Op. 36  Aria: Ich Danke Dir, Herr, Mein Gott
5:13
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Paul, Op. 36  Recitative: Und Ananias Ging Hin
Paulus, Op. 36  Recitative: Und Ananias Ging Hin
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Paul, Op. 36  O Welch Eine Tiefe Des Reichtums
Paulus, Op. 36  O Welch Eine Tiefe Des Reichtums
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Paul, Op. 36  Fugue: Der Erdkreis Ist Nun Des Herrn
Paulus, Op. 36  Fugue: Der Erdkreis Ist Nun Des Herrn
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Paul, Op. 36  Recitative: Und Paulus Kam
Paulus, Op. 36  Recitative: Und Paulus Kam
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Paul, Op. 36  Duettino: So Sind Wir Nun Botschafter
Paulus, Op. 36  Duettino: So Sind Wir Nun Botschafter
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Paul, Op. 36  Wie Lieblich Sind Die Boten
Paulus, Op. 36  Wie Lieblich Sind Die Boten
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Paul, Op. 36  Recitative: Und Wie Sie Ausgesandt Von Dem Heiligen Geist (Soprano) - Arioso: Lasst Uns Singen Von Der Gnade
Paulus, Op. 36  Recitative: Und Wie Sie Ausgesandt Von Dem Heiligen Geist (Soprano) - Arioso: Lasst Uns Singen Von Der Gnade
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Paul, Op. 36  Recitative: Da Aber Die Juden Das Volk Sahen
Paulus, Op. 36  Recitative: Da Aber Die Juden Das Volk Sahen
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Paul, Op. 36  Ist Das Nicht (Chorus) - Chorale: O Jesu Christe
Paulus, Op. 36  Ist Das Nicht (Chorus) - Chorale: O Jesu Christe
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Paul, Op. 36  Recitative: Paulus Aber Und Barnabas Sprachen
Paulus, Op. 36  Recitative: Paulus Aber Und Barnabas Sprachen
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Paul, Op. 36  Duet: Denn Also Hat Uns Der Herr Geboten
Paulus, Op. 36  Duet: Denn Also Hat Uns Der Herr Geboten
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Paul, Op. 36  Recitative: Und Es War Ein Mann
Paulus, Op. 36  Recitative: Und Es War Ein Mann
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Paul, Op. 36  Die Gotter Sind Den Menschen Gleich Geworden
Paulus, Op. 36  Die Gotter Sind Den Menschen Gleich Geworden
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Paul, Op. 36  Recitative: Und Nannten Barnabas
Paulus, Op. 36  Recitative: Und Nannten Barnabas
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Paul, Op. 36  Recitative: Da Das Die Apostel Horten (Tenor) - Aria: Ihr Manner - Wisset Ihr Nicht (Bass) - Aber Unser Gott - Wir Glauben
Paulus, Op. 36  Recitative: Da Das Die Apostel Horten (Tenor) - Aria: Ihr Manner - Wisset Ihr Nicht (Bass) - Aber Unser Gott - Wir Glauben
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Paul, Op. 36  Recitative: Da Ward Das Volk Erreget
Paulus, Op. 36  Recitative: Da Ward Das Volk Erreget
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Paul, Op. 36  Hier Ist Des Herren Tempel
Paulus, Op. 36  Hier Ist Des Herren Tempel
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Paul, Op. 36  Recitative: Und Sie Alle Verfolgten Paulus
Paulus, Op. 36  Recitative: Und Sie Alle Verfolgten Paulus
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Paul, Op. 36  Cavatina: Sei Getreu Bis In Den Tod
Paulus, Op. 36  Cavatina: Sei Getreu Bis In Den Tod
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Paul, Op. 36  Recitative: Paulus Sandte Hin
Paulus, Op. 36  Recitative: Paulus Sandte Hin
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Paul, Op. 36  Schone Doch Deiner Selbst (Chorus) - Recitative: Was Machet Ihr
Paulus, Op. 36  Schone Doch Deiner Selbst (Chorus) - Recitative: Was Machet Ihr
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Paul, Op. 36  Sehet, Welch Eine Liebe
Paulus, Op. 36  Sehet, Welch Eine Liebe
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Paul, Op. 36  Recitative: Und Wenn Er Gleich Geopfert Wird
Paulus, Op. 36  Recitative: Und Wenn Er Gleich Geopfert Wird
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Paul, Op. 36  Nicht Aber Ihm Allein
Paulus, Op. 36  Nicht Aber Ihm Allein
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Stabat material  I. Stabat Mater dolorosa
Stabat mater  I. Stabat Mater dolorosa
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Stabat material  IX. Quando corpus morietur
Stabat mater  IX. Quando corpus morietur
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Stabat material  X. In sempiterna saecula, Amen
Stabat mater  X. In sempiterna saecula, Amen
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Requiem, K.626  Offertorium - Domine Jesu
Requiem, K. 626  Offertorium - Domine Jesu
4:10
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