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1
Anton Bruckner
Anton Bruckner
Work(s)
Unspecified Ave Maria in F major: Libera Me Domine
Work(s)
Unspecified Ave Maria in F major: Libera Me Domine
Anton Bruckner: Motetten; Choral-Messe
3:10
2
Johann Georg Ebeling
Johann Georg Ebeling
The golden sun full of joy and delight
Die güldne Sonne
Die güldne Sonne voll Freud und Wonne
Die güldne Sonne
Die Himmel Rühmen
2:3
3
Melchior Vulpius
Melchior Vulpius
The day is breaking
Der Tag bricht an
Die Himmel Rühmen
2:14
4
Melchior Vulpius
Melchior Vulpius
The bright sun shines forth now
Die helle Sonn leucht jetzt herfür
Die Himmel Rühmen
1:49
5
Johannes Crüger
Johannes Crüger
Praise the lords all who honor him
Lobet den Herren alle, die ihn ehren
Die Himmel Rühmen
2:19
6
Giovanni Giacomo Gastoldi
Giovanni Giacomo Gastoldi
There is joy in you
In dir ist Freude
Die Himmel Rühmen
1:51
7
Georg Neumark
Georg Neumark
He who only lets God rule
Wer nur den lieben Gott läßt walten
Die Himmel Rühmen
2:7
8
Philipp Nicolai
Philipp Nicolai
Wake up, the voice is calling us
Wachet auf, ruft uns die Stimme
Die Himmel Rühmen
3:43
9
Johannes Eccard
Johannes Eccard
Mr. Christe, give me
Herr Christe, tu mir geben
Die Himmel Rühmen
3:5
10
Melchior Vulpius
Melchior Vulpius
Down is the sunshine
Hinunter ist der Sonnen Schein
Die Himmel Rühmen
2:11
11
Martin Luther
Martin Luther
From the sky up
Vom Himmel hoch, da komm ich her
Vom Himmel hoch
Vom Himmel hoch, da komm ich her
Die Himmel Rühmen
4:59
12
Martin Luther
Martin Luther
I cry out to you in deep distress
Aus tiefer Not ruf' ich zu dir
Aus tiefer Not schrei ich zu dir
Aus tiefer Not ruf' ich zu dir
Die Himmel Rühmen
2:30
13
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Introduction
Introduction
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Introduction
Great Composers in Words and Music: Dvorák
7
14
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Bits and pieces are all we may know about the music of Antonín Dvořák
Bits and pieces are all we may know about the music of Antonín Dvořák
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Bits and pieces are all we may know about the music of Antonín Dvořák
Great Composers in Words and Music: Dvorák
4:3
15
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.
The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.
Great Composers in Words and Music: Dvorák
2:57
16
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague
Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague
Great Composers in Words and Music: Dvorák
2:48
17
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the
Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the
Great Composers in Words and Music: Dvorák
2:30
18
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....
Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....
Great Composers in Words and Music: Dvorák
1:34
19
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....
In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....
Great Composers in Words and Music: Dvorák
1:24
20
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.
Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.
Great Composers in Words and Music: Dvorák
3:56
21
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time
It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time
Great Composers in Words and Music: Dvorák
2:5
22
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise
In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise
Great Composers in Words and Music: Dvorák
2:16
23
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da
While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da
Great Composers in Words and Music: Dvorák
2:47
24
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.
In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.
Great Composers in Words and Music: Dvorák
1:21
25
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.
Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.
Great Composers in Words and Music: Dvorák
3:12
26
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.
In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.
Great Composers in Words and Music: Dvorák
3:19
27
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso
The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso
Great Composers in Words and Music: Dvorák
3:11
28
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York
Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York
Great Composers in Words and Music: Dvorák
3:36
29
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations: the poetic or pictorial aspect explored in pr
The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations: the poetic or pictorial aspect explored in pr
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations: the poetic or pictorial aspect explored in pr
Great Composers in Words and Music: Dvorák
2:58
30
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
During his final years, Dvořák became the recipient of various honours...
During his final years, Dvořák became the recipient of various honours...
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
During his final years, Dvořák became the recipient of various honours...
Great Composers in Words and Music: Dvorák
3:50
31
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Dvořák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at the National Theatre in Prague, where the opera was being directed by Robert Polak and conducted by
Dvořák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at the National Theatre in Prague, where the opera was being directed by Robert Polak and conducted by
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Dvořák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at the National Theatre in Prague, where the opera was being directed by Robert Polak and conducted by
Great Composers in Words and Music: Dvorák
2:33
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