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M
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classic
Christoph Sommer
ARTIST MUSICS
1
The Eraclito Amoroso, Op. 2  L'Eraclito amoroso Op. 2 No. 14 (Kantate für Sopran)
L'Eraclito Amoroso, Op. 2  L'Eraclito amoroso Op. 2 No. 14 (Kantate für Sopran)
6:32
3
Darling is the rose  Cara è la rosa, Il primo libro di Villanelle
Cara è la rosa  Cara è la rosa, Il primo libro di Villanelle
4:34
4
Scherzi musicali Cioè Arie, e Madrigali in recitativo style, con una Ciaccona a 1 e 2, SV 246-251  Scherzi musicali cioè arie et madrigali, No. 2, SV. 247: Quel sguardo sdegnosetto
Scherzi musicali Cioè Arie, e Madrigali in stil recitativo, con una Ciaccona a 1 e 2, SV 246-251  Scherzi musicali cioè arie et madrigali, No. 2, SV. 247: Quel sguardo sdegnosetto
3:9
5
Chaconne  Ciaccona, Il primo libro, L'Eroica à 3
Ciaccona  Ciaccona, Il primo libro, L'Eroica à 3
3:44
6
Aria musicali Bk.1 No. 16, Cosi mi disprezzate  Cosi mi disprezzate (Aria di Passacaglia)
Arie musicali Bk.1 No. 16, Cosi mi disprezzate  Cosi mi disprezzate (Aria di Passacaglia)
3:31
7
The Calisto  Dalle gelose mie
La Calisto  Dalle gelose mie
3:17
11
Alas I fall, alas I stumble, SV 316  Quarto scherzo delle ariose vaghezze, Ohimè ch'io cado
Ohimè ch'io cado, ohimè ch'inciampo, SV 316  Quarto scherzo delle ariose vaghezze, Ohimè ch'io cado
4:8
13
Hard, my Linda Donzeya  Durme, Sephardisches Wiegenlied
Durme, my Linda Donzeya  Durme, Sephardisches Wiegenlied
 
6:31
14
The Merchant of Venice  Act IV Sene 1: Sound the Trumpet
The Merchant of Venice  Act IV Sene 1: Sound the Trumpet
 
48
15
Ground  Ground (Improvisation)
Ground  Ground (Improvisation)
 
1:42
16
Chiaccona in Parte varied to the real Spanish  Armoniosi concerti sopra la chitarra spagnuola: Chiaccona in parte variate alla vera spagnola
Chiaccona in Parte variate alla vera Spagnola  Armoniosi concerti sopra la chitarra spagnuola: Chiaccona in parte variate alla vera spagnola
4:12
17
Yo be the locura  Yo soy la locura (I am madness)
Yo soy la locura  Yo soy la locura (I am madness)
2:25
19
Your eyes hold love  Vuestros ojos tienen d'amor no sé qué
Vuestros ojos tienen d'amor  Vuestros ojos tienen d'amor no sé qué
2:21
20
Chat in varied games  Chiaccona in partite varie (Intavolatura di Liuto, et di Chitarrone, Book 1)
Chiaccona in partite variate  Chiaccona in partite varie (Intavolatura di Liuto, et di Chitarrone, Book 1)
1:28
22
Being  Being (Improvisation)
Being  Being (Improvisation)
 
2:26
24
Breathe  Breath (Improvisation)
Breath  Breath (Improvisation)
 
1:35
27
Dido's Lament Remix (after H. Purcell's 'Dido and Aeneas')  Dido's Lament Remix (after H. Purcell's Dido and Aeneas)
Dido's Lament Remix (after H. Purcell's 'Dido and Aeneas')  Dido's Lament Remix (after H. Purcell's Dido and Aeneas)
 
4:31
28
Grounds (2) in C minor (after H. Purcell's Ground in C Minor, Z. D221)  2 Grounds in C Minor (after H. Purcell's Ground in C Minor, Z. D221)
Grounds (2) in C minor (after H. Purcell's Ground in C Minor, Z. D221)  2 Grounds in C Minor (after H. Purcell's Ground in C Minor, Z. D221)
 
3:34
29
O Lord, in you is all my trust  O Lord, in thee is all my trust (from: Mornyng and Evenyng prayer, 1565)
O Lord, in thee is all my trust  O Lord, in thee is all my trust (from: Mornyng and Evenyng prayer, 1565)
3:12
30
Who shall separate us from the love of Christ  Who shall seperate us from the love of God (Anthem for four voices and basso continuo)
Who shall separate us from the love of Christ  Who shall seperate us from the love of God (Anthem for four voices and basso continuo)
 
3:9
37
Since God so tender a regard, line 143  Since God so tender a regard (Sacred Song for three voices and basso continuo, Z. 143)
Since God so tender a regard, Z. 143  Since God so tender a regard (Sacred Song for three voices and basso continuo, Z. 143)
4:13
38
Rejoice in the Lord always, line 49  Rejoice in the Lord alway (Anthem for three solo voices, chorus and basso continuo)
Rejoice in the Lord alway, Z. 49  Rejoice in the Lord alway (Anthem for three solo voices, chorus and basso continuo)
5:14
39
Prelude for violin in G minor, ZN 773  Suite for recorder, for recorder, viola da gamba, theorbe, harpsichord: Prelude for unaccompanied recorder (ZN. 773)
Prelude for violin in G minor, ZN 773  Suite for recorder, for recorder, viola da gamba, theorbe, harpsichord: Prelude for unaccompanied recorder (ZN. 773)
1:9
40
At New Ground, ZT 682  Suite for recorder, for recorder, viola da gamba, theorbe, harpsichord: A new Ground
A New Ground, ZT 682  Suite for recorder, for recorder, viola da gamba, theorbe, harpsichord: A new Ground
2:23
41
Gavotte in G major, ZD 220  Suite for recorder, for recorder, viola da gamba, theorbe, harpsichord: Gavott
Gavotte in G major, ZD 220  Suite for recorder, for recorder, viola da gamba, theorbe, harpsichord: Gavott
 
1:9
42
Work(s)  Suite for recorder, for recorder, viola da gamba, theorbe, harpsichord: Hornpipe I + Hornpipe II (from: Cambridge, Fritzwilliam Museum MS 52.B.7)
Work(s)  Suite for recorder, for recorder, viola da gamba, theorbe, harpsichord: Hornpipe I + Hornpipe II (from: Cambridge, Fritzwilliam Museum MS 52.B.7)
 
1:47
43
Time stands still  Time stands still (from: The Third and Last Booke of Songs or Aires, 1603)
Time stands still  Time stands still (from: The Third and Last Booke of Songs or Aires, 1603)
4:32
44
Woe, O mine Eyes  Weep o mine eyes (from: First Book of Madrigals, 1599)
Weep, O mine Eyes  Weep o mine eyes (from: First Book of Madrigals, 1599)
2:9
45
Flow, my tears, fall from your springs  Flow my tears (from: The second Book of Ayres, 1600), Lachrime pavaen (Amsterdam, 1646)
Flow, my tears, fall from your springs  Flow my tears (from: The second Book of Ayres, 1600), Lachrime pavaen (Amsterdam, 1646)
4:9
46
Fantasia in D minor, P5  A Fancy for lute (After Diana Poulton)
Fantasia in D minor, P 5  A Fancy for lute (After Diana Poulton)
2:30
47
Can you excuse my wrongs,  Can she excuse my wrongs (from: The First Booke of Songes or Ayres, 1597)
Can she excuse my wrongs,  Can she excuse my wrongs (from: The First Booke of Songes or Ayres, 1597)
2:43
48
Sweet stay a while, why will you rise?  Sweet stay a while (from: A Pilgrims Solace, 1612) for sopran, alto, tenor, bass, lute
Sweet stay awhile, why will you rise?  Sweet stay a while (from: A Pilgrims Solace, 1612) for sopran, alto, tenor, bass, lute
3:3
49
Prelude, P98  Prelude for lute (After Diana Poulton)
Preludium, P 98  Prelude for lute (After Diana Poulton)
1:1
50
Come again, sweet love doth invite now  Come again (from: The First Booke of Songes or Ayres, 1597)
Come again, sweet love doth now invite  Come again (from: The First Booke of Songes or Ayres, 1597)
2:17
51
Now, O now I need must part  Now, O now, I needs must part (from: The First Booke of Songes or Ayres, 1597)
Now, O now I needs must part  Now, O now, I needs must part (from: The First Booke of Songes or Ayres, 1597)
4:
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