Composer

:

Diego Ortiz

Genre

:

Chamber

Style

:

Chamber Music

Average_duration

:

2:32

Diego Ortiz was a Spanish composer and viol player who lived in the 16th century. He is best known for his collection of music entitled "Trattado de Glosas," which was published in Rome in 1553. This collection contains a series of variations on popular songs of the time, as well as a number of original compositions. One of the most famous pieces in the collection is the "Recercada segonda sobre Doulce Mémoire." This piece is a variation on the popular French chanson "Doulce Mémoire," which was composed by Pierre Sandrin in the early 16th century. The "Recercada segonda" is the second of three variations that Ortiz composed on this theme. The "Recercada segonda" is written for solo viol, and is in the form of a series of variations on the original melody. The piece is divided into several movements, each of which explores a different aspect of the melody. The first movement is a simple statement of the theme, followed by a series of variations that gradually become more complex and elaborate. One of the most striking characteristics of the "Recercada segonda" is its use of ornamentation. Ortiz was a master of the art of ornamentation, and his variations are filled with intricate trills, turns, and other embellishments. These ornaments serve to highlight the beauty and complexity of the original melody, while also showcasing Ortiz's virtuosity as a performer. Another notable feature of the "Recercada segonda" is its use of harmony. Ortiz was one of the first composers to explore the possibilities of harmony in solo instrumental music, and his variations are filled with rich, complex chords and progressions. This gives the piece a sense of depth and complexity that is rare in solo instrumental music of the time. The "Recercada segonda sobre Doulce Mémoire" was first published in Ortiz's "Trattado de Glosas" in 1553. It quickly became one of the most popular pieces in the collection, and has remained a favorite of viol players and early music enthusiasts ever since. Its combination of virtuosity, ornamentation, and harmonic complexity make it a true masterpiece of the Renaissance era.

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