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1
Jean-Philippe Rameau
Jean-Philippe Rameau
The Paladins
10. Entrée très gaye des Troubadours
Les Paladins
10. Entrée très gaye des Troubadours
Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi
2:42
2
Jean-Philippe Rameau
Jean-Philippe Rameau
The Paladins
11. Air très gaye
Les Paladins
11. Air très gaye
Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi
1:47
3
Jean-Philippe Rameau
Jean-Philippe Rameau
The Paladins
12. Gavotte
Les Paladins
12. Gavotte
Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi
30
4
Jean-Philippe Rameau
Jean-Philippe Rameau
The Paladins
13. Menuet
Les Paladins
13. Menuet
Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi
56
5
Jean-Philippe Rameau
Jean-Philippe Rameau
The Paladins
14. Contredanse
Les Paladins
14. Contredanse
Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi
1:12
6
Jean-Philippe Rameau
Jean-Philippe Rameau
The Paladins
15. Entrée des Chinois
Les Paladins
15. Entrée des Chinois
Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi
2:33
7
Jean-Philippe Rameau
Jean-Philippe Rameau
The Paladins
16. Loure
Les Paladins
16. Loure
Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi
3:32
8
Jean-Philippe Rameau
Jean-Philippe Rameau
The Paladins
17. Gigue vive
Les Paladins
17. Gigue vive
Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi
3:23
9
Jean-Philippe Rameau
Jean-Philippe Rameau
The Paladins
18. Air vif
Les Paladins
18. Air vif
Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi
1:42
10
Jean-Philippe Rameau
Jean-Philippe Rameau
The Paladins
19. Première gavotte gaye - deuxième gavotte
Les Paladins
19. Première gavotte gaye - deuxième gavotte
Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi
2:39
11
Jean-Philippe Rameau
Jean-Philippe Rameau
The Paladins
20. Air très gay
Les Paladins
20. Air très gay
Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi
4:22
12
Jean-Philippe Rameau
Jean-Philippe Rameau
The Paladins
21. Entrées des Paladines et ensuite Paladins
Les Paladins
21. Entrées des Paladines et ensuite Paladins
Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi
3:12
13
Jean-Philippe Rameau
Jean-Philippe Rameau
The Paladins
22. Air pour les Pagodes
Les Paladins
22. Air pour les Pagodes
Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi
3:7
14
Jean-Philippe Rameau
Jean-Philippe Rameau
The Paladins
23. Gavotte I-II
Les Paladins
23. Gavotte I-II
Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi
2:13
15
Jean-Philippe Rameau
Jean-Philippe Rameau
The Paladins
24. Contredanse en rondeau
Les Paladins
24. Contredanse en rondeau
Orchestra of the Age of Enlightenment: Rameau, Handel & Pergolesi
1:51
16
Johann Sebastian Bach
Johann Sebastian Bach
Sonata for viola da gamba & keyboard No. 1 in G major, BWV 1027
I. Adagio
Sonata for viola da gamba & keyboard No. 1 in G major, BWV 1027
I. Adagio
J.S. Bach: BWV 1027-1029
3:51
17
Johann Sebastian Bach
Johann Sebastian Bach
Sonata for viola da gamba & keyboard No. 1 in G major, BWV 1027
II. Allegro ma non tanto
Sonata for viola da gamba & keyboard No. 1 in G major, BWV 1027
II. Allegro ma non tanto
J.S. Bach: BWV 1027-1029
3:45
18
Johann Sebastian Bach
Johann Sebastian Bach
Sonata for viola da gamba & keyboard No. 1 in G major, BWV 1027
III. Andante
Sonata for viola da gamba & keyboard No. 1 in G major, BWV 1027
III. Andante
J.S. Bach: BWV 1027-1029
2:27
19
Johann Sebastian Bach
Johann Sebastian Bach
Sonata for viola da gamba & keyboard No. 1 in G major, BWV 1027
IV. Allegro moderato
Sonata for viola da gamba & keyboard No. 1 in G major, BWV 1027
IV. Allegro moderato
J.S. Bach: BWV 1027-1029
3:14
20
Johann Sebastian Bach
Johann Sebastian Bach
Sonata for viola da gamba & keyboard No. 2 in D major, BWV 1028
I. Andante
Sonata for viola da gamba & keyboard No. 2 in D major, BWV 1028
I. Andante
J.S. Bach: BWV 1027-1029
1:51
21
Johann Sebastian Bach
Johann Sebastian Bach
Sonata for viola da gamba & keyboard No. 2 in D major, BWV 1028
II. Allegro
Sonata for viola da gamba & keyboard No. 2 in D major, BWV 1028
II. Allegro
J.S. Bach: BWV 1027-1029
2:48
22
Johann Sebastian Bach
Johann Sebastian Bach
Sonata for viola da gamba & keyboard No. 2 in D major, BWV 1028
III. Andante
Sonata for viola da gamba & keyboard No. 2 in D major, BWV 1028
III. Andante
J.S. Bach: BWV 1027-1029
4:31
23
Johann Sebastian Bach
Johann Sebastian Bach
Sonata for viola da gamba & keyboard No. 2 in D major, BWV 1028
IV. Allegro
Sonata for viola da gamba & keyboard No. 2 in D major, BWV 1028
IV. Allegro
J.S. Bach: BWV 1027-1029
4:28
24
Johann Sebastian Bach
Johann Sebastian Bach
Sonata for viola da gamba & keyboard No. 3 in G minor, BWV 1029
I. Vivace
Sonata for viola da gamba & keyboard No. 3 in G minor, BWV 1029
I. Vivace
J.S. Bach: BWV 1027-1029
5:24
25
Johann Sebastian Bach
Johann Sebastian Bach
Sonata for viola da gamba & keyboard No. 3 in G minor, BWV 1029
II. Andante
Sonata for viola da gamba & keyboard No. 3 in G minor, BWV 1029
II. Andante
J.S. Bach: BWV 1027-1029
3:46
26
Johann Sebastian Bach
Johann Sebastian Bach
Sonata for viola da gamba & keyboard No. 3 in G minor, BWV 1029
III. Allegro
Sonata for viola da gamba & keyboard No. 3 in G minor, BWV 1029
III. Allegro
J.S. Bach: BWV 1027-1029
4:0
27
Henry Purcell
Henry Purcell
Now does the glorious day appear, line 332
No. 7, Aria. 'By Beauteous Softness'
Now does the glorious day appear, Z. 332
No. 7, Aria. 'By Beauteous Softness'
A Celebration of James Bowman
2:23
28
Henry Purcell
Henry Purcell
O God, thou art my god, line 35
O God, thou art my god, Z. 35
A Celebration of James Bowman
4:18
29
Henry Purcell
Henry Purcell
O God, Thou hast cast us out, line 36
O God, Thou hast cast us out, Z. 36
A Celebration of James Bowman
4:30
30
Henry Purcell
Henry Purcell
Love's goddess sure was blind, Z. 331
No. 7, Duet. 'Many Such Days May She Behold'
Love's goddess sure was blind, Z. 331
No. 7, Duet. 'Many Such Days May She Behold'
A Celebration of James Bowman
3:4
31
Henry Purcell
Henry Purcell
Love's goddess sure was blind, Z. 331
No. 9, Verse with Chorus. 'As Much as We Below Shall Mourn'
Love's goddess sure was blind, Z. 331
No. 9, Verse with Chorus. 'As Much as We Below Shall Mourn'
A Celebration of James Bowman
1:34
32
Henry Purcell
Henry Purcell
Come ye sons of art away, line 323
No. 5, Ritornello. 'Strike the Viol'
Come ye sons of art away, Z. 323
No. 5, Ritornello. 'Strike the Viol'
A Celebration of James Bowman
4:25
33
Henry Purcell
Henry Purcell
Rejoice in the Lord always, line 49
Rejoice in the Lord alway, Z. 49
A Celebration of James Bowman
8:55
34
Henry Purcell
Henry Purcell
Blow up the trumpet in Sion, line 10
Blow up the trumpet in Sion, Z. 10
A Celebration of James Bowman
7:47
35
Heinrich Scheidemann
Heinrich Scheidemann
Lord Christ, the one Son of God
Herr Christ, der einig Gotts Sohn
Essential Organ: A Journey Through Italian Organ Music
5:5
36
Johann Sebastian Bach
Johann Sebastian Bach
Partita for keyboard No. 1 in B flat major, BWV 825
I. Prelude
Partita for keyboard No. 1 in B flat major, BWV 825
I. Prelude
Dark Academia: Read & Study
2:13
37
Johann Sebastian Bach
Johann Sebastian Bach
St Matthew Passion, BWV 244
O Haupt voll Blut und Wunden
St. Matthew Passion, BWV 244
O Haupt voll Blut und Wunden
Super Hits Choeurs
2:15
38
Johann Sebastian Bach
Johann Sebastian Bach
St Matthew Passion, BWV 244
Wir setzen uns mit Tränen nieder
St. Matthew Passion, BWV 244
Wir setzen uns mit Tränen nieder
Super Hits Choeurs
7:4
39
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Harmonia Artificosa-Ariosa (7), C. 62-68
Pars III
Harmonia Artificiosa-Ariosa (7), C. 62-68
Pars III
Biber, Muffat, Rosenmüller, Scheidt & Schmelzer: Consort Music
11:12
40
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Mensa Sonora seu Musica Instrumentalis, C. 69-74
Pars III
Mensa Sonora seu Musica Instrumentalis, C. 69-74
Pars III
Biber, Muffat, Rosenmüller, Scheidt & Schmelzer: Consort Music
7:1
41
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Sonata for 2 violins, 2 violas & continuo No. 3 in D minor, C. 80
Sonata for 2 violins, 2 violas & continuo No. 3 in D minor, C. 80
Biber, Muffat, Rosenmüller, Scheidt & Schmelzer: Consort Music
5:11
42
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Fidicunium Sacro-Profane (12), c. 78-89
Sonata IV
Fidicunium Sacro-Profanum (12), C. 78-89
Sonata IV
Biber, Muffat, Rosenmüller, Scheidt & Schmelzer: Consort Music
6:49
43
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Fidicunium Sacro-Profane (12), c. 78-89
Sonata V
Fidicunium Sacro-Profanum (12), C. 78-89
Sonata V
Biber, Muffat, Rosenmüller, Scheidt & Schmelzer: Consort Music
3:41
44
Heinrich Ignaz Franz von Biber
Heinrich Ignaz Franz von Biber
Fidicunium Sacro-Profane (12), c. 78-89
Sonata VI
Fidicunium Sacro-Profanum (12), C. 78-89
Sonata VI
Biber, Muffat, Rosenmüller, Scheidt & Schmelzer: Consort Music
7:42
45
Georg Muffat
Georg Muffat
Harmonic Tribute
Sonata II
Armonico Tributo
Sonata II
Biber, Muffat, Rosenmüller, Scheidt & Schmelzer: Consort Music
12:59
46
Johann Rosenmüller
Johann Rosenmüller
Sonata No. 8 to 4 (Nuremberg 1682)
Sonata No. 8 à 4 (Nürnberg 1682)
Biber, Muffat, Rosenmüller, Scheidt & Schmelzer: Consort Music
9:44
47
Samuel Scheidt
Samuel Scheidt
Ludi Musicians
Ludi Musici
Biber, Muffat, Rosenmüller, Scheidt & Schmelzer: Consort Music
5:30
48
Johann Heinrich Schmelzer
Johann Heinrich Schmelzer
Sacro-profanus Concentus Musicus No. 7, sonata for 5
Sacro-profanus Concentus Musicus No. 7, sonata a 5
Biber, Muffat, Rosenmüller, Scheidt & Schmelzer: Consort Music
3:37
49
Johann Heinrich Schmelzer
Johann Heinrich Schmelzer
Sacro-profanus Concentus Musicus No. 9, sonata for 5
Sacro-profanus Concentus Musicus No. 9, sonata a 5
Biber, Muffat, Rosenmüller, Scheidt & Schmelzer: Consort Music
4:13
50
François Couperin
François Couperin
Mass for the parishes
Offertoire sur les grands jeux
Mass for the parishes
Offertoire sur les grands jeux
Couperin, Poglietti, Grigny & Rameau: Keyboard Works
8:42
51
François Couperin
François Couperin
The Art of Touching the Harpsichord (Harpsichord Pieces)
Premier prélude
L'Art de toucher le Clavecin (Pièces de clavecin)
Premier prélude
Couperin, Poglietti, Grigny & Rameau: Keyboard Works
1:6
52
François Couperin
François Couperin
The Art of Touching the Harpsichord (Harpsichord Pieces)
Second prélude
L'Art de toucher le Clavecin (Pièces de clavecin)
Second prélude
Couperin, Poglietti, Grigny & Rameau: Keyboard Works
1:48
53
François Couperin
François Couperin
The Art of Touching the Harpsichord (Harpsichord Pieces)
Troisième prélude
L'Art de toucher le Clavecin (Pièces de clavecin)
Troisième prélude
Couperin, Poglietti, Grigny & Rameau: Keyboard Works
55
54
François Couperin
François Couperin
The Art of Touching the Harpsichord (Harpsichord Pieces)
Quatrième prélude
L'Art de toucher le Clavecin (Pièces de clavecin)
Quatrième prélude
Couperin, Poglietti, Grigny & Rameau: Keyboard Works
1:29
55
François Couperin
François Couperin
The Art of Touching the Harpsichord (Harpsichord Pieces)
Cinquième prélude
L'Art de toucher le Clavecin (Pièces de clavecin)
Cinquième prélude
Couperin, Poglietti, Grigny & Rameau: Keyboard Works
2:40
56
François Couperin
François Couperin
The Art of Touching the Harpsichord (Harpsichord Pieces)
Sixième prélude
L'Art de toucher le Clavecin (Pièces de clavecin)
Sixième prélude
Couperin, Poglietti, Grigny & Rameau: Keyboard Works
1:27
57
François Couperin
François Couperin
The Art of Touching the Harpsichord (Harpsichord Pieces)
Septième prélude
L'Art de toucher le Clavecin (Pièces de clavecin)
Septième prélude
Couperin, Poglietti, Grigny & Rameau: Keyboard Works
2:18
58
François Couperin
François Couperin
The Art of Touching the Harpsichord (Harpsichord Pieces)
Huitième prélude
L'Art de toucher le Clavecin (Pièces de clavecin)
Huitième prélude
Couperin, Poglietti, Grigny & Rameau: Keyboard Works
1:24
59
Alessandro Poglietti
Alessandro Poglietti
Search first tone No. 3 in D minor
Ricercare primo tono, No. 3 in D minor
Couperin, Poglietti, Grigny & Rameau: Keyboard Works
3:52
60
Nicolas de Grigny
Nicolas de Grigny
Organ Book (43)
Cromorne en taille à deux parties
Livre d'Orgue (43)
Cromorne en taille à deux parties
Couperin, Poglietti, Grigny & Rameau: Keyboard Works
3:30
61
Jean-Philippe Rameau
Jean-Philippe Rameau
New suites of harpsichord pieces
Suite en la: La triomphante
Nouvelles suites de pièces de clavecin
Suite en la: La triomphante
Couperin, Poglietti, Grigny & Rameau: Keyboard Works
1:25
62
Jean-Philippe Rameau
Jean-Philippe Rameau
Harpsichord Pieces in Concert
L'entretien des Muses
Pièces de clavecin en concerts
L'entretien des Muses
Couperin, Poglietti, Grigny & Rameau: Keyboard Works
3:15
63
Jean-Philippe Rameau
Jean-Philippe Rameau
New suites of harpsichord pieces
Suite en sol: Menuets
Nouvelles suites de pièces de clavecin
Suite en sol: Menuets
Couperin, Poglietti, Grigny & Rameau: Keyboard Works
2:15
64
Jean-Philippe Rameau
Jean-Philippe Rameau
Harpsichord Pieces in Concert
Les tourbillons
Pièces de clavecin en concerts
Les tourbillons
Couperin, Poglietti, Grigny & Rameau: Keyboard Works
2:13
65
Jean-Philippe Rameau
Jean-Philippe Rameau
New suites of harpsichord pieces
Suite en la: Sarabande
Nouvelles suites de pièces de clavecin
Suite en la: Sarabande
Couperin, Poglietti, Grigny & Rameau: Keyboard Works
2:21
66
Jean-Philippe Rameau
Jean-Philippe Rameau
Harpsichord Pieces in Concert
La villageoise
Pièces de clavecin en concerts
La villageoise
Couperin, Poglietti, Grigny & Rameau: Keyboard Works
2:12
67
Anonymous
Anonymous
Daphne
Daphne
Couperin, Poglietti, Grigny & Rameau: Keyboard Works
4:29
68
Anonymous
Anonymous
Resonet in laudibus at 6
Resonet in laudibus a 6
Couperin, Poglietti, Grigny & Rameau: Keyboard Works
1:38
69
Johann Sebastian Bach
Johann Sebastian Bach
Cantata no. 170, "Pleasure rest, popular lust for the soul", BWV 170
I. Aria 'vergnügte Ruh, Beliebte Seelenlust'
Cantata No. 170, "Vergnügte Ruh, beliebte Seelenlust", BWV 170
I. Aria 'vergnügte Ruh, Beliebte Seelenlust'
Bach (with Nikolaus Harnoncourt, Eduard Melkus & Michel Piguet)
6:51
70
Johann Sebastian Bach
Johann Sebastian Bach
Cantata no. 170, "Pleasure rest, popular lust for the soul", BWV 170
Ⅱ. Recitativo „die Welt, Das Sündenhaus'
Cantata No. 170, "Vergnügte Ruh, beliebte Seelenlust", BWV 170
Ⅱ. Recitativo „die Welt, Das Sündenhaus'
Bach (with Nikolaus Harnoncourt, Eduard Melkus & Michel Piguet)
1:11
71
Johann Sebastian Bach
Johann Sebastian Bach
Cantata no. 170, "Pleasure rest, popular lust for the soul", BWV 170
Ⅲ. Aria „wie Jammern Mich Doch Die Verkehrten Herzen'
Cantata No. 170, "Vergnügte Ruh, beliebte Seelenlust", BWV 170
Ⅲ. Aria „wie Jammern Mich Doch Die Verkehrten Herzen'
Bach (with Nikolaus Harnoncourt, Eduard Melkus & Michel Piguet)
8:11
72
Johann Sebastian Bach
Johann Sebastian Bach
Cantata no. 170, "Pleasure rest, popular lust for the soul", BWV 170
Ⅳ. Recitativo „wer Sollte Sich Demnach'
Cantata No. 170, "Vergnügte Ruh, beliebte Seelenlust", BWV 170
Ⅳ. Recitativo „wer Sollte Sich Demnach'
Bach (with Nikolaus Harnoncourt, Eduard Melkus & Michel Piguet)
1:0
73
Johann Sebastian Bach
Johann Sebastian Bach
Cantata no. 170, "Pleasure rest, popular lust for the soul", BWV 170
V. Aria „mir Ekelt Mehr Zu Leben'
Cantata No. 170, "Vergnügte Ruh, beliebte Seelenlust", BWV 170
V. Aria „mir Ekelt Mehr Zu Leben'
Bach (with Nikolaus Harnoncourt, Eduard Melkus & Michel Piguet)
5:58
74
Johann Sebastian Bach
Johann Sebastian Bach
Mass in B flat minor, BWV 232
Agnus Dei
Mass in B minor, BWV 232
Agnus Dei
Bach (with Nikolaus Harnoncourt, Eduard Melkus & Michel Piguet)
5:42
75
Johann Sebastian Bach
Johann Sebastian Bach
Cantata no. 54, "Resist the sin," BWV 54
I. Aria „widerstehe Doch Der Sünde”
Cantata No. 54, "Widerstehe doch der Sünde", BWV 54
I. Aria „widerstehe Doch Der Sünde”
Bach (with Nikolaus Harnoncourt, Eduard Melkus & Michel Piguet)
9:1
76
Johann Sebastian Bach
Johann Sebastian Bach
Cantata no. 54, "Resist the sin," BWV 54
Ⅱ. Recitativo „die Art Verruchter Sünden”
Cantata No. 54, "Widerstehe doch der Sünde", BWV 54
Ⅱ. Recitativo „die Art Verruchter Sünden”
Bach (with Nikolaus Harnoncourt, Eduard Melkus & Michel Piguet)
1:7
77
Johann Sebastian Bach
Johann Sebastian Bach
Cantata no. 54, "Resist the sin," BWV 54
Ⅲ. Aria „wer Sünde Tut, Der Ist Vom Teufel”
Cantata No. 54, "Widerstehe doch der Sünde", BWV 54
Ⅲ. Aria „wer Sünde Tut, Der Ist Vom Teufel”
Bach (with Nikolaus Harnoncourt, Eduard Melkus & Michel Piguet)
3:23
78
Johann Sebastian Bach
Johann Sebastian Bach
Cantata no. 7 "Christ our Lord came to the Jordan", BWV 7
No. 1, Chor. 'Christ unser Herr zum Jardan kam'
Cantata No. 7 "Christ unser Herr zum Jordan kam", BWV 7
No. 1, Chor. 'Christ unser Herr zum Jardan kam'
Bach: Sacred Cantatas, BWV 1 - 9
7:50
79
Johann Sebastian Bach
Johann Sebastian Bach
Cantata no. 7 "Christ our Lord came to the Jordan", BWV 7
No. 2, Aria. 'Merkt und hört, ihr Menschenkinder'
Cantata No. 7 "Christ unser Herr zum Jordan kam", BWV 7
No. 2, Aria. 'Merkt und hört, ihr Menschenkinder'
Bach: Sacred Cantatas, BWV 1 - 9
5:40
80
Johann Sebastian Bach
Johann Sebastian Bach
Cantata no. 7 "Christ our Lord came to the Jordan", BWV 7
No. 3, Rezitativ. 'Dies hat Gott klar mit Worten'
Cantata No. 7 "Christ unser Herr zum Jordan kam", BWV 7
No. 3, Rezitativ. 'Dies hat Gott klar mit Worten'
Bach: Sacred Cantatas, BWV 1 - 9
1:16
81
Johann Sebastian Bach
Johann Sebastian Bach
Cantata no. 7 "Christ our Lord came to the Jordan", BWV 7
No. 4, Aria. 'Des Vaters Stimme ließ sich hören'
Cantata No. 7 "Christ unser Herr zum Jordan kam", BWV 7
No. 4, Aria. 'Des Vaters Stimme ließ sich hören'
Bach: Sacred Cantatas, BWV 1 - 9
4:58
82
Johann Sebastian Bach
Johann Sebastian Bach
Cantata no. 7 "Christ our Lord came to the Jordan", BWV 7
No. 5, Rezitative. 'Als Jesus dort nach seinen Leiden'
Cantata No. 7 "Christ unser Herr zum Jordan kam", BWV 7
No. 5, Rezitative. 'Als Jesus dort nach seinen Leiden'
Bach: Sacred Cantatas, BWV 1 - 9
1:0
83
Johann Sebastian Bach
Johann Sebastian Bach
Cantata no. 7 "Christ our Lord came to the Jordan", BWV 7
No. 6, Chorale. 'Menschen, glaubt doch dieser Gnade'
Cantata No. 7 "Christ unser Herr zum Jordan kam", BWV 7
No. 6, Chorale. 'Menschen, glaubt doch dieser Gnade'
Bach: Sacred Cantatas, BWV 1 - 9
4:0
84
Johann Sebastian Bach
Johann Sebastian Bach
Cantata no. 7 "Christ our Lord came to the Jordan", BWV 7
No. 7, Chorale. 'Das Aug allein das Wasser sieht'
Cantata No. 7 "Christ unser Herr zum Jordan kam", BWV 7
No. 7, Chorale. 'Das Aug allein das Wasser sieht'
Bach: Sacred Cantatas, BWV 1 - 9
1:13
85
Johann Sebastian Bach
Johann Sebastian Bach
Cantata no. 8 "Dear God, when will I die" (first version), BWV 8
No. 1, Chor. 'Liebster Gott, wenn werd ich sterben?'
Cantata No. 8 "Liebster Gott, wann werd ich sterben" (first version), BWV 8
No. 1, Chor. 'Liebster Gott, wenn werd ich sterben?'
Bach: Sacred Cantatas, BWV 1 - 9
5:57
86
Johann Sebastian Bach
Johann Sebastian Bach
Cantata no. 8 "Dear God, when will I die" (first version), BWV 8
No. 2, Aria. 'Was willst du dich, mein Geist, entsetzen'
Cantata No. 8 "Liebster Gott, wann werd ich sterben" (first version), BWV 8
No. 2, Aria. 'Was willst du dich, mein Geist, entsetzen'
Bach: Sacred Cantatas, BWV 1 - 9
4:10
87
Johann Sebastian Bach
Johann Sebastian Bach
Cantata no. 8 "Dear God, when will I die" (first version), BWV 8
No. 3, Rezitativ. 'Zwar fühlt mein schwaches Herz'
Cantata No. 8 "Liebster Gott, wann werd ich sterben" (first version), BWV 8
No. 3, Rezitativ. 'Zwar fühlt mein schwaches Herz'
Bach: Sacred Cantatas, BWV 1 - 9
1:10
88
Johann Sebastian Bach
Johann Sebastian Bach
Cantata no. 8 "Dear God, when will I die" (first version), BWV 8
No. 4, Aria. 'Doch weichet, ihr tollen, vergeblichen Sorgen!'
Cantata No. 8 "Liebster Gott, wann werd ich sterben" (first version), BWV 8
No. 4, Aria. 'Doch weichet, ihr tollen, vergeblichen Sorgen!'
Bach: Sacred Cantatas, BWV 1 - 9
5:16
89
Johann Sebastian Bach
Johann Sebastian Bach
Cantata no. 8 "Dear God, when will I die" (first version), BWV 8
No. 5, Rezitativ. 'Behalte nur, o Welt, das Meine!'
Cantata No. 8 "Liebster Gott, wann werd ich sterben" (first version), BWV 8
No. 5, Rezitativ. 'Behalte nur, o Welt, das Meine!'
Bach: Sacred Cantatas, BWV 1 - 9
1:13
90
Johann Sebastian Bach
Johann Sebastian Bach
Cantata no. 8 "Dear God, when will I die" (first version), BWV 8
No. 6, Choral. 'Herrscher über Tod und Leben'
Cantata No. 8 "Liebster Gott, wann werd ich sterben" (first version), BWV 8
No. 6, Choral. 'Herrscher über Tod und Leben'
Bach: Sacred Cantatas, BWV 1 - 9
1:23
91
Johann Sebastian Bach
Johann Sebastian Bach
Cantata no. 9, "It is salvation for us to come", BWV 9
No. 1, Chor. 'Es ist das Heil uns kommen her'
Cantata No. 9, "Es ist das Heil uns kommen her", BWV 9
No. 1, Chor. 'Es ist das Heil uns kommen her'
Bach: Sacred Cantatas, BWV 1 - 9
5:6
92
Johann Sebastian Bach
Johann Sebastian Bach
Cantata no. 9, "It is salvation for us to come", BWV 9
No. 2, Rezitativ. 'Gott gab uns ein Gesetz'
Cantata No. 9, "Es ist das Heil uns kommen her", BWV 9
No. 2, Rezitativ. 'Gott gab uns ein Gesetz'
Bach: Sacred Cantatas, BWV 1 - 9
1:15
93
Johann Sebastian Bach
Johann Sebastian Bach
Cantata no. 9, "It is salvation for us to come", BWV 9
No. 3, Aria. 'Wir waren schon zu tief gesunken'
Cantata No. 9, "Es ist das Heil uns kommen her", BWV 9
No. 3, Aria. 'Wir waren schon zu tief gesunken'
Bach: Sacred Cantatas, BWV 1 - 9
7:21
94
Johann Sebastian Bach
Johann Sebastian Bach
Cantata no. 9, "It is salvation for us to come", BWV 9
No. 4, Rezitativ. 'Doch mußte das Gesetz erfüllet werden'
Cantata No. 9, "Es ist das Heil uns kommen her", BWV 9
No. 4, Rezitativ. 'Doch mußte das Gesetz erfüllet werden'
Bach: Sacred Cantatas, BWV 1 - 9
1:17
95
Johann Sebastian Bach
Johann Sebastian Bach
Cantata no. 9, "It is salvation for us to come", BWV 9
No. 5, Duett. 'Herr, du siehst statt guter Werke'
Cantata No. 9, "Es ist das Heil uns kommen her", BWV 9
No. 5, Duett. 'Herr, du siehst statt guter Werke'
Bach: Sacred Cantatas, BWV 1 - 9
7:25
96
Johann Sebastian Bach
Johann Sebastian Bach
Cantata no. 9, "It is salvation for us to come", BWV 9
No. 6, Rezitativ. 'Wenn wir die Sünd aus dem Gesetz erkennen'
Cantata No. 9, "Es ist das Heil uns kommen her", BWV 9
No. 6, Rezitativ. 'Wenn wir die Sünd aus dem Gesetz erkennen'
Bach: Sacred Cantatas, BWV 1 - 9
1:24
97
Johann Sebastian Bach
Johann Sebastian Bach
Cantata no. 9, "It is salvation for us to come", BWV 9
No. 7, Choral. 'Ob sichs anließ, als wollt er nicht'
Cantata No. 9, "Es ist das Heil uns kommen her", BWV 9
No. 7, Choral. 'Ob sichs anließ, als wollt er nicht'
Bach: Sacred Cantatas, BWV 1 - 9
1:5
98
Carl Philipp Emanuel Bach
Carl Philipp Emanuel Bach
Double Concerto for 2 harpsichords in F major, H. 408, Wq. 46
Allegro
Double Concerto for 2 harpsichords in F major, H. 408, Wq. 46
Allegro
Collegium Aureum: Edition
9:54
99
Carl Philipp Emanuel Bach
Carl Philipp Emanuel Bach
Double Concerto for 2 harpsichords in F major, H. 408, Wq. 46
Largo
Double Concerto for 2 harpsichords in F major, H. 408, Wq. 46
Largo
Collegium Aureum: Edition
7:20
100
Carl Philipp Emanuel Bach
Carl Philipp Emanuel Bach
Double Concerto for 2 harpsichords in F major, H. 408, Wq. 46
Allegro assai
Double Concerto for 2 harpsichords in F major, H. 408, Wq. 46
Allegro assai
Collegium Aureum: Edition
5:22
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