Composer

:

Johann Heinrich Schmelzer

Genre

:

Chamber

Average_duration

:

4:05

Johann Heinrich Schmelzer's 'Sacro-profanus Concentus Musicus No. 7, sonata a 5' is a Baroque instrumental work that was composed in the mid-17th century. The piece was first premiered in Vienna, Austria, in 1662, and it is considered to be one of Schmelzer's most significant works. The 'Sacro-profanus Concentus Musicus No. 7, sonata a 5' is a five-movement work that is scored for two violins, two violas, and basso continuo. The first movement is a sonata, which is followed by a canzona, a balletto, a sonata, and a final passacaglia. The piece is characterized by its use of counterpoint, ornamentation, and virtuosic solo passages. The first movement of the 'Sacro-profanus Concentus Musicus No. 7, sonata a 5' is a sonata that is in the key of D major. It begins with a slow introduction that features a descending chromatic scale in the basso continuo. The main section of the movement is a lively dance that is characterized by its use of dotted rhythms and virtuosic solo passages for the violins. The second movement of the piece is a canzona that is in the key of G minor. It is a contrapuntal work that features imitative entries between the different instruments. The movement is characterized by its use of suspensions and dissonances, which create a sense of tension and release. The third movement of the 'Sacro-profanus Concentus Musicus No. 7, sonata a 5' is a balletto that is in the key of D major. It is a lively dance that is characterized by its use of syncopated rhythms and virtuosic solo passages for the violins. The movement also features a contrasting section in the key of B minor, which provides a moment of repose before the return of the main theme. The fourth movement of the piece is another sonata that is in the key of G minor. It is a slower and more introspective work that features a lyrical melody for the violins. The movement is characterized by its use of suspensions and dissonances, which create a sense of melancholy and longing. The final movement of the 'Sacro-profanus Concentus Musicus No. 7, sonata a 5' is a passacaglia that is in the key of D major. It is a set of variations on a repeating bass line that is played by the basso continuo. The movement is characterized by its use of virtuosic solo passages for the violins and its gradual buildup of intensity and energy. Overall, the 'Sacro-profanus Concentus Musicus No. 7, sonata a 5' is a significant work in the Baroque instrumental repertoire. It showcases Schmelzer's skill as a composer and his ability to create works that are both technically demanding and musically expressive.

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