Composer

:

Heinrich Ignaz Franz von Biber

Genre

:

Chamber

Style

:

Chamber Music

Compose Date

:

1683

Publication Date

:

1683

Heinrich Ignaz Franz von Biber's 'Fidicunium Sacro-Profanum (12), C. 78-89' is a collection of twelve sonatas for various instruments, including violins, trumpets, and bassoon. The work was composed in the late 17th century and premiered in Salzburg, Austria in 1683. The sonatas are divided into two groups of six, with the first six being sacred and the second six being secular. Each sonata is written in a different key and features a unique combination of instruments. The movements within each sonata vary, but typically include a fast opening movement, a slower second movement, and a lively final movement. One of the most notable characteristics of 'Fidicunium Sacro-Profanum' is Biber's use of scordatura tuning, which involves tuning the strings of the violin to different pitches than usual. This technique allows for a wider range of notes and harmonies, and Biber takes full advantage of it in his compositions. Another notable characteristic of the work is Biber's use of virtuosic techniques, particularly in the faster movements. The violin parts are often highly ornamented and require a great deal of technical skill to perform. Overall, 'Fidicunium Sacro-Profanum' is a masterful collection of sonatas that showcases Biber's skill as a composer and his innovative use of scordatura tuning. The work remains a popular choice for performers and audiences alike, and is considered a significant contribution to the Baroque repertoire.

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