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M
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classic
BBC Symphony Orchestra
ARTIST MUSICS
1
The Beatitudes, F. 28  12. Epilogue: O blessed Jesu
The Beatitudes, F. 28  12. Epilogue: O blessed Jesu
6:36
9
Morning Heroes, Op. 48, F. 32  I. Hector's Farewell to Andromache. Maestoso - L'istesso tempo - L'istesso tempo -
Morning Heroes, Op. 48, F. 32  I. Hector's Farewell to Andromache. Maestoso - L'istesso tempo - L'istesso tempo -
12:57
10
Morning Heroes, Op. 48, F. 32  II. The City Arming. Allegro alla marcia (with great spirit nad elation) - Pooc meno - Più mosso - Meno mosso (Moderato) - Alla marcia - Più mosso - Pochissimo meno - Andante moderato
Morning Heroes, Op. 48, F. 32  II. The City Arming. Allegro alla marcia (with great spirit nad elation) - Pooc meno - Più mosso - Meno mosso (Moderato) - Alla marcia - Più mosso - Pochissimo meno - Andante moderato
11:15
11
Morning Heroes, Op. 48, F. 32  III. Vigil. Andante sostenuto - L'istesso tempo (Tranquillo) - Agiitato - Tempo I -
Morning Heroes, Op. 48, F. 32  III. Vigil. Andante sostenuto - L'istesso tempo (Tranquillo) - Agiitato - Tempo I -
7:52
12
Morning Heroes, Op. 48, F. 32  The Bivouac's Flame. Adagio maestoso - Più mosso - A tempo maestoso - Tempo I - Largamente
Morning Heroes, Op. 48, F. 32  The Bivouac's Flame. Adagio maestoso - Più mosso - A tempo maestoso - Tempo I - Largamente
4:28
13
Morning Heroes, Op. 48, F. 32  IV. Achilles Goes Forth to Battle. Allegro con fuoco - Tranquillo
Morning Heroes, Op. 48, F. 32  IV. Achilles Goes Forth to Battle. Allegro con fuoco - Tranquillo
6:44
14
Morning Heroes, Op. 48, F. 32  V. The Heroes. Allegro con fuoco - Molto animato V. Now, Trumpeter, for thy Close
Morning Heroes, Op. 48, F. 32  V. The Heroes. Allegro con fuoco - Molto animato V. Now, Trumpeter, for thy Close
1:41
15
Morning Heroes, Op. 48, F. 32  Spring Offensive. Andante maestoso - Più animato - Andante molto tranquillo -
Morning Heroes, Op. 48, F. 32  Spring Offensive. Andante maestoso - Più animato - Andante molto tranquillo -
5:31
16
Morning Heroes, Op. 48, F. 32  Dawn on the Somme. Grave (quasi chorale) - Andante tranquillo - Pochissimo più mosso - Più mosso - Maestoso - Molto tranquillo
Morning Heroes, Op. 48, F. 32  Dawn on the Somme. Grave (quasi chorale) - Andante tranquillo - Pochissimo più mosso - Più mosso - Maestoso - Molto tranquillo
5:10
17
Hymn to Apollo, Op. 41, F. 116  Moderato Maestoso - Più mosso (assai allegro) - A tempo I (moderato) - PIù mosso - Tranquillo, ma non meno mosso - A tempo I meno mosso
Hymn to Apollo, Op. 41, F. 116  Moderato Maestoso - Più mosso (assai allegro) - A tempo I (moderato) - PIù mosso - Tranquillo, ma non meno mosso - A tempo I meno mosso
9:27
18
The Firebird, for orchestra  I. Introduction - Le Jardin enchanté de Kachtcheï - Danse de l'Oiseau de feu
L'oiseau de feu, for orchestra  I. Introduction - Le Jardin enchanté de Kachtcheï - Danse de l'Oiseau de feu
6:24
19
The Firebird, for orchestra  II. Supplication de l'Oiseau de feu
L'oiseau de feu, for orchestra  II. Supplication de l'Oiseau de feu
4:38
20
The Firebird, for orchestra  III. Jeu des princesses avec les pommes d'or (Scherzo)
L'oiseau de feu, for orchestra  III. Jeu des princesses avec les pommes d'or (Scherzo)
2:39
21
The Firebird, for orchestra  IV. Khorovode (Ronde) des princesses
L'oiseau de feu, for orchestra  IV. Khorovode (Ronde) des princesses
4:46
22
The Firebird, for orchestra  V. Danse infernale de tous les sujets de Kachtcheï
L'oiseau de feu, for orchestra  V. Danse infernale de tous les sujets de Kachtcheï
4:8
23
Dali residents  Act I: Scene 1: A courtyard at the Royal Castle, the Royal Guards stand by the throne, before the throne is a mass of people, among them Jitka; Dnes ortel bude provolán
Dalibor  Act I: Scene 1: A courtyard at the Royal Castle, the Royal Guards stand by the throne, before the throne is a mass of people, among them Jitka; Dnes ortel bude provolán
4:25
24
Dali residents  Act I: Scene 1: Opuštĕného sirotka malého
Dalibor  Act I: Scene 1: Opuštĕného sirotka malého
5:5
25
Dali residents  Act I: Scene 2: Orchestral
Dalibor  Act I: Scene 2: Orchestral
2:26
26
Dali residents  Act I: Scene 2: Již vite, jak to krásné království
Dalibor  Act I: Scene 2: Již vite, jak to krásné království
3:29
27
Dali residents  Act I: Scene 3: Již uchopte se slova
Dalibor  Act I: Scene 3: Již uchopte se slova
3:9
28
Dali residents  Act I: Scene 3: Pohasnul den a v hradĕ
Dalibor  Act I: Scene 3: Pohasnul den a v hradĕ
6:29
29
Dali residents  Act I: Scene 4: Dalibor enters, shackles on his hands. Jaký to zjev!
Dalibor  Act I: Scene 4: Dalibor enters, shackles on his hands. Jaký to zjev!
1:25
30
Dali residents  Act I: Scene 4: Zapírat nechci, nejsemt' zvyklý lháti
Dalibor  Act I: Scene 4: Zapírat nechci, nejsemt' zvyklý lháti
5:34
31
Dali residents  Act I: Scene 4: Zločinem tak pomáhals sobé sám!
Dalibor  Act I: Scene 4: Zločinem tak pomáhals sobé sám!
3:1
32
Dali residents  Act I: Scene 4: Tak, Dalibore
Dalibor  Act I: Scene 4: Tak, Dalibore
5:12
33
Dali residents  Act I: Scene 5: U svých mne zde vidite nohou!
Dalibor  Act I: Scene 5: U svých mne zde vidite nohou!
3:25
34
Dali residents  Act I: Scene 6: Jaká to bouře ňadra mi plni
Dalibor  Act I: Scene 6: Jaká to bouře ňadra mi plni
3:33
35
Dali residents  Act II: Scene 1: A street in the Lower Town, with an Inn. Ba nejveselejší je tento svĕt
Dalibor  Act II: Scene 1: A street in the Lower Town, with an Inn. Ba nejveselejší je tento svĕt
3:49
36
Dali residents  Act II: Scene 1: Dle této pisnē poznávám je vždy
Dalibor  Act II: Scene 1: Dle této pisnē poznávám je vždy
2:49
37
Dali residents  Act II: Scene 1: Je Daliborův osud tobé znám?
Dalibor  Act II: Scene 1: Je Daliborův osud tobé znám?
2:17
38
Dali residents  Act II: Scene 2: Ba nejveselejší je tento svĕt
Dalibor  Act II: Scene 2: Ba nejveselejší je tento svĕt
7:25
39
Dali residents  Act II: Change of Stage 1: Scene 1: The living quarters of the jailor at the castle. Guards patrol outside. Budivoj enters with Beneš. the room is dark. Milada, dressed as a pageboy and carrying a basket of food, passes the guards and enters the jailor's room. Největí bedlivosti třeba
Dalibor  Act II: Change of Stage 1: Scene 1: The living quarters of the jailor at the castle. Guards patrol outside. Budivoj enters with Beneš. the room is dark. Milada, dressed as a pageboy and carrying a basket of food, passes the guards and enters the jailor's room. Největí bedlivosti třeba
3:51
40
Dali residents  Act II: Scene 2: Ach, jak tĕžký žalářnika
Dalibor  Act II: Scene 2: Ach, jak tĕžký žalářnika
2:56
41
Dali residents  Act II: Scene 3: Milada, running out of the jailor's room. Hotovo všechno
Dalibor  Act II: Scene 3: Milada, running out of the jailor's room. Hotovo všechno
4:44
42
Dali residents  Act II: Scene 4: Jak je mi? Ha, tak náhle přišla již
Dalibor  Act II: Scene 4: Jak je mi? Ha, tak náhle přišla již
2:42
43
Dali residents  Act II: Scene 5: Beneš emerges from his room, a fiddle in one hand, a burning lantern in the other. Zde jsou ty housle!
Dalibor  Act II: Scene 5: Beneš emerges from his room, a fiddle in one hand, a burning lantern in the other. Zde jsou ty housle!
2:28
44
Dali residents  Act II: Change of Stage 2: Orchestral - In the prison, it is dark. In the wall is a barred window. Dalibor is asleep. In a sudden burst of light Zdeĕk's ghost appears, playing the violin. His playing fills the jail
Dalibor  Act II: Change of Stage 2: Orchestral - In the prison, it is dark. In the wall is a barred window. Dalibor is asleep. In a sudden burst of light Zdeĕk's ghost appears, playing the violin. His playing fills the jail
2:
45
Dali residents  Act II: Change of Stage 2: Scene 1: Dalibor wakes and jumps form his bed as the spectre vanishes. Nebyl to on zas?
Dalibor  Act II: Change of Stage 2: Scene 1: Dalibor wakes and jumps form his bed as the spectre vanishes. Nebyl to on zas?
6:12
46
Dali residents  Act II: Scene 2: Milada, carrying the fiddle and the lamp. Vem tento chudý dárek z ruky mé
Dalibor  Act II: Scene 2: Milada, carrying the fiddle and the lamp. Vem tento chudý dárek z ruky mé
11:43
47
Dali residents  Act III: Scene 1; A brightly lit royal chamber. Vladislav is lost in thought. The judges sit before him, as do Budivoj and Beneš, the latter holding a purse and a piece of paper. Přeslavný králi, pánové přejasní!
Dalibor  Act III: Scene 1; A brightly lit royal chamber. Vladislav is lost in thought. The judges sit before him, as do Budivoj and Beneš, the latter holding a purse and a piece of paper. Přeslavný králi, pánové přejasní!
3:10
48
Dali residents  Act III: Scene 1: Čtyřicet let již tomu bude
Dalibor  Act III: Scene 1: Čtyřicet let již tomu bude
3:57
49
Dali residents  Act III: Scene 2: V tak pozdni dobu provolal jsem vám sem
Dalibor  Act III: Scene 2: V tak pozdni dobu provolal jsem vám sem
4:40
50
Dali residents  Act III: Scene 2: Jste již u konce? Jak jste rzhodnuli?
Dalibor  Act III: Scene 2: Jste již u konce? Jak jste rzhodnuli?
5:20
51
Dali residents  Act III: Change of Stage 1: Scene 1: Dalibor's prson cell. Tot' třeti noc, kterou mi naznačila
Dalibor  Act III: Change of Stage 1: Scene 1: Dalibor's prson cell. Tot' třeti noc, kterou mi naznačila
3:28
52
Dali residents  Act III: Scene 2: Ó nebe! Bez okovû?
Dalibor  Act III: Scene 2: Ó nebe! Bez okovû?
9:36
53
Dali residents  Act III: Scene 3: March
Dalibor  Act III: Scene 3: March
2:1
54
Dali residents  Act III: Change of Stage 2: Scenes 1 & 2: In front of the castle tower, moonlight. Nezaslechli ještĕ houslí zvuky?
Dalibor  Act III: Change of Stage 2: Scenes 1 & 2: In front of the castle tower, moonlight. Nezaslechli ještĕ houslí zvuky?
5:20
55
Dali residents  Act III: Scene 3: Milado!
Dalibor  Act III: Scene 3: Milado!
5:53
56
Dali residents  Act III: Scene 4: Nepřátel zástup poražen a zbit
Dalibor  Act III: Scene 4: Nepřátel zástup poražen a zbit
2:43
58
Levitating  Second Movement ("langsam, schwebend")
Levitation  Second Movement ("langsam, schwebend")
6:17
59
Levitating  Third Movement ("barcarola")
Levitation  Third Movement ("barcarola")
6:58
61
Levitating  Fourth Movement ("Petrushka's Resurrection")
Levitation  Fourth Movement ("Petrushka's Resurrection")
3:4
79
Symphony No. 5 in G major  III. Scherzo. Molto vivace - Trio. Allegretto pastorale
Symphony No. 5 in G major  III. Scherzo. Molto vivace - Trio. Allegretto pastorale
 
8:25
81
Movements for a Clarinet Concerto, for clarinet & strings  1. Molto allegro - Tranquillo - Tempo I - Tranquillo - Tempo I - Tranquillo
Movements for a Clarinet Concerto, for clarinet & strings  1. Molto allegro - Tranquillo - Tempo I - Tranquillo - Tempo I - Tranquillo
5:49
82
Movements for a Clarinet Concerto, for clarinet & strings  2. Mazurka elegiaca (derived from Op. 23 No. 2 for two pianos). Poco lento - Animato appassionato - Tempo I - Solenne - Tempo I (poco più lento)
Movements for a Clarinet Concerto, for clarinet & strings  2. Mazurka elegiaca (derived from Op. 23 No. 2 for two pianos). Poco lento - Animato appassionato - Tempo I - Solenne - Tempo I (poco più lento)
8:14
83
Movements for a Clarinet Concerto, for clarinet & strings  3. Finale. Allegro - Più mosso - Poco più sostenuto - Tempo I - Molto vivo
Movements for a Clarinet Concerto, for clarinet & strings  3. Finale. Allegro - Più mosso - Poco più sostenuto - Tempo I - Molto vivo
5:21
84
Bagatelles (5), Op. 23  I. Prelude. Allegro deciso - Poco meno mosso - Tempo I
Bagatelles (5), Op. 23  I. Prelude. Allegro deciso - Poco meno mosso - Tempo I
3:33
85
Bagatelles (5), Op. 23  II. Romance. Andante tranquillo - Poco più mosso - Tempo I
Bagatelles (5), Op. 23  II. Romance. Andante tranquillo - Poco più mosso - Tempo I
4:59
90
Concerto for clarinet  II. Lento - Poco più mosso - Tempo I
Concerto for clarinet  II. Lento - Poco più mosso - Tempo I
 
10:39
91
Concerto for clarinet  III. Allegro vivace - Poco meno mosso - Tempo I
Concerto for clarinet  III. Allegro vivace - Poco meno mosso - Tempo I
 
5:31
92
Concerto for clarinet & orchestra, Op. 68  I. Allegro vivo - Poco meno mosso - Tempo I (Allegro vivo) - Meno mosso - Ancor meno mosso - Calando al fine
Concerto for clarinet & orchestra, Op. 68  I. Allegro vivo - Poco meno mosso - Tempo I (Allegro vivo) - Meno mosso - Ancor meno mosso - Calando al fine
 
7:23
93
Concerto for clarinet & orchestra, Op. 68  II. Lento espressivo - Poco meno mosso - Quasi cadenza -
Concerto for clarinet & orchestra, Op. 68  II. Lento espressivo - Poco meno mosso - Quasi cadenza -
 
7:39
95
Violin Concerto  I. Rhapsody. Allegro guisto - Largamente ed appassionato - Allegro con brio
Violin Concerto  I. Rhapsody. Allegro guisto - Largamente ed appassionato - Allegro con brio
11:51
97
Violin Concerto  III - Rondo. Allegro vivace - ma non troppo presto
Violin Concerto  III - Rondo. Allegro vivace - ma non troppo presto
7:24
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