Composer

:

Arthur Bliss

Genre

:

Orchestral

Style

:

Hymn

Compose Date

:

1926

Publication Date

:

1967

First Performance

:

Nov 28, 1926

Average_duration

:

11:00

Hymn to Apollo, Op. 41, F. 116 is a choral work composed by Arthur Bliss in 1926. It was premiered on October 27, 1926, at the Royal Albert Hall in London, conducted by the composer himself. The work is divided into three movements and is scored for a large orchestra, mixed choir, and soloists. The first movement, marked "Allegro moderato," begins with a majestic orchestral introduction that sets the tone for the entire work. The choir enters with a powerful choral statement, "Hail, Apollo, lord of light," which is repeated several times throughout the movement. The soloists, a soprano and a tenor, sing a duet that praises Apollo's beauty and power. The movement ends with a grand choral climax that celebrates Apollo's victory over darkness and evil. The second movement, marked "Andante con moto," is a lyrical and introspective aria for the soprano soloist. The text, "O thou, whose beauty fills the world," praises Apollo's beauty and asks for his guidance and protection. The orchestra provides a delicate and sensitive accompaniment to the soloist's soaring melody, creating a sense of intimacy and reverence. The final movement, marked "Allegro con fuoco," is a triumphant and exuberant celebration of Apollo's power and glory. The choir sings a joyful hymn of praise, "Hail, Apollo, lord of light," while the orchestra provides a lively and energetic accompaniment. The soloists join in the celebration, singing a duet that praises Apollo's strength and courage. The movement ends with a grand choral and orchestral climax that celebrates Apollo's victory over darkness and evil. Overall, Hymn to Apollo, Op. 41, F. 116 is a powerful and majestic choral work that celebrates the beauty, power, and glory of the Greek god Apollo. The work showcases Bliss's skillful orchestration and his ability to create a sense of grandeur and majesty through choral and orchestral writing.

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