Composer

:

Henry Litolff

Genre

:

Concerto

Style

:

Concerto

Compose Date

:

1852

Average_duration

:

17:01

Movement_count

:

4

Movement ....

Henry Litolff's Concerto Symphonique No. 4 in D minor, Op. 102, was composed in 1852 and premiered in London in the same year. The concerto is divided into three movements: Allegro, Scherzo, and Finale. The first movement, Allegro, begins with a dramatic orchestral introduction, followed by the entrance of the solo piano. The piano and orchestra engage in a lively dialogue, with the piano showcasing its virtuosic abilities through rapid runs and arpeggios. The movement features a lyrical second theme, which is developed throughout the movement. The Allegro ends with a grandiose coda, showcasing the full power of the orchestra. The second movement, Scherzo, is a playful and light-hearted scherzo in 6/8 time. The piano and orchestra engage in a lively dance, with the piano taking on a more accompanimental role. The middle section of the movement features a slower, more lyrical theme, before returning to the playful scherzo. The final movement, Finale, is a fast and energetic rondo. The piano and orchestra engage in a lively and virtuosic dialogue, with the piano showcasing its technical abilities through rapid runs and arpeggios. The movement features a lyrical second theme, which is developed throughout the movement. The Finale ends with a grandiose coda, showcasing the full power of the orchestra. Overall, Litolff's Concerto Symphonique No. 4 in D minor, Op. 102, is a virtuosic and energetic work, showcasing the technical abilities of the soloist and the power of the orchestra. The concerto is characterized by its lively dialogue between the piano and orchestra, its lyrical themes, and its grandiose coda.

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