Composer

:

Claude Debussy

Genre

:

Vocal

Style

:

Song Collection

Compose Date

:

1913

Average_duration

:

7:47

Movement_count

:

3

Movement ....

Claude Debussy's "Poèmes (3) de Mallarmé, L. 127" is a song cycle composed in 1913. The premiere of the work took place on April 5, 1914, in Paris, with the composer himself at the piano and Mary Garden as the vocalist. The cycle consists of three songs, each based on a poem by the French symbolist poet Stéphane Mallarmé. The first song, "Soupir," is a delicate and dreamy piece that captures the essence of Mallarmé's poem, which speaks of a sigh that is both a longing for the unattainable and a release from the burdens of life. The music is characterized by its ethereal quality, with the piano providing a shimmering accompaniment to the soprano's soaring vocal line. The second song, "Placet futile," is a more playful and ironic piece that pokes fun at the futility of human desires and ambitions. The music is marked by its rhythmic complexity, with the piano and voice often working in opposition to each other to create a sense of tension and conflict. The final song, "Éventail," is a haunting and evocative piece that captures the mysterious and elusive quality of Mallarmé's poem, which describes a fan that seems to contain the secrets of the universe. The music is characterized by its use of impressionistic harmonies and textures, with the piano and voice blending together to create a sense of otherworldly beauty. Overall, "Poèmes (3) de Mallarmé, L. 127" is a masterful example of Debussy's ability to capture the essence of a text through music. The cycle is characterized by its delicate and ethereal quality, its rhythmic complexity, and its use of impressionistic harmonies and textures. It remains a beloved work in the repertoire of art song and a testament to the enduring power of Mallarmé's poetry.

More....