Composer

:

Jacques Ibert

Genre

:

Chamber

Style

:

Entr'acte

Compose Date

:

1937

Average_duration

:

3:25

Entr'acte is a musical composition by French composer Jacques Ibert. It was composed in 1924 as incidental music for the play "Le Trophee" by Maurice Donnay. The piece was later arranged for chamber orchestra and premiered in Paris in 1925. The composition consists of three movements, each with its own distinct character. The first movement, marked "Allegro vivo," is a lively and playful scherzo. It features a catchy, syncopated melody that is passed around the different sections of the orchestra. The second movement, marked "Andante," is a lyrical and expressive interlude. It features a beautiful, soaring melody played by the strings, with delicate accompaniment from the woodwinds. The third movement, marked "Allegro assai," is a fast and frenetic finale. It features a driving rhythm and a series of virtuosic solos for the different instruments of the orchestra. One of the most notable characteristics of Entr'acte is its use of unusual instrumental combinations and extended techniques. For example, the second movement features a solo for the bassoon, which is played using a technique called "flutter-tonguing" to create a unique, buzzing sound. The third movement features a solo for the piccolo, which is played using a technique called "flutter-tonguing" to create a rapid, bird-like trill. Overall, Entr'acte is a lively and engaging work that showcases Ibert's skill as a composer and his ability to create music that is both technically challenging and musically satisfying. Its playful melodies, expressive harmonies, and inventive orchestration make it a beloved piece in the repertoire of chamber music.

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