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Vocal MUSICS
 
1
Spanish songs (6)  No. 4 No quiero tus avellanas
Canzones Castellanas (6)  No. 4 No quiero tus avellanas
3:4
2
Spanish songs (6)  No. 5 Cómo quieres que adivine
Canzones Castellanas (6)  No. 5 Cómo quieres que adivine
2:38
3
Spanish songs (6)  No. 6 Mañanita de San Juan
Canzones Castellanas (6)  No. 6 Mañanita de San Juan
3:54
4
3:35
5
3:30
6
Combat del somni, 5 songs for voice & piano  No. 1 Damunt de tu només les flors
Combat del somni, 5 songs for voice & piano  No. 1 Damunt de tu només les flors
5:0
7
2:59
8
2:2
9
3:22
10
3:36
11
Spanish Song (Popular Songs No. 1)  Chanson espagnole, Chants populaires MA 17 No.1
Chanson espagnole (Chants populaires No. 1)  Chanson espagnole, Chants populaires MA 17 No.1
2:17
12
2:11
13
 
2:11
14
Five Words  Frühjahrsmüdigkeit
Fünf Worte (Five Words)  Frühjahrsmüdigkeit
 
1:55
15
Five Words  Fingerspitzengefühl
Fünf Worte (Five Words)  Fingerspitzengefühl
 
1:35
16
Five Words  Verschlimmbessern
Fünf Worte (Five Words)  Verschlimmbessern
 
2:7
17
 
1:4
18
 
2:31
19
The Memory of Now  Memory of Now for Harmonium with Sonic Vocals
The Memory of Now  Memory of Now for Harmonium with Sonic Vocals
 
9:47
20
The Sunset, P.101  Andante appassionato
The Sunset, P. 101  Andante appassionato
3:12
21
The Sunset, P.101  Più lento e calmo
The Sunset, P. 101  Più lento e calmo
3:13
22
4:9
23
6:52
24
 
1:1
25
 
1:39
26
 
35
27
 
1:1
28
 
2:15
29
 
13:39
30
Troyyam  Part II: Achilles' Heel
Troyjam  Part II: Achilles' Heel
 
9:48
31
2:30
32
2:27
33
Songs (3) from poems of Rückert, Op. 12  No. 3. Warum willst du and're fragen
Songs (3) from poems of Rückert, Op. 12  No. 3. Warum willst du and're fragen
2:31
34
Songs (6) for voice & piano, Op. .13  No. 1. Ich stand in dunkeln Träumen
Songs (6) for voice & piano, Op. .13  No. 1. Ich stand in dunkeln Träumen
2:32
35
1:56
36
2:27
37
2:7
38
Songs (6) for voice & piano, Op. .13  No. 4. Der Mond kommt still gegangen
Songs (6) for voice & piano, Op. .13  No. 4. Der Mond kommt still gegangen
2:16
39
2:43
40
5:5
41
2:27
42
The good night  Die gute Nacht, die ich dir sage
Die gute Nacht  Die gute Nacht, die ich dir sage
2:39
43
Mary Went to the Source  Maria Gikk til Kilden (Magadalene ballad as sung by Anne Hansdatter Hynne from Grue, Norway)
Maria Gikk til Kilden (Mary Went to the Source)  Maria Gikk til Kilden (Magadalene ballad as sung by Anne Hansdatter Hynne from Grue, Norway)
 
1:49
44
Mary Cometh to the Sepulchre  Maria Går til Graven (Folk hymn as sung by Martin H. Haugsmoen from Grue, Norway)
Maria Går til Graven (Mary Cometh to the Sepulchre)  Maria Går til Graven (Folk hymn as sung by Martin H. Haugsmoen from Grue, Norway)
 
5:31
45
Noli me tangere / Mary Magdalene Sees Jesus  Noli me tangere / Maria Magdalena ser Jesus (Magdalene ballad as sung by Ingebjørg Hagen, Heddal i Telemark)
Noli me tangere / Maria Magdalena ser Jesus (Mary Magdalene Sees Jesus)  Noli me tangere / Maria Magdalena ser Jesus (Magdalene ballad as sung by Ingebjørg Hagen, Heddal i Telemark)
 
4:19
46
Jesus viser seg for disiplene (Jesus Shows Himself to the Disciples) / Jesus for later disiplene (Jesus Leaves the Disciples)  Jesus viser seg for disiplene (Magdalene ballad as sung by Anne Hansdatter Hynne from Grue, Norway) / Jesus forlater disiplene (Folk hymn as sung by Martin H. Haugsmoen from Grue, Norway)
Jesus viser seg for disiplene (Jesus Shows Himself to the Disciples) / Jesus forlater disiplene (Jesus Leaves the Disciples)  Jesus viser seg for disiplene (Magdalene ballad as sung by Anne Hansdatter Hynne from Grue, Norway) / Jesus forlater disiplene (Folk hymn as sung by Martin H. Haugsmoen from Grue, Norway)
 
6:15
47
Peter and Mary (Peter and Mary)  Peter og Maria (Magdalene ballad as sung by Ola Johannesen Kolden from Ringebu, Norway)
Peter og Maria (Peter and Mary)  Peter og Maria (Magdalene ballad as sung by Ola Johannesen Kolden from Ringebu, Norway)
 
57
48
Tell Us the Things That You Remember  Fortell oss alt du husker (Magdalene ballad as sung by Ola Johannesen Kolden from Ringebu, Norway)
Fortell oss alt du husker (Tell Us the Things That You Remember)  Fortell oss alt du husker (Magdalene ballad as sung by Ola Johannesen Kolden from Ringebu, Norway)
 
56
49
 
2:15
50
 
3:6
51
Cantabo Domino for 4 voices  Cantabo Domino, Kantate für Solostimme und Orgel
Cantabo Domino for 4 voices  Cantabo Domino, Kantate für Solostimme und Orgel
4:35
52
3:1
53
4:37
54
3:2
55
2:49
56
2:30
57
Biblical Songs (10), B. 189, Op. 99  Hospodin jest můj pastýř Nr. 4
Biblical Songs (10), B. 189, Op. 99  Hospodin jest můj pastýř Nr. 4
3:20
58
Four solemn songs (4), Op. 121  Denn es gehet dem Menschen wie dem Vieh
Vier ernste Gesänge (4), Op. 121  Denn es gehet dem Menschen wie dem Vieh
4:44
59
Four solemn songs (4), Op. 121  Ich wandte mich und sahe an
Vier ernste Gesänge (4), Op. 121  Ich wandte mich und sahe an
3:53
60
3:51
61
Four solemn songs (4), Op. 121  Wenn ich mit Menschen- und mit Engelzungen redete
Vier ernste Gesänge (4), Op. 121  Wenn ich mit Menschen- und mit Engelzungen redete
5:18
62
 
6:43
63
The Night of the Lost  Für Ingmar Bergman, der von der Wand weiß
Die Nacht der Verlorenen  Für Ingmar Bergman, der von der Wand weiß
 
4:25
64
 
9:11
65
The Night of the Lost  Die Nacht der Verlorenen / Das Ende der Liebe
Die Nacht der Verlorenen  Die Nacht der Verlorenen / Das Ende der Liebe
 
4:17
66
The Night of the Lost  So stürben wir, um ungetrennt zu sein
Die Nacht der Verlorenen  So stürben wir, um ungetrennt zu sein
 
3:56
67
3:26
68
3:35
69
3:22
70
Labyrinth V  Labyrinth V, for Soprano a capella
Labyrinth V  Labyrinth V, for Soprano a capella
 
10:53
71
 
1:27
72
1:9
73
1:32
74
Newcastle  Newcastle (fast)
Newcastle  Newcastle (fast)
1:30
75
2:44
76
1:31
77
Match in Baroque Style  III. Intrada and Cadenza
Partita in Baroque Style  III. Intrada and Cadenza
3:33
78
1:12
79
1:9
80
2:9
81
Antique Carmina  I. Pan with Flute
Carmina Antica  I. Pan with Flute
2:50
82
Antique Carmina  II. Aeolian Kithara
Carmina Antica  II. Aeolian Kithara
1:18
83
Antique Carmina  III. Tragic Monody from Medea
Carmina Antica  III. Tragic Monody from Medea
8:21
84
Japanese Miniatures (4)  Very light, Even, Unhurried
Japanese Miniatures (4)  Very light, Even, Unhurried
1:28
85
1:55
86
41
87
35
88
Vocalise-Etude in the form of Habanera  Vocalise, Étude en fore de habanera
Vocalise-Étude en forme de Habanera  Vocalise, Étude en fore de habanera
3:3
89
Yesterdays  Yesterdays (from Roberta)
Yesterdays  Yesterdays (from Roberta)
2:24
90
To his guitar, CR 79  À sa guitare, FP 79a
À sa guitare, FP 79  À sa guitare, FP 79a
2:37
91
Come again, sweet love doth invite now  Come Again! Sweet Love Doth Now Invite (In First Booke of Songes or Ayres)
Come again, sweet love doth now invite  Come Again! Sweet Love Doth Now Invite (In First Booke of Songes or Ayres)
2:54
92
2:35
93
Chi desia di undermine  Chi desia di saper (in primo libro delle musiche)
Chi desia di saper  Chi desia di saper (in primo libro delle musiche)
2:15
94
Pestle looking, H. 136/6  El mirar de la maja (in 12 Tonadillas en estilo antiguo)
El mirar de la maja, H. 136/6  El mirar de la maja (in 12 Tonadillas en estilo antiguo)
2:37
95
4:9
96
If music be the food of love, song, line 379  If Music Be the Food of Love, Z379
If music be the food of love, song, Z. 379  If Music Be the Food of Love, Z379
2:2
97
In darkness let me dwell  In Darkness Let Me Dwell (in A Musical Banquet)
In darkness let me dwell  In Darkness Let Me Dwell (in A Musical Banquet)
3:47
98
Morning of the Carnival  Manhã de carnaval (from Orfeu Negro)
Morning of the Carnival  Manhã de carnaval (from Orfeu Negro)
4:9
99
4:41
100
I no longer feel in my heart  L' Nel cor più non mi sento (from L'amor contrastato, ossia la molinara)
Nel cor più non mi sento  L' Nel cor più non mi sento (from L'amor contrastato, ossia la molinara)
2:37
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