×
M
O
B
classic
MISCELLANEOUS
Miscellaneous MUSICS
 
1
5:57
2
 
58
3
Good Christian Men  Good Christian Friends, Rejoice
Good Christian Men  Good Christian Friends, Rejoice
1:59
4
Good Rest You Merry  God Rest Ye Merry, Gentlemen
God Rest You Merry  God Rest Ye Merry, Gentlemen
3:43
5
3:5
6
2:56
7
 
1:11
8
 
1:15
9
Work(s)  La Courante Chambonnières (Iris) - Chambonnières in double
Work(s)  La Courante Chambonnières (Iris) - Chambonnières in double
 
3:11
10
1:41
11
Work(s)  Prelude in A minor (based on Violin Concerto RV 355)
Work(s)  Prelude in A minor (based on Violin Concerto RV 355)
 
53
12
Work(s)  Prelude in C major (based on Trio Sonata RV 60)
Work(s)  Prelude in C major (based on Trio Sonata RV 60)
 
37
13
New Year's Address  Neujahrsgruß / New Year's Address / Allocution du Nouvel An
New Year's Address  Neujahrsgruß / New Year's Address / Allocution du Nouvel An
3:1
14
31:54
15
21:22
16
35
17
Façade  I. Hornpipe
Façade  I. Hornpipe
1:19
18
Façade  II. En Famille
Façade  II. En Famille
2:52
19
Façade  III. Mariner Man
Façade  III. Mariner Man
39
20
Façade  IV. Long Steel Grass
Façade  IV. Long Steel Grass
2:13
21
Façade  V. Through Gilded Trellises
Façade  V. Through Gilded Trellises
2:19
22
Façade  VI. Tango-Pasodoblé
Façade  VI. Tango-Pasodoblé
1:54
23
Façade  VII. Lullaby for Jumbo
Façade  VII. Lullaby for Jumbo
1:44
24
Façade  VIII. Black Mrs. Behemoth
Façade  VIII. Black Mrs. Behemoth
1:5
25
Façade  IX. Tarantella
Façade  IX. Tarantella
1:22
26
Façade  X. The Man from a Far Countree
Façade  X. The Man from a Far Countree
1:31
27
Façade  XI. By the Lake
Façade  XI. By the Lake
1:47
28
Façade  XII. Country Dance
Façade  XII. Country Dance
1:59
29
Façade  XIII. Polka
Façade  XIII. Polka
1:15
30
Façade  XIV. Four in the Morning
Façade  XIV. Four in the Morning
2:16
31
Façade  XV. Something lies beyond the scene
Façade  XV. Something lies beyond the scene
1:1
32
Façade  XVI. Valse
Façade  XVI. Valse
3:18
33
Façade  XVII. Yodelling Song
Façade  XVII. Yodelling Song
2:34
34
Façade  XVIII. Scotch Rhapsody
Façade  XVIII. Scotch Rhapsody
1:18
35
Façade  XIX. Popular Song
Façade  XIX. Popular Song
2:1
36
Façade  XX. Fox-trot: Old Sir Faulk
Façade  XX. Fox-trot: Old Sir Faulk
2:2
37
Façade  XXI. Sir Beelzebub
Façade  XXI. Sir Beelzebub
1:17
38
Henry V, a Musical Scenario after Shakespeare  Part I: Prologue: Fanfare - No. 1 March: Chorus: O, for a Muse of fire
Henry V, a Musical Scenario after Shakespeare  Part I: Prologue: Fanfare - No. 1 March: Chorus: O, for a Muse of fire
2:35
39
Henry V, a Musical Scenario after Shakespeare  Part I: Prologue: No. 2. Slower: Chorus: Suppose within the girdle...
Henry V, a Musical Scenario after Shakespeare  Part I: Prologue: No. 2. Slower: Chorus: Suppose within the girdle...
1:0
40
1:6
41
Henry V, a Musical Scenario after Shakespeare  Part I: Prologue: No. 4. Poco Meno - Vivo (March)
Henry V, a Musical Scenario after Shakespeare  Part I: Prologue: No. 4. Poco Meno - Vivo (March)
1:27
42
Henry V, a Musical Scenario after Shakespeare  Part I: Prologue: Interlude at the Boar's Head - No. 5: Allegretto giocoso (Scherzando): Falstaff; he is sick
Henry V, a Musical Scenario after Shakespeare  Part I: Prologue: Interlude at the Boar's Head - No. 5: Allegretto giocoso (Scherzando): Falstaff; he is sick
1:40
43
Henry V, a Musical Scenario after Shakespeare  Part I: Prologue: Falstaff Rejection: No. 6: God save thy grace, King Hal! / I know thee not old man / Welll, Sir John is gone
Henry V, a Musical Scenario after Shakespeare  Part I: Prologue: Falstaff Rejection: No. 6: God save thy grace, King Hal! / I know thee not old man / Welll, Sir John is gone
3:34
44
Henry V, a Musical Scenario after Shakespeare  Part I: Prologue: Touch her soft lips and part: No. 7. Slow, tenderly - Fanfare / Chorus: Suppose that you have seen
Henry V, a Musical Scenario after Shakespeare  Part I: Prologue: Touch her soft lips and part: No. 7. Slow, tenderly - Fanfare / Chorus: Suppose that you have seen
2:43
45
Henry V, a Musical Scenario after Shakespeare  Part II: Harfleur: No. 1. Moderato. Harfleur: Once more unto the breach, dear friends / No. 2. Moderato poco stringendo - Allegro frenetico / The nimble gunner
Henry V, a Musical Scenario after Shakespeare  Part II: Harfleur: No. 1. Moderato. Harfleur: Once more unto the breach, dear friends / No. 2. Moderato poco stringendo - Allegro frenetico / The nimble gunner
3:11
46
Henry V, a Musical Scenario after Shakespeare  Part II: Harfleur: The Night Watch: No. 3. Lento tenebroso: Chorus: Now entertain conjecture of a time / This day is call'd the feast of Crispian / Fanfare / Now soldiers march away
Henry V, a Musical Scenario after Shakespeare  Part II: Harfleur: The Night Watch: No. 3. Lento tenebroso: Chorus: Now entertain conjecture of a time / This day is call'd the feast of Crispian / Fanfare / Now soldiers march away
6:52
47
Henry V, a Musical Scenario after Shakespeare  Part II: Harfleur: Agincourt: No. 4. Più mosso - poco a poco più mosso - Con anima - Poco pesante - Rit. Molto - A tempo allegro con fuoco - Molto rit. Lento misterioso / The Day is ours
Henry V, a Musical Scenario after Shakespeare  Part II: Harfleur: Agincourt: No. 4. Più mosso - poco a poco più mosso - Con anima - Poco pesante - Rit. Molto - A tempo allegro con fuoco - Molto rit. Lento misterioso / The Day is ours
7:57
48
Henry V, a Musical Scenario after Shakespeare  Part III: Interlude at the French Court: No. 1 Gaily: My duty to you both, on equal love
Henry V, a Musical Scenario after Shakespeare  Part III: Interlude at the French Court: No. 1 Gaily: My duty to you both, on equal love
1:14
49
Henry V, a Musical Scenario after Shakespeare  Part III: Interlude at the French Court: No. 2 Bailero - Lento tranquillo: Alas, she hath from France / If, Duke of Burgundy, you would the peace
Henry V, a Musical Scenario after Shakespeare  Part III: Interlude at the French Court: No. 2 Bailero - Lento tranquillo: Alas, she hath from France / If, Duke of Burgundy, you would the peace
2:11
50
Henry V, a Musical Scenario after Shakespeare  Part III: Interlude at the French Court: No. 3. Andante Pastorale: You have witchcraft in your lips, Kate
Henry V, a Musical Scenario after Shakespeare  Part III: Interlude at the French Court: No. 3. Andante Pastorale: You have witchcraft in your lips, Kate
2:32
51
Henry V, a Musical Scenario after Shakespeare  Part III: Interlude at the French Court: No. 4 Maestoso festoso - Vivo
Henry V, a Musical Scenario after Shakespeare  Part III: Interlude at the French Court: No. 4 Maestoso festoso - Vivo
1:46
52
Henry V, a Musical Scenario after Shakespeare  Part III: Interlude at the French Court: Epilogue: No. 5. Slower: Thus far, with rough and all-unable pen
Henry V, a Musical Scenario after Shakespeare  Part III: Interlude at the French Court: Epilogue: No. 5. Slower: Thus far, with rough and all-unable pen
56
53
Henry V, a Musical Scenario after Shakespeare  Part III: Interlude at the French Court: No. 6. Brightly
Henry V, a Musical Scenario after Shakespeare  Part III: Interlude at the French Court: No. 6. Brightly
1:34
54
Non na el ao lover  Non na el so amante (from Codex Faenza)
Non na el ao amante  Non na el so amante (from Codex Faenza)
 
2:43
55
 
1:59
56
Work(s)  I. Allegro appassionato
Work(s)  I. Allegro appassionato
 
1:54
57
Work(s)  II. Moderato cantabile
Work(s)  II. Moderato cantabile
 
2:24
58
Work(s)  III. Allegro con fuoco
Work(s)  III. Allegro con fuoco
 
3:50
59
 
2:35
60
 
2:43
61
 
5:19
62
 
2:51
63
4:18
64
 
6:51
65
1:28
66
O Staris in Crib  Postaris in presepio / Maria amplioribus
O Staris in Presepio  Postaris in presepio / Maria amplioribus
 
3:12
67
Oh Most Misery  Maria en mitissima
O Mitissima  Maria en mitissima
 
2:13
68
 
2:0
69
 
1:39
70
 
1:55
71
 
2:18
72
 
2:48
73
Cant de la Sibil la  I. The Arrival of the Negro in America when first brought here as a slave: Introduction and Allegretto
Cant de la Sibil·la  I. The Arrival of the Negro in America when first brought here as a slave: Introduction and Allegretto
6:45
74
Cant de la Sibil la  II. His Resignation and Faith: Andante
Cant de la Sibil·la  II. His Resignation and Faith: Andante
2:50
75
Cant de la Sibil la  III. His Adaptation, A fusion of his native and acquired impulses: Allegro
Cant de la Sibil·la  III. His Adaptation, A fusion of his native and acquired impulses: Allegro
3:9
76
Work(s)  Choralbearbeitungen Wer nur den lieben Gott lässt walten BWV 691 & BWV 647
Work(s)  Choralbearbeitungen Wer nur den lieben Gott lässt walten BWV 691 & BWV 647
 
5:45
77
Both Sides Now  Both Sides, Now
Both Sides Now  Both Sides, Now
6:12
78
Aria ad Imitation della Trombetta  Aria ad imitatione de la trombetta
Aria ad Imitatione della Trombetta  Aria ad imitatione de la trombetta
5:2
79
 
2:7
80
The English Dancing Master  A Dance (Anonymous composer)
The English Dancing Master  A Dance (Anonymous composer)
40
81
Love's Farewell  Loves Farewell
Love's Farewell  Loves Farewell
4:21
82
Giga To The Genius Turchescho  Giga al Genio Turchesco
Giga Al Genio Turchescho  Giga al Genio Turchesco
44
83
The Russignolo  Il Russignolo
II Russignolo  Il Russignolo
56
84
The Furies Mask  The Furies (masque dance)
The Furies Masque  The Furies (masque dance)
 
1:30
85
33
86
 
40
87
 
53
88
 
2:10
89
 
22
90
5:6
91
4:57
92
4:48
93
Angels From the Realms Of Glory  Angels, From the Realms of Glory
Angels From the Realms Of Glory  Angels, From the Realms of Glory
3:43
94
3:36
95
7:25
96
Sussex Carol "On Christmas Night"  Sussex Carol (On Christmas Night)
Sussex Carol "On Christmas Night"  Sussex Carol (On Christmas Night)
2:17
97
2:52
98
And Saw Three Ships  As I Sat on a Sunny Bank (I Saw Three Ships)
I Saw Three Ships  As I Sat on a Sunny Bank (I Saw Three Ships)
1:52
99
3:25
100
6:17
Copyright Ⓒ 2013 Davinci Finger. All rights reseved     Service Terms & Policy