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M
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B
classic
MISCELLANEOUS
Miscellaneous MUSICS
 
1
3:4
2
 
5:32
3
Work(s)  Miatyánk (Our Father)
Work(s)  Miatyánk (Our Father)
 
52
4
4:19
5
3:49
6
2:24
7
2:3
8
1:31
9
3:13
10
2:29
11
1:31
12
1:51
13
2:21
14
3:
15
2:11
16
2:42
17
4:20
18
 
3:27
19
 
4:38
20
 
1:37
21
 
4:58
22
 
6:48
23
 
3:13
24
 
4:4
25
Howard Hanson: The Composer Talks  Introduction: the four orchestral colours
Howard Hanson: The Composer Talks  Introduction: the four orchestral colours
 
3:26
26
Howard Hanson: The Composer Talks  Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours
Howard Hanson: The Composer Talks  Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours
 
8:5
27
Howard Hanson: The Composer Talks  Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours
Howard Hanson: The Composer Talks  Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours
 
4:53
28
Howard Hanson: The Composer Talks  Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours
Howard Hanson: The Composer Talks  Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours
 
2:
29
Howard Hanson: The Composer Talks  Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours
Howard Hanson: The Composer Talks  Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours
 
6:20
30
Howard Hanson: The Composer Talks  Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours
Howard Hanson: The Composer Talks  Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours
 
9:14
31
Howard Hanson: The Composer Talks  Mosaics. How the colours of music influence musical form in the composer's mind. Part 1
Howard Hanson: The Composer Talks  Mosaics. How the colours of music influence musical form in the composer's mind. Part 1
 
6:18
32
Howard Hanson: The Composer Talks  Mosaics. How the colours of music influence musical form in the composer's mind. Part 2
Howard Hanson: The Composer Talks  Mosaics. How the colours of music influence musical form in the composer's mind. Part 2
 
2:8
33
Howard Hanson: The Composer Talks  Mosaics. How the colours of music influence musical form in the composer's mind. Part 3
Howard Hanson: The Composer Talks  Mosaics. How the colours of music influence musical form in the composer's mind. Part 3
 
4:25
34
Howard Hanson: The Composer Talks  Mosaics. How the colours of music influence musical form in the composer's mind. Part 4
Howard Hanson: The Composer Talks  Mosaics. How the colours of music influence musical form in the composer's mind. Part 4
 
2:50
35
Howard Hanson: The Composer Talks  Mosaics. How the colours of music influence musical form in the composer's mind. Part 5
Howard Hanson: The Composer Talks  Mosaics. How the colours of music influence musical form in the composer's mind. Part 5
 
3:24
36
Howard Hanson: The Composer Talks  Mosaics. How the colours of music influence musical form in the composer's mind. Part 6
Howard Hanson: The Composer Talks  Mosaics. How the colours of music influence musical form in the composer's mind. Part 6
 
5:28
37
Howard Hanson: The Composer Talks  For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
Howard Hanson: The Composer Talks  For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
 
4:2
38
Howard Hanson: The Composer Talks  For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
Howard Hanson: The Composer Talks  For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
 
1:14
39
Howard Hanson: The Composer Talks  For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
Howard Hanson: The Composer Talks  For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
 
1:42
40
Howard Hanson: The Composer Talks  For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
Howard Hanson: The Composer Talks  For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
 
52
41
Howard Hanson: The Composer Talks  For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
Howard Hanson: The Composer Talks  For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
 
1:3
42
Howard Hanson: The Composer Talks  For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
Howard Hanson: The Composer Talks  For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
 
1:
43
Howard Hanson: The Composer Talks  For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
Howard Hanson: The Composer Talks  For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
 
1:22
44
Howard Hanson: The Composer Talks  For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
Howard Hanson: The Composer Talks  For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
 
1:44
45
Howard Hanson: The Composer Talks  For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
Howard Hanson: The Composer Talks  For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
 
1:50
46
Howard Hanson: The Composer Talks  For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
Howard Hanson: The Composer Talks  For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
 
1:18
47
Howard Hanson: The Composer Talks  For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
Howard Hanson: The Composer Talks  For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
 
1:17
48
Howard Hanson: The Composer Talks  For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
Howard Hanson: The Composer Talks  For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
 
52
49
Howard Hanson: The Composer Talks  For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
Howard Hanson: The Composer Talks  For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
 
1:39
50
Karl Böhm: A Life Retold  Early Years in Graz
Karl Böhm: A Life Retold  Early Years in Graz
 
8:50
51
Karl Böhm: A Life Retold  First Conducting Experiences
Karl Böhm: A Life Retold  First Conducting Experiences
 
7:16
52
Karl Böhm: A Life Retold  Munich, Darmstadt and Alban Berg
Karl Böhm: A Life Retold  Munich, Darmstadt and Alban Berg
 
7:36
53
Karl Böhm: A Life Retold  Dresden, Richard Strauss and Mozart
Karl Böhm: A Life Retold  Dresden, Richard Strauss and Mozart
 
8:2
54
Karl Böhm: A Life Retold  Strauss as Conductor and Composer
Karl Böhm: A Life Retold  Strauss as Conductor and Composer
 
9:20
55
Karl Böhm: A Life Retold  Interlude in Vienna
Karl Böhm: A Life Retold  Interlude in Vienna
 
6:1
56
 
4:6
57
Karl Böhm: A Life Retold  The Vienna State Opera Destroyed and Rebuilt
Karl Böhm: A Life Retold  The Vienna State Opera Destroyed and Rebuilt
 
5:29
58
 
4:49
59
3:5
60
1:59
61
1:18
62
3:10
63
2:1
64
1:58
65
3:35
66
3:9
67
1:30
68
3:26
69
2:26
70
1:26
71
2:36
72
3:12
73
3:33
74
1:52
75
1:23
76
3:47
77
1:28
78
1:19
79
1:36
80
1:23
81
1:30
82
 
1:10
83
49
84
1:53
85
Work(s)  Blue Bonnets Pipe March / Drops of Brandy
Work(s)  Blue Bonnets Pipe March / Drops of Brandy
 
2:38
86
2:57
87
Work(s)  A Medley of Reels: The Pitnacree Ferryman / Mrs. McLeod of Raasay / Jenny Dang the Weaver
Work(s)  A Medley of Reels: The Pitnacree Ferryman / Mrs. McLeod of Raasay / Jenny Dang the Weaver
 
1:45
88
Work(s)  A Medley of Highland Pipe Tunes: Scotland the Brave / The Rowan Tree / Bonnie Dundee
Work(s)  A Medley of Highland Pipe Tunes: Scotland the Brave / The Rowan Tree / Bonnie Dundee
 
2:18
89
5:56
90
 
3:44
91
The Wandering Spirit  The Banquet (Voices from the Capulets' house)
The Wandering Spirit  The Banquet (Voices from the Capulets' house)
 
2:43
92
 
3:49
93
 
1:33
94
2:4
95
5:1
96
 
15
97
1:7
98
Work(s)  [Unspecified] Fantaisie for lute
Work(s)  [Unspecified] Fantaisie for lute
 
2:59
99
49
100
Work(s)  I Don't Think I'll Fall In Love Today
Work(s)  I Don't Think I'll Fall In Love Today
 
 
3:50
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