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Howard Hanson Conducts Howard Hanson
ALBUM NAME
Howard Hanson Conducts Howard Hanson
Copyright
This Compilation ℗ 2005 Decca Music Group Limited
RELEASE DATE
September 13, 2005
TRACK
59
DURATION
4:36:13
ALBUM ARTIST
Album Track
 
2
 
 
2. Children's Dance
1:45
 
3
 
 
3. Love Duet
4:26
 
4
 
 
4. Prelude to Act 2 and Maypole Dances
6:38
 
7
 
 
2. Tamara and Peter Bolshoi
56
 
8
 
 
3. Deserted House
2:21
 
9
 
 
4. Eccentric Clock
56
 
10
 
 
5. Deep Forest
2:40
 
11
 
 
6. Clowns
1:6
 
12
 
 
7. Dance
1:39
 
13
 
 
8. Serious Conversations
1:1
 
14
 
 
9. Kikimora
1:16
 
15
 
 
10. Mist
2:30
 
16
 
 
11. Fireworks
55
 
17
 
 
12. Dreams
3:26
 
18
Concerto for piano & orchestra in G major, Op. 36 1. Lento molto and molto tranquillo
Concerto for piano & orchestra in G, Op. 36 1. Lento molto and molto tranquillo
8:14
 
19
 
 
2. Allegro molto ritmico
2:38
 
20
 
 
3. Andante molto espressivo
5:12
 
21
 
 
4. Allegro giocoso
4:9
 
22
Howard Hanson: The Composer Talks Introduction: the four orchestral colours
Howard Hanson: The Composer Talks Introduction: the four orchestral colours
 
3:26
 
23
 
 
Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours
8:5
 
24
 
 
Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours
4:53
 
25
 
 
Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours
2:
 
26
 
 
Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours
6:20
 
27
 
 
Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours
9:14
 
28
 
 
Mosaics. How the colours of music influence musical form in the composer's mind. Part 1
6:18
 
29
 
 
Mosaics. How the colours of music influence musical form in the composer's mind. Part 2
2:8
 
30
 
 
Mosaics. How the colours of music influence musical form in the composer's mind. Part 3
4:25
 
31
 
 
Mosaics. How the colours of music influence musical form in the composer's mind. Part 4
2:50
 
32
 
 
Mosaics. How the colours of music influence musical form in the composer's mind. Part 5
3:24
 
33
 
 
Mosaics. How the colours of music influence musical form in the composer's mind. Part 6
5:28
 
34
 
 
For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
4:2
 
35
 
 
For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
1:14
 
36
 
 
For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
1:42
 
37
 
 
For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
52
 
38
 
 
For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
1:3
 
39
 
 
For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
1:
 
40
 
 
For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
1:22
 
41
 
 
For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
1:44
 
42
 
 
For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
1:50
 
43
 
 
For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
1:18
 
44
 
 
For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
1:17
 
45
 
 
For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
52
 
46
 
 
For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions
1:39
 
47
Symphony No. 1 in E Minor, Op. 22 "Nordic" 1. Andante solonne - Allegro con forza
Symphony No. 1 in E Minor, Op. 22 "Nordic" 1. Andante solonne - Allegro con forza
11:32
 
48
 
 
2. Andante teneramente, con semplicità
5:44
 
49
 
 
3. Allegro con fuoco
9:24
 
50
Symphony No. 2, Op. 30 "romance" 1. Adagio - Allegro moderato
Symphony No. 2, Op. 30 "Romantic" 1. Adagio - Allegro moderato
13:58
 
51
 
 
2. Andante con tenerezza
6:36
 
52
 
 
3. Allegro con brio
7:19
 
54
Symphony No. 3, Op. 33 1. Andante lamentando
Symphony No. 3, Op. 33 1. Andante lamentando
9:59
 
55
 
 
2. Andante tranquillo
7:52
 
56
 
 
3. Tempo scherzando
5:45
 
57
 
 
4. Largamente e pesante
9:36
 
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