Insert title here

4:32

Carl Stein

So far the Lord has helped

Bis hieher hat der Herr geholfen

1:38

Caspar Ett

Hail maris stella

Ave maris stella

3:30

Georg Joseph Vogler

In all my deeds

In allen meinen Taten

2:55

Bernhard Klein

I raise my eyes to you, Op. 23/7 Ich hebe die Augen zu dir

Ich hebe die Augen zu dir, Op. 23/7 Ich hebe die Augen zu dir

4:20

Gabriel Fauré

Hail Mary, Op. posth. Ave Maria Op. posth.

Ave Maria, Op. posth. Ave Maria Op. posth.

1:45

Bernhard Klein

The Lord is my Shepherd, Op. 23/4 Der Herr ist mein Hirt Op. 23, 4

Der Herr ist mein Hirt, Op. 23/4 Der Herr ist mein Hirt Op. 23, 4

3:25

Peter Cornelius

In the midst of life, Op. 9/3 Mitten wir im Leben sind Op. 9, 3

Mitten wir im Leben sind, Op. 9/3 Mitten wir im Leben sind Op. 9, 3

3:50

Peter Cornelius

Requiem Aeternam for male chorus Requiem aeternam

2:26

Conradin Kreutzer

Silence is the House of Lamentation, KWV 7118 Stille ist das Haus der Klage KWV 7118

Stille ist das Haus der Klage, KWV 7118 Stille ist das Haus der Klage KWV 7118

2:38

Dimitry Bortnyansky

Praise, praise and thanks

Lob, Preis und Dank

3:12

Franz Liszt

Pater Noster III (I & II), p. 41/1 Pater noster S41/2 (RV 521b)

Pater Noster III (I & II), S. 41/1 Pater noster S41/2 (RV 521b)

3:40

Te Deum in D major Te Deum laudamus

2:50

Te Deum in D major Te aeternum Patrem

2:19

Te Deum in D major Tibi omnes angeli

2:5

Te Deum in D major Tibi cherubim et seraphim

3:10

Te Deum in D major Te gloriosus Apostolorum Chorus

3:32

Te Deum in D major Patrem immensae majestatis

2:9

Te Deum in D major Tu rex gloriae

3:0

Te Deum in D major Te ergo quaesumus

2:41

Te Deum in D major Salvum fac

2:40

Te Deum in D major Per singulos dies

2:0

Te Deum in D major Dignare Domine

3:39

Te Deum in D major Fiat misericordia tua

3:53

Est time in G minor/A major Hora est

Hora est in G minor/A major Hora est

2:23

Est time in G minor/A major Vivace

Hora est in G minor/A major Vivace

5:25

Ave Maria in A major, Op. 23/2 Ave Maria

6:3

null

Introduction Introduction

Introduction

The uncle from Boston Act I: Overture [excerpt]

Der Onkel aus Boston Act I: Overture [excerpt]

Der Onkel aus Boston (The Uncle from Boston), a three-act dramatic work by Felix Mendelssohn, begun in May 1822 and completed in November 1823

1:14

null

Der Onkel aus Boston (The Uncle from Boston), a three-act dramatic work by Felix Mendelssohn, begun in May 1822 and completed in November 1823 Der Onkel aus Boston (The Uncle from Boston), a three-act dramatic work by Felix Mendelssohn, begun in May 1822 and completed in November 1823

6:59

Children's piece, for piano in G major, Op. 72/1 Sechs Kinderst체cke, Op. 72 (Six Children's Pieces) - No. 1. Allegro non troppo

Kinderstück, for piano in G major, Op. 72/1 Sechs Kinderst체cke, Op. 72 (Six Children's Pieces) - No. 1. Allegro non troppo

An extract from Mendelssohn's piano collection Kinderst체cke (Children's Pieces), published after the composer's death in 1847

null

An extract from Mendelssohn's piano collection Kinderst체cke (Children's Pieces), published after the composer's death in 1847 An extract from Mendelssohn's piano collection Kinderst체cke (Children's Pieces), published after the composer's death in 1847

2:57

Song for my good father's birthday Lied zum Geburtstag meines guten Vaters

Lied zum Gebrutstag meines guten Vaters Lied zum Geburtstag meines guten Vaters

By His Early Teens, Mendelssohn Had Already Acquired an Impressive Portfolio of Musical Compositions Across a Range of Genres: Chamber Music, Psalm Settings, String Sinfonias and Keyboard Works

1:12

null

By His Early Teens, Mendelssohn Had Already Acquired an Impressive Portfolio of Musical Compositions Across a Range of Genres: Chamber Music, Psalm Settings, String Sinfonias and Keyboard Works By His Early Teens, Mendelssohn Had Already Acquired an Impressive Portfolio of Musical Compositions Across a Range of Genres: Chamber Music, Psalm Settings, String Sinfonias and Keyboard Works

5:40

Octet for strings in E flat major, Op. 20 III. Scherzo: Allegro leggierissimo [excerpt]

1:0

null

A Similar Musical Atmosphere Was Created in the Second of Mendelssohn's Towering Early Works: His Overture to A Midsummer Night's Dream, Finished in Early August 1826 and, Like the Octet, Most Probably First Performed in the Family Home A Similar Musical Atmosphere Was Created in the Second of Mendelssohn's Towering Early Works: His Overture to A Midsummer Night's Dream, Finished in Early August 1826 and, Like the Octet, Most Probably First Performed in the Family Home

A Midsummer Night's Dream, overture, Op. 21 Overture [excerpt]

The Period also Witnessed the Inensification of Mendelssohn's Historical Interest in Earlier Styles, Particularly Sacred Vocal Music

1:35

null

The Period also Witnessed the Inensification of Mendelssohn's Historical Interest in Earlier Styles, Particularly Sacred Vocal Music The Period also Witnessed the Inensification of Mendelssohn's Historical Interest in Earlier Styles, Particularly Sacred Vocal Music

3:10

Est time in G minor/A major [excerpt]

Hora est in G minor/A major [excerpt]

2:22

null

1829 Saw the Beginning of Mendelssohn's Grand Tour of Europe, a Series of Excursions That Took the Composer North to Scotland and South to Italy, Both Countries Providing Inspiration for Symphonies He Would Go On to Write 1829 Saw the Beginning of Mendelssohn's Grand Tour of Europe, a Series of Excursions That Took the Composer North to Scotland and South to Italy, Both Countries Providing Inspiration for Symphonies He Would Go On to Write

2:31

The Hebrides in B minor, Op. 26 "Fingal's Cave" [excerpt]

At the Home of a Wealthy Mine Owner in North Wales, the Next Stop in His Tour, Mendelssohn First Contemplated a Large-Scale Orchestral Work Now Known as the Reformation Symphony

1:6

null

At the Home of a Wealthy Mine Owner in North Wales, the Next Stop in His Tour, Mendelssohn First Contemplated a Large-Scale Orchestral Work Now Known as the Reformation Symphony At the Home of a Wealthy Mine Owner in North Wales, the Next Stop in His Tour, Mendelssohn First Contemplated a Large-Scale Orchestral Work Now Known as the Reformation Symphony

4:49

Symphony No. 4 in A major, Op. 90 Italian IV. Saltarello: Presto [excerpt]

Symphony No. 4 in A major, Op. 90 "Italian" IV. Saltarello: Presto [excerpt]

The Second Opportunity to Present Itself on Mendelssohn's Return to Berlin, Following His European Tour, Was the Directorship of the 15th Niederrheinisches Musikfest...

1:8

null

The Second Opportunity to Present Itself on Mendelssohn's Return to Berlin, Following His European Tour, Was the Directorship of the 15th Niederrheinisches Musikfest... The Second Opportunity to Present Itself on Mendelssohn's Return to Berlin, Following His European Tour, Was the Directorship of the 15th Niederrheinisches Musikfest...

2:8

Overture for orchestra in C major "Trumpet", Op. 101 [excerpt]

null

The Success of Mendelssohn's Directorship of the D체sseldorf Festival - to One Commentator, ''the Greatest Public Success That He Had Yet Had in Germany' - Led to a Three-Year Appointment as Director of Music in the City The Success of Mendelssohn's Directorship of the D체sseldorf Festival - to One Commentator, ''the Greatest Public Success That He Had Yet Had in Germany' - Led to a Three-Year Appointment as Director of Music in the City

5:19

Paul, Op. 36 How Lovely Are the Messengers (Sung in English) [excerpt]

Paulus, Op. 36 How Lovely Are the Messengers (Sung in English) [excerpt]

Roughly One Month Earlier, the 9th of September 1836, Mendelssohn Had Become Engaged to C챕cile Jeanrenaud...

1:41

null

Roughly One Month Earlier, the 9th of September 1836, Mendelssohn Had Become Engaged to C챕cile Jeanrenaud... Roughly One Month Earlier, the 9th of September 1836, Mendelssohn Had Become Engaged to C챕cile Jeanrenaud...

2:58

Motets (3) for female chorus & organ, Op. 39 No. 1. Veni, Domine (Hear My Prayer, O Lord) [excerpt]

The Next Few Years in Leipzig Witnessed the Completion of Mendelssohn's String Quartets Op. 44, His Piano Trio in D Minor, the Overture 'Ruy Blas'...

null

The Next Few Years in Leipzig Witnessed the Completion of Mendelssohn's String Quartets Op. 44, His Piano Trio in D Minor, the Overture 'Ruy Blas'... The Next Few Years in Leipzig Witnessed the Completion of Mendelssohn's String Quartets Op. 44, His Piano Trio in D Minor, the Overture 'Ruy Blas'...

3:30

Organ Sonata No. 2 in C minor/C major, Op. 65/2 II. Allegro maestoso e vivace [excerpt]

It Is Easy to Forget That, While Mendelssohn Was Most Famous During His Lifetime as a Composer, Conductor and virtuoso pianist, His Skills Extended to the Organ

1:5

null

It Is Easy to Forget That, While Mendelssohn Was Most Famous During His Lifetime as a Composer, Conductor and virtuoso pianist, His Skills Extended to the Organ It Is Easy to Forget That, While Mendelssohn Was Most Famous During His Lifetime as a Composer, Conductor and virtuoso pianist, His Skills Extended to the Organ

3:11

Violin Concerto in E minor, Op.64 III. Allegro molto vivace [excerpt]

Violin Concerto in E minor, Op. 64 III. Allegro molto vivace [excerpt]

Hear My Prayer, a Short Standalone Piece of Sacred Choral Music Also Composed in 1844, Cannot Be Described as a Masterpiece

1:9

null

Hear My Prayer, a Short Standalone Piece of Sacred Choral Music Also Composed in 1844, Cannot Be Described as a Masterpiece Hear My Prayer, a Short Standalone Piece of Sacred Choral Music Also Composed in 1844, Cannot Be Described as a Masterpiece

1:2

Hear My Prayer in G major [excerpt]

Ten Years After the Premiere of St Paul, Mendelssohn Turned His Attention Once Again to the Genre of the Oratorio: the Result Was Elijah...

1:28

null

Ten Years After the Premiere of St Paul, Mendelssohn Turned His Attention Once Again to the Genre of the Oratorio: the Result Was Elijah... Ten Years After the Premiere of St Paul, Mendelssohn Turned His Attention Once Again to the Genre of the Oratorio: the Result Was Elijah...

2:6

Elijah, Op.70 Part II, No. 42. Alsdann wird euer Licht hervorbrechen (And Then Shall Your Light Break Forth [excerpt]

Elijah, Op. 70 Part II, No. 42. Alsdann wird euer Licht hervorbrechen (And Then Shall Your Light Break Forth [excerpt]

null

Mendelssohn Died on the 4th of November 1847 Following a Series of Strokes Mendelssohn Died on the 4th of November 1847 Following a Series of Strokes

Mendelssohn Died on the 4th of November 1847 Following a Series of Strokes

3:37

Song Without Words for piano No. 28 in G major, Op. 62/4 Lieder ohne Worte (Songs without Words), Book 5, Op. 62 - No. 28 in G major, Op. 62, No. 4

1:26

I lie and sleep, BR JCFB H100

Ich lieg und schlaf, BR JCFB H100

13:25

Motet, "Wake up, the voice is calling us" I. Wachet auf, ruft uns die Stimme

Motet, "Wachet auf, ruft uns die Stimme" I. Wachet auf, ruft uns die Stimme

6:19

Motet, "Wake up, the voice is calling us" II. Zion hört die Waechter singen

Motet, "Wachet auf, ruft uns die Stimme" II. Zion hört die Waechter singen

4:19

Motet, "Wake up, the voice is calling us" III. Gloria sei dir gesungen

Motet, "Wachet auf, ruft uns die Stimme" III. Gloria sei dir gesungen

4:33

You command your ways No. 1, Befiel du deine Wege

Befiehl du deine Wege No. 1, Befiel du deine Wege

1:24

You command your ways No. 2, Dem Herren musst du trauen

Befiehl du deine Wege No. 2, Dem Herren musst du trauen

3:15

You command your ways No. 3, Dein ewge Treu und Gnaden

Befiehl du deine Wege No. 3, Dein ewge Treu und Gnaden

1:6

You command your ways No. 4, Weg hast du allerwegen

Befiehl du deine Wege No. 4, Weg hast du allerwegen

1:55

You command your ways No. 5, Und ob gleich alle Teufel

Befiehl du deine Wege No. 5, Und ob gleich alle Teufel

1:53

You command your ways No. 6, Hoff, hoff, o du arme Seele

Befiehl du deine Wege No. 6, Hoff, hoff, o du arme Seele

2:51

You command your ways No. 7, Auf, auf, gib deinem Schmerze

Befiehl du deine Wege No. 7, Auf, auf, gib deinem Schmerze

1:31

You command your ways No. 8, Ihn, ihn lass tun und walten

Befiehl du deine Wege No. 8, Ihn, ihn lass tun und walten

1:27

You command your ways No. 9, Er wird zar eine Weile

Befiehl du deine Wege No. 9, Er wird zar eine Weile

You command your ways No. 10, Wird's aber sich befinden

Befiehl du deine Wege No. 10, Wird's aber sich befinden

You command your ways No. 11, Wohl dir, wohl dir du Kind der Treue

Befiehl du deine Wege No. 11, Wohl dir, wohl dir du Kind der Treue

1:21

You command your ways No. 12, Mach End, o Herr, mach Ende

Befiehl du deine Wege No. 12, Mach End, o Herr, mach Ende

2:42

Now everyone thank God

Nun danket alle Gott

6:30

Psalms (3), Op.78 II. Psalm 43 'Richte mich, Gott'

Psalms (3), Op. 78 II. Psalm 43 'Richte mich, Gott'

Mendelssohn: Jauchzet dem Herrn, alle Welt. Geistliche Chormusik

3:58

Kyrie for chorus & orchestra in D minor

10:10

Christ, Op. 97 I. Rezitativ - Terzett: Da Jesus geboren ward

Christus, Op. 97 I. Rezitativ - Terzett: Da Jesus geboren ward

7:28

Christ, Op. 97 II. Rezitativ - Chor: Und der ganze Haufe stand auf

Christus, Op. 97 II. Rezitativ - Chor: Und der ganze Haufe stand auf

13:5

Psalms (3), Op.78 Warum toben die Heiden

Psalms (3), Op. 78 Warum toben die Heiden

7:45

Psalms (3), Op.78 Richte mich, Gott

Psalms (3), Op. 78 Richte mich, Gott

4:3

Psalms (3), Op.78 Mein Gott, warum hast Du mich verlassen

Psalms (3), Op. 78 Mein Gott, warum hast Du mich verlassen

7:45

For the feast of the Trinity

Zum Feste der Dreieinigkeit

2:57

Te Deum in A major

8:9

Motets (3) for female chorus & organ, Op. 39 I. Veni Domine

3:31

Motets (3) for female chorus & organ, Op. 39 II. Laudate pueri

5:43

Motets (3) for female chorus & organ, Op. 39 III. Surrexit pastor bonus

7:14

Sacred Songs (2), Op.112 I. Doch der Herr, er leitet die Irrenden recht

Sacred Songs (2), Op. 112 I. Doch der Herr, er leitet die Irrenden recht

2:44

Sacred Songs (2), Op.112 II. Der du die Menschen lässest sterben

Sacred Songs (2), Op. 112 II. Der du die Menschen lässest sterben

3:32

Kyrie for chorus & orchestra in D minor

Mendelssohn: Geistliches Chorwerk. Motetten, Psalmen, Choralkantaten, Lobgesang

10:10

Christ, Op. 97 I. Rezitativ - Terzett: Da Jesus geboren ward

Christus, Op. 97 I. Rezitativ - Terzett: Da Jesus geboren ward

Mendelssohn: Geistliches Chorwerk. Motetten, Psalmen, Choralkantaten, Lobgesang

7:28

Christ, Op. 97 II. Rezitativ - Chor: Und der ganze Haufe stand auf

Christus, Op. 97 II. Rezitativ - Chor: Und der ganze Haufe stand auf

Mendelssohn: Geistliches Chorwerk. Motetten, Psalmen, Choralkantaten, Lobgesang

13:5

Psalms (3), Op.78 Warum toben die Heiden

Psalms (3), Op. 78 Warum toben die Heiden

Mendelssohn: Geistliches Chorwerk. Motetten, Psalmen, Choralkantaten, Lobgesang

7:45

Psalms (3), Op.78 Richte mich, Gott

Psalms (3), Op. 78 Richte mich, Gott

Mendelssohn: Geistliches Chorwerk. Motetten, Psalmen, Choralkantaten, Lobgesang

4:3

Psalms (3), Op.78 Mein Gott, warum hast Du mich verlassen

Psalms (3), Op. 78 Mein Gott, warum hast Du mich verlassen

Mendelssohn: Geistliches Chorwerk. Motetten, Psalmen, Choralkantaten, Lobgesang

7:45

For the feast of the Trinity

Zum Feste der Dreieinigkeit

Mendelssohn: Geistliches Chorwerk. Motetten, Psalmen, Choralkantaten, Lobgesang

2:57

Te Deum in A major

Mendelssohn: Geistliches Chorwerk. Motetten, Psalmen, Choralkantaten, Lobgesang

8:9

Motets (3) for female chorus & organ, Op. 39 I. Veni Domine

Mendelssohn: Geistliches Chorwerk. Motetten, Psalmen, Choralkantaten, Lobgesang

3:31

100