Béla Bartók
Concerto for 2 pianos, percussion & orchestra, Sz. 115
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Composer:Béla BartókGenre:ConcertoStyle:ConcertoCompose Date:1940Average_duration:25:49Movement_count:3Movement ....Béla Bartók's Concerto for 2 pianos, percussion & orchestra, Sz. 115, was composed in 1940 and premiered on January 16, 1941, in Basel, Switzerland. The concerto is divided into three movements, each with its own distinct character and musical language. The first movement, marked Allegro, begins with a lively and rhythmic theme played by the two pianos. The percussion enters soon after, adding to the rhythmic complexity of the music. The orchestra then joins in, creating a rich and colorful texture. The movement features several contrasting sections, including a lyrical theme played by the pianos and a more subdued section featuring the percussion. The second movement, marked Adagio, is a slow and introspective piece. The two pianos play a haunting melody over a soft and delicate orchestral accompaniment. The percussion is used sparingly, adding subtle accents and colors to the music. The movement builds to a powerful climax before fading away into a quiet and reflective coda. The final movement, marked Allegro molto, is a lively and energetic piece. The two pianos and percussion drive the music forward with a series of rhythmic and melodic motifs. The orchestra joins in, creating a frenzied and exhilarating finale. The movement features several virtuosic passages for the pianos and percussion, showcasing the technical prowess of the performers. Overall, Bartók's Concerto for 2 pianos, percussion & orchestra, Sz. 115, is a complex and challenging work that combines elements of folk music, modernism, and classical tradition. The use of two pianos and percussion creates a unique and dynamic sound world, while the orchestral accompaniment adds depth and richness to the music. The concerto is a testament to Bartók's innovative and visionary approach to composition, and remains a beloved and influential work in the classical repertoire.More....
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