Composer

:

Franz Joseph Haydn

Genre

:

Choral

Style

:

Mass

Compose Date

:

1796

Average_duration

:

39:47

Movement_count

:

6

Movement ....

Franz Joseph Haydn's 'Missa in Tempore belli in C major, H. 22/9 Paukenmesse' was composed in 1796 during the Napoleonic Wars. The piece was premiered on September 23, 1796, at the Bergkirche in Eisenstadt, Austria. The mass is also known as the 'Paukenmesse' due to the prominent use of timpani in the composition. The 'Missa in Tempore belli' is divided into six movements: Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Dei. The mass is scored for four soloists, mixed choir, and orchestra. The use of timpani in the mass is particularly notable, as it is used to create a sense of military urgency and tension throughout the piece. The Kyrie begins with a solemn and prayerful melody sung by the choir, which is then echoed by the soloists. The Gloria is a joyful and celebratory movement, with the choir and soloists singing in unison to create a sense of unity and harmony. The Credo is a longer movement, with the choir and soloists alternating between recitative and aria-style singing to convey the various beliefs of the Catholic Church. The Sanctus is a bright and energetic movement, with the choir and soloists singing in a lively and upbeat manner. The Benedictus is a more subdued movement, with the soloists singing a gentle and contemplative melody. The Agnus Dei is a somber and reflective movement, with the choir and soloists singing a mournful melody that gradually builds to a powerful climax. Overall, the 'Missa in Tempore belli' is a powerful and emotional work that reflects the tumultuous times in which it was composed. The use of timpani and other military-inspired elements creates a sense of urgency and tension, while the choir and soloists convey a range of emotions from prayerful devotion to mournful reflection.

More....