Composer

:

Heinrich Schütz

Genre

:

Choral

Style

:

Choral

Publication Date

:

ca. 1700

First Performance

:

Apr 8, 1666

Average_duration

:

44:23

Heinrich Schütz's St. Luke Passion, SWV 480 (attributed) is a sacred oratorio that was composed in the early 1660s. The exact date of composition is unknown, but it is believed to have been written between 1660 and 1664. The piece was first performed in Dresden in 1664, and it is considered to be one of Schütz's most significant works. The St. Luke Passion is divided into two parts, each of which is further divided into several movements. The first part focuses on the events leading up to Jesus' arrest, while the second part deals with his crucifixion and death. The piece is scored for a small ensemble of voices and instruments, including two violins, two violas, two cellos, and a basso continuo. One of the most notable characteristics of the St. Luke Passion is its use of dramatic recitative. Schütz was a master of this technique, which involves setting text in a speech-like manner that emphasizes the natural rhythms and inflections of the words. The recitative sections of the St. Luke Passion are particularly powerful, as they convey the emotional intensity of the story in a direct and immediate way. Another notable feature of the St. Luke Passion is its use of chorales. These are hymn-like sections that are sung by the choir and provide a moment of reflection and contemplation. Schütz's chorales are simple and direct, with a clear and memorable melody that is easy to sing and remember. Overall, the St. Luke Passion is a deeply moving and powerful work that showcases Schütz's mastery of the Baroque style. Its combination of dramatic recitative, expressive chorales, and rich instrumental textures make it a masterpiece of sacred music that continues to be performed and admired today.

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