Composer

:

Heinrich Schütz

Genre

:

Choral

Style

:

Psalm

Publication Date

:

1619

Average_duration

:

5:15

Heinrich Schütz's 'Der Herr ist mein Hirt (Psalm 23)', SWV 33 (Op. 2/12) is a sacred choral work that was composed in the early 17th century. The piece is based on Psalm 23, which is one of the most well-known and beloved passages in the Bible. Schütz's setting of the text is a beautiful and expressive work that showcases his mastery of choral writing. The piece was composed in 1619, during Schütz's time as the court composer for the Elector of Saxony in Dresden. It was premiered in the court chapel in Dresden, and quickly became one of Schütz's most popular works. The piece is written for a four-part choir, with a simple and elegant accompaniment for organ or other keyboard instrument. The work is divided into three movements, each of which reflects a different aspect of the text. The first movement is a gentle and peaceful setting of the opening lines of the psalm, "The Lord is my shepherd, I shall not want." The music is serene and contemplative, with a flowing melody that evokes the pastoral imagery of the text. The second movement is more dramatic and intense, reflecting the darker themes of the psalm. The text speaks of walking through the valley of the shadow of death, and the music is appropriately somber and mournful. The choir sings in a minor key, with dissonant harmonies that create a sense of tension and unease. The final movement is a joyful and triumphant setting of the closing lines of the psalm, "Surely goodness and mercy shall follow me all the days of my life." The music is bright and energetic, with a lively melody that celebrates the hope and faith expressed in the text. Overall, 'Der Herr ist mein Hirt (Psalm 23)', SWV 33 (Op. 2/12) is a beautiful and moving work that showcases Schütz's skill as a composer. The piece is notable for its simple and direct style, which allows the beauty of the text to shine through. It remains a beloved work in the choral repertoire, and is frequently performed in churches and concert halls around the world.

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