Composer

:

Gabriel Fauré

Genre

:

Vocal

Compose Date

:

1906-1916

Publication Date

:

2013

Movement_count

:

45

Movement ....

Gabriel Fauré's 'Vocalises (45)' is a collection of 45 short pieces for solo voice and piano. The collection was composed between 1906 and 1921, and was premiered in 1922. The vocalises are divided into three books, each containing 15 pieces. The first book of vocalises is characterized by its simplicity and lyricism. The pieces are short and sweet, with simple melodies and accompaniments that allow the singer to focus on the beauty of the voice. The second book is more complex, with more intricate melodies and harmonies. The pieces in this book are also longer, allowing for more development and exploration of the voice. The third book is the most challenging, with pieces that require a high level of technical skill and control. These pieces are also the most expressive, with complex harmonies and emotional depth. One of the most notable characteristics of Fauré's vocalises is their use of wordless vocalizations. Rather than setting text to music, Fauré allows the voice to become an instrument in its own right, using it to create beautiful, expressive melodies that stand on their own. This approach allows the singer to focus on the pure sound of the voice, rather than being distracted by the meaning of the words. Fauré's vocalises are also notable for their use of chromaticism and modulations. The harmonies are often complex and unexpected, creating a sense of tension and release that adds to the emotional depth of the pieces. Fauré's use of modulations also allows him to explore different tonalities and moods within a single piece, creating a sense of journey and exploration for the listener. Overall, Fauré's 'Vocalises (45)' is a beautiful and challenging collection of pieces that showcase the beauty and versatility of the human voice. From the simple lyricism of the first book to the complex emotional depth of the third, these vocalises are a testament to Fauré's skill as a composer and his love for the voice as an instrument.

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