Anton Bruckner
Symphony No. 3 in D minor, WAB 103
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Composer:Anton BrucknerGenre:SymphonyStyle:SymphonyCompose Date:1872 - 1889Average_duration:59:54Movement_count:4Movement ....Anton Bruckner's Symphony No. 3 in D minor, WAB 103, is a monumental work that showcases the composer's unique style and approach to symphonic composition. The symphony was composed between 1872 and 1873, and it premiered on December 16, 1877, in Vienna, conducted by Bruckner himself. The symphony is divided into four movements, each with its own distinct character and mood. The first movement, marked "Mehr langsam, misterioso," is a brooding and introspective introduction to the symphony. It begins with a slow, mournful theme played by the cellos and basses, which is then taken up by the rest of the orchestra. The movement builds to a powerful climax before subsiding into a quiet, reflective coda. The second movement, marked "Adagio, bewegt, quasi andante," is a lyrical and expressive slow movement. It features a beautiful melody played by the strings, which is then developed and expanded upon by the rest of the orchestra. The movement is notable for its use of rich harmonies and lush orchestration. The third movement, marked "Scherzo: Ziemlich schnell," is a lively and energetic scherzo. It features a playful and rhythmic main theme, which is contrasted with a more lyrical and introspective trio section. The movement is notable for its use of syncopated rhythms and intricate counterpoint. The final movement, marked "Finale: Allegro," is a triumphant and majestic conclusion to the symphony. It begins with a powerful and driving theme played by the brass and timpani, which is then developed and expanded upon by the rest of the orchestra. The movement builds to a thrilling climax before subsiding into a quiet and reflective coda. Overall, Bruckner's Symphony No. 3 is a masterful work that showcases the composer's unique style and approach to symphonic composition. It is notable for its use of rich harmonies, lush orchestration, and intricate counterpoint, as well as its powerful and emotional themes.More....
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Symphony No. 3 in D minor, WAB 103
II. Adagio, bewegt, quasi Andante / Andante, quasi Allegretto
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