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Antonio Vivaldi
Juditha triumphans devicta Holofernes barbarie, RV 644
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Composer
:
Antonio Vivaldi
Genre
:
Choral
Style
:
Oratorio
Compose Date
:
1716
Publication Date
:
1971
First Performance
:
1716
Average_duration
:
130:34
Movement_count
:
56
Movement ....
Antonio Vivaldi's 'Juditha triumphans devicta Holofernes barbarie, RV 644' is an oratorio that was composed in 1716 to celebrate the victory of the Venetian Republic over the Ottoman Empire. The oratorio was premiered on March 4, 1716, at the Ospedale della Pietà in Venice, where Vivaldi was the music director. The oratorio is divided into two parts, each consisting of several movements. The first part depicts the siege of the city of Bethulia by the Assyrian army, led by the general Holofernes. The second part portrays the triumph of the Israelites over the Assyrians, led by the heroine Judith. The oratorio features a variety of musical styles, including recitatives, arias, duets, and choruses. The music is characterized by Vivaldi's signature virtuosic instrumental writing and expressive vocal melodies. The orchestration includes strings, oboes, trumpets, and timpani, as well as a continuo section consisting of harpsichord, cello, and bassoon. The first part of the oratorio opens with a chorus that sets the scene for the siege of Bethulia. This is followed by a series of arias and recitatives that introduce the main characters and their emotions. The highlight of the first part is the aria "Armatae face et anguibus," sung by the character Judith, which features a virtuosic vocal line and a dramatic orchestral accompaniment. The second part of the oratorio begins with a chorus that celebrates the victory of the Israelites over the Assyrians. This is followed by a series of arias and duets that express the joy and gratitude of the Israelites. The final chorus, "Alleluia," is a triumphant celebration of the Israelites' victory. Overall, 'Juditha triumphans devicta Holofernes barbarie, RV 644' is a masterpiece of Baroque music that showcases Vivaldi's skill as a composer and his ability to create expressive and dramatic music. The oratorio remains a popular work in the repertoire of Baroque music and is frequently performed in concert halls and opera houses around the world.
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