Composer

:

César Franck

Genre

:

Choral

Style

:

Symphony

Compose Date

:

1871 - 1872

Publication Date

:

1872

Average_duration

:

19:37

Movement_count

:

13

Movement ....

Rédemption, M. 52 is a choral symphony composed by César Franck in 1871. It was premiered on April 4, 1873, at the Salle du Châtelet in Paris, conducted by Jules Pasdeloup. The symphony is divided into three movements and is based on texts from the Bible and the liturgy. The first movement, titled "La Faute et la Chute" (The Fall and the Sin), begins with a somber and ominous introduction played by the orchestra. The choir then enters, singing about the original sin and the fall of man. The music is dark and brooding, with dissonant harmonies and chromaticism, reflecting the weight of sin and guilt. The second movement, "La Rédemption" (The Redemption), is the centerpiece of the symphony. It begins with a serene and peaceful theme played by the strings, representing the hope and promise of redemption. The choir then enters, singing about the sacrifice of Christ and the forgiveness of sins. The music is uplifting and joyful, with lush harmonies and soaring melodies, reflecting the beauty and power of redemption. The final movement, "La Vie Divine" (The Divine Life), is a hymn of praise and thanksgiving. It begins with a majestic and triumphant theme played by the brass and percussion, representing the glory and majesty of God. The choir then enters, singing about the divine life and the eternal kingdom. The music is grand and majestic, with rich harmonies and powerful rhythms, reflecting the awe and wonder of the divine. Overall, Rédemption, M. 52 is a powerful and deeply spiritual work, reflecting Franck's Catholic faith and his belief in the transformative power of redemption. The music is rich and complex, with a wide range of emotions and moods, from darkness and despair to hope and joy. It is a masterpiece of French Romanticism and a testament to Franck's genius as a composer.

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