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1
Chinese Traditional
Chinese Traditional
Jasmin Flower
Jasmine Flower
Orff: Carmina Burana - Live from the Forbidden City
5:31
2
Hubert Parry
Hubert Parry
Judith
Introduction: Allegro spiritoso - Meno mosso -
Judith
Introduction: Allegro spiritoso - Meno mosso -
Parry: Judith
5:10
3
Hubert Parry
Hubert Parry
Judith
Act I: Scene 1. Moloch: Processional Music of Worshippers. Allegro maestoso - Worshippers: Hail, Moloch!. [ ] -
Judith
Act I: Scene 1. Moloch: Processional Music of Worshippers. Allegro maestoso - Worshippers: Hail, Moloch!. [ ] -
Parry: Judith
3:14
4
Hubert Parry
Hubert Parry
Judith
Act I: Scene 1. Moloch: Manasseh: Draw near and worship, O my people!. L'istesso tempo -
Judith
Act I: Scene 1. Moloch: Manasseh: Draw near and worship, O my people!. L'istesso tempo -
Parry: Judith
1:32
5
Hubert Parry
Hubert Parry
Judith
Act I: Scene 1. Moloch: Worshippers:Have mercy, dread Mol
Judith
Act I: Scene 1. Moloch: Worshippers:Have mercy, dread Mol
Parry: Judith
41
6
Hubert Parry
Hubert Parry
Judith
Act I: Scene 1. Moloch: High Priest: Hear ye the word of your god!. Ad libitum sostenuto -
Judith
Act I: Scene 1. Moloch: High Priest: Hear ye the word of your god!. Ad libitum sostenuto -
Parry: Judith
53
7
Hubert Parry
Hubert Parry
Judith
Act I: Scene 1. Moloch: Worshippers: Hail! thou art highly favoured, King!. Animato - Manasseh: My children Moloch’s!. Agitato - Animando -
Judith
Act I: Scene 1. Moloch: Worshippers: Hail! thou art highly favoured, King!. Animato - Manasseh: My children Moloch’s!. Agitato - Animando -
Parry: Judith
2:13
8
Hubert Parry
Hubert Parry
Judith
Act I: Scene 1. Moloch: Worshippers: Bring now the children!. Allegro - It is the god’s decree. Con spirito - Poco più animato -
Judith
Act I: Scene 1. Moloch: Worshippers: Bring now the children!. Allegro - It is the god’s decree. Con spirito - Poco più animato -
Parry: Judith
2:27
9
Hubert Parry
Hubert Parry
Judith
Act I: Scene 1. Moloch: High Priest: Hearken, O King!. Lento pomposo -
Judith
Act I: Scene 1. Moloch: High Priest: Hearken, O King!. Lento pomposo -
Parry: Judith
1:7
10
Hubert Parry
Hubert Parry
Judith
Act I: Scene 1. Moloch: Worshippers: Hail, Moloch, hail!. Allegro
Judith
Act I: Scene 1. Moloch: Worshippers: Hail, Moloch, hail!. Allegro
Parry: Judith
1:31
11
Hubert Parry
Hubert Parry
Judith
Act I: Scene 2. The Children: Dialogue. Andante sostenuto - Children and Meshullemeth: O mother, tell us once again. [ ] - Agitato. Più mosso -
Judith
Act I: Scene 2. The Children: Dialogue. Andante sostenuto - Children and Meshullemeth: O mother, tell us once again. [ ] - Agitato. Più mosso -
Parry: Judith
5:31
12
Hubert Parry
Hubert Parry
Judith
Act I: Scene 2. The Children: Ballad. Meshullemeth and Children: Long since in Egypt's plenteous land. Allegretto semplice -
Judith
Act I: Scene 2. The Children: Ballad. Meshullemeth and Children: Long since in Egypt's plenteous land. Allegretto semplice -
Parry: Judith
4:37
13
Hubert Parry
Hubert Parry
Judith
Act I: Scene 2. The Children: Chorus of Priests of Moloch, Meshullemeth, and Children: Great Queen, the King calls for his children. Maestoso moderato - Più mosso - Tranquillo - A tempo più animato -
Judith
Act I: Scene 2. The Children: Chorus of Priests of Moloch, Meshullemeth, and Children: Great Queen, the King calls for his children. Maestoso moderato - Più mosso - Tranquillo - A tempo più animato -
Parry: Judith
5:22
14
Hubert Parry
Hubert Parry
Judith
Act I: Scene 2. The Children: Judith: Lady! thou Queen of Israel!. Lento - Andante molto sostenuto - Poco animato - Poco più animato
Judith
Act I: Scene 2. The Children: Judith: Lady! thou Queen of Israel!. Lento - Andante molto sostenuto - Poco animato - Poco più animato
Parry: Judith
5:12
15
Hubert Parry
Hubert Parry
Judith
Act I: Scene 3. The Sacrifice: Chorus of Priests: Moloch! Moloch! give ear!. Allegro comodo - Manasseh: My people, see, the holy children come. [ ] - Chorus of People: Crown we the stainless victims. [ ] -
Judith
Act I: Scene 3. The Sacrifice: Chorus of Priests: Moloch! Moloch! give ear!. Allegro comodo - Manasseh: My people, see, the holy children come. [ ] - Chorus of People: Crown we the stainless victims. [ ] -
Parry: Judith
5:26
16
Hubert Parry
Hubert Parry
Judith
Act I: Scene 3. The Sacrifice: Judith: Stay your hideous mockeries!. [ ] - Meno mosso -
Judith
Act I: Scene 3. The Sacrifice: Judith: Stay your hideous mockeries!. [ ] - Meno mosso -
Parry: Judith
1:34
17
Hubert Parry
Hubert Parry
Judith
Act I: Scene 3. The Sacrifice: Judith: Now shall the Lord Jehovah visit you. Alla breve - Sostenuto -
Judith
Act I: Scene 3. The Sacrifice: Judith: Now shall the Lord Jehovah visit you. Alla breve - Sostenuto -
Parry: Judith
2:13
18
Hubert Parry
Hubert Parry
Judith
Act I: Scene 3. The Sacrifice: Chorus. Worshippers of Moloch: Who is this that raileth at Moloch?. L'istesso tempo, fieramente -
Judith
Act I: Scene 3. The Sacrifice: Chorus. Worshippers of Moloch: Who is this that raileth at Moloch?. L'istesso tempo, fieramente -
Parry: Judith
1:11
19
Hubert Parry
Hubert Parry
Judith
Act I: Scene 3. The Sacrifice: Messenger: O King, give ear!. L'istesso tempo. Agitato -
Judith
Act I: Scene 3. The Sacrifice: Messenger: O King, give ear!. L'istesso tempo. Agitato -
Parry: Judith
40
20
Hubert Parry
Hubert Parry
Judith
Act I: Scene 3. The Sacrifice: Manasseh: Fear not, my people. Sostenuto -
Judith
Act I: Scene 3. The Sacrifice: Manasseh: Fear not, my people. Sostenuto -
Parry: Judith
33
21
Hubert Parry
Hubert Parry
Judith
Act I: Scene 3. Finale. The Coming of the Assyrians: Chorus. Worshippers of Moloch: The host of Assur is like a swarm of locusts. Allegro moderato -
Judith
Act I: Scene 3. Finale. The Coming of the Assyrians: Chorus. Worshippers of Moloch: The host of Assur is like a swarm of locusts. Allegro moderato -
Parry: Judith
1:19
22
Hubert Parry
Hubert Parry
Judith
Act I: Scene 3. Finale. The Coming of the Assyrians: Judith: Jerusalem was loved of the Lord. [ ] - Meno mosso - Allegro moderato, marziale -
Judith
Act I: Scene 3. Finale. The Coming of the Assyrians: Judith: Jerusalem was loved of the Lord. [ ] - Meno mosso - Allegro moderato, marziale -
Parry: Judith
26
23
Hubert Parry
Hubert Parry
Judith
Act I: Scene 3. Finale. The Coming of the Assyrians: Chorus. Priests of Moloch: Moloch, Moloch, hear us now. Allegro molto - Chorus. Worshippers of Moloch: Rise in might and scatter our foes. [ ] - Chorus of Assyrians: The heroes of Assur. Allegro spiritoso -
Judith
Act I: Scene 3. Finale. The Coming of the Assyrians: Chorus. Priests of Moloch: Moloch, Moloch, hear us now. Allegro molto - Chorus. Worshippers of Moloch: Rise in might and scatter our foes. [ ] - Chorus of Assyrians: The heroes of Assur. Allegro spiritoso -
Parry: Judith
3:24
24
Hubert Parry
Hubert Parry
Judith
Act I: Scene 3. Finale. The Coming of the Assyrians: People: Fly! Fly! The host of Assur is come on us. Piu moto - Più moto -
Judith
Act I: Scene 3. Finale. The Coming of the Assyrians: People: Fly! Fly! The host of Assur is come on us. Piu moto - Più moto -
Parry: Judith
3:25
25
Hubert Parry
Hubert Parry
Judith
Act I: Scene 3. Finale. The Coming of the Assyrians: People: Jerusalem, that was Queen of the nations. Maestoso - Più lento
Judith
Act I: Scene 3. Finale. The Coming of the Assyrians: People: Jerusalem, that was Queen of the nations. Maestoso - Più lento
Parry: Judith
1:49
26
Hubert Parry
Hubert Parry
Judith
Act I: Scene 3. Intermezzo. Babylon. The Repentance of Manasseh: Lento espressivo - Manasseh: I will bear the indignation of God. [ ] - Poco più mosso
Judith
Act I: Scene 3. Intermezzo. Babylon. The Repentance of Manasseh: Lento espressivo - Manasseh: I will bear the indignation of God. [ ] - Poco più mosso
Parry: Judith
5:23
27
Hubert Parry
Hubert Parry
Judith
Act II: Scene 1. The Return of Manasseh: Maestoso. Sostenuto espressivo - Jews of Jerusalem: Wail! wail! ye solitary people!. [ ]
Judith
Act II: Scene 1. The Return of Manasseh: Maestoso. Sostenuto espressivo - Jews of Jerusalem: Wail! wail! ye solitary people!. [ ]
Parry: Judith
5:51
28
Hubert Parry
Hubert Parry
Judith
Act II: Scene 1. The Return of Manasseh: Solo. Meshullemeth: The Lord is long-suffering and merciful. Lento - Allegro sostenuto - Allegretto semplice -
Judith
Act II: Scene 1. The Return of Manasseh: Solo. Meshullemeth: The Lord is long-suffering and merciful. Lento - Allegro sostenuto - Allegretto semplice -
Parry: Judith
3:50
29
Hubert Parry
Hubert Parry
Judith
Act II: Scene 1. The Return of Manasseh: Jews of Jerusalem: Our King is come again from distant lands. Allegro al prima moderato, sempre accelerando al vivacissimo Tempo - Allegro molto -
Judith
Act II: Scene 1. The Return of Manasseh: Jews of Jerusalem: Our King is come again from distant lands. Allegro al prima moderato, sempre accelerando al vivacissimo Tempo - Allegro molto -
Parry: Judith
2:46
30
Hubert Parry
Hubert Parry
Judith
Act II: Scene 1. The Return of Manasseh: Manasseh: Behold, how great is the mercy of our God. Meno mosso - When we rebelled against the word of the Lord. Allegro sostenuto quasi Andante - Meshullemeth: He brought us out of the darkness. [ ] - Judith: O that me
Judith
Act II: Scene 1. The Return of Manasseh: Manasseh: Behold, how great is the mercy of our God. Meno mosso - When we rebelled against the word of the Lord. Allegro sostenuto quasi Andante - Meshullemeth: He brought us out of the darkness. [ ] - Judith: O that me
Parry: Judith
6:19
31
Hubert Parry
Hubert Parry
Judith
Act II: Scene 2. The Message of Holofernes: Messenger: Hear ye the words of the captain of the great King. Allegro maestoso - Allegro - Più mosso - Più mosso. Animando - Tempo l -
Judith
Act II: Scene 2. The Message of Holofernes: Messenger: Hear ye the words of the captain of the great King. Allegro maestoso - Allegro - Più mosso - Più mosso. Animando - Tempo l -
Parry: Judith
3:46
32
Hubert Parry
Hubert Parry
Judith
Act II: Scene 2. The Message of Holofernes: Jews of Jerusalem: Woe, woe! Our city's walls are broken. [ ] -
Judith
Act II: Scene 2. The Message of Holofernes: Jews of Jerusalem: Woe, woe! Our city's walls are broken. [ ] -
Parry: Judith
3:6
33
Hubert Parry
Hubert Parry
Judith
Act II: Scene 2. The Message of Holofernes: Solo. Judith: Let us give thanks unto the Lord our God. L'istesso tempo - Più moto -
Judith
Act II: Scene 2. The Message of Holofernes: Solo. Judith: Let us give thanks unto the Lord our God. L'istesso tempo - Più moto -
Parry: Judith
2:27
34
Hubert Parry
Hubert Parry
Judith
Act II: Scene 2. The Message of Holofernes: Judith: I pray Thee. O God of my fathers, lento - Più lento - Più moto
Judith
Act II: Scene 2. The Message of Holofernes: Judith: I pray Thee. O God of my fathers, lento - Più lento - Più moto
Parry: Judith
3:12
35
Hubert Parry
Hubert Parry
Judith
Act II: Scene 2. The Message of Holofernes: People: The God of our fathers give thee favour. Allegro con spirito - Meno mosso - Tempo I - Più lento
Judith
Act II: Scene 2. The Message of Holofernes: People: The God of our fathers give thee favour. Allegro con spirito - Meno mosso - Tempo I - Più lento
Parry: Judith
4:5
36
Hubert Parry
Hubert Parry
Judith
Act II: Scene 3. The Exploit of Judith: The Walls of Jerusalem. Night. Lento tranquillo - Poco più animato - Chorus of Watchmen on the Walls: See ye the campfires of the host of Assur. Più mosso - Manasseh: Jerusalem is a city. Meno mosso - Chorus of Watchmen:
Judith
Act II: Scene 3. The Exploit of Judith: The Walls of Jerusalem. Night. Lento tranquillo - Poco più animato - Chorus of Watchmen on the Walls: See ye the campfires of the host of Assur. Più mosso - Manasseh: Jerusalem is a city. Meno mosso - Chorus of Watchmen:
Parry: Judith
8:27
37
Hubert Parry
Hubert Parry
Judith
Act II: Scene 3. The Exploit of Judith: Judith: Ho! ye upon the walls!. Con spirito - Allegro - Meno mosso - Allegro - Moderato -
Judith
Act II: Scene 3. The Exploit of Judith: Judith: Ho! ye upon the walls!. Con spirito - Allegro - Meno mosso - Allegro - Moderato -
Parry: Judith
2:43
38
Hubert Parry
Hubert Parry
Judith
Act II: Scene 3. The Exploit of Judith: Jews of Jerusalem: Arise, O Israel! Smite ye your enemies. Allegro -
Judith
Act II: Scene 3. The Exploit of Judith: Jews of Jerusalem: Arise, O Israel! Smite ye your enemies. Allegro -
Parry: Judith
3:43
39
Hubert Parry
Hubert Parry
Judith
Act II: Scene 3. The Exploit of Judith: Solo. Manasseh: God breaketh the battle. Allegro con spirito - Animato - Poco meno mosso
Judith
Act II: Scene 3. The Exploit of Judith: Solo. Manasseh: God breaketh the battle. Allegro con spirito - Animato - Poco meno mosso
Parry: Judith
4:5
40
Hubert Parry
Hubert Parry
Judith
Act II: Scene 3. Finale. Judith and Chorus: Allegro maestoso - Judith: I will sing unto the Lord. [ ] - Animandosi - Poco più moto -
Judith
Act II: Scene 3. Finale. Judith and Chorus: Allegro maestoso - Judith: I will sing unto the Lord. [ ] - Animandosi - Poco più moto -
Parry: Judith
4:40
41
Hubert Parry
Hubert Parry
Judith
Act II: Scene 3. Finale. Judith and Chorus: Allegro molto - Chorus: Put off. O Jerusalem, the garment of thy mourning. Allegro alla breve - Animato
Judith
Act II: Scene 3. Finale. Judith and Chorus: Allegro molto - Chorus: Put off. O Jerusalem, the garment of thy mourning. Allegro alla breve - Animato
Parry: Judith
5:
42
Ludwig van Beethoven
Ludwig van Beethoven
Piano Concerto No. 2 in B flat major, Op. 19
I. Allegro con brio
Piano Concerto No. 2 in B flat major, Op. 19
I. Allegro con brio
Beethoven: Piano Concertos, Part 2
14:44
43
Ludwig van Beethoven
Ludwig van Beethoven
Piano Concerto No. 2 in B flat major, Op. 19
II. Adagio
Piano Concerto No. 2 in B flat major, Op. 19
II. Adagio
Beethoven: Piano Concertos, Part 2
9:4
44
Ludwig van Beethoven
Ludwig van Beethoven
Piano Concerto No. 2 in B flat major, Op. 19
III. Rondo. Molto allegro
Piano Concerto No. 2 in B flat major, Op. 19
III. Rondo. Molto allegro
Beethoven: Piano Concertos, Part 2
5:54
45
Ludwig van Beethoven
Ludwig van Beethoven
Piano Concerto in D major, Op. 61a
I. Allegro ma non troppo
Piano Concerto in D majo, Op. 61a
I. Allegro ma non troppo
Beethoven: Piano Concertos, Part 2
25:14
46
Ludwig van Beethoven
Ludwig van Beethoven
Piano Concerto in D major, Op. 61a
II. Larghetto
Piano Concerto in D majo, Op. 61a
II. Larghetto
Beethoven: Piano Concertos, Part 2
10:2
47
Ludwig van Beethoven
Ludwig van Beethoven
Piano Concerto in D major, Op. 61a
III. Rondo. Allegro
Piano Concerto in D majo, Op. 61a
III. Rondo. Allegro
Beethoven: Piano Concertos, Part 2
10:11
48
Ludwig van Beethoven
Ludwig van Beethoven
Piano Concerto No. 5 in E flat major, Op. 73 "Emperors"
I. Allegro
Piano Concerto No. 5 in E flat major, Op. 73 "Emperor"
I. Allegro
Beethoven: Piano Concertos, Part 2
21:12
49
Ludwig van Beethoven
Ludwig van Beethoven
Piano Concerto No. 5 in E flat major, Op. 73 "Emperors"
II. Adagio un poco mosso
Piano Concerto No. 5 in E flat major, Op. 73 "Emperor"
II. Adagio un poco mosso
Beethoven: Piano Concertos, Part 2
7:41
50
Ludwig van Beethoven
Ludwig van Beethoven
Piano Concerto No. 5 in E flat major, Op. 73 "Emperors"
III. Rondo. Allegro
Piano Concerto No. 5 in E flat major, Op. 73 "Emperor"
III. Rondo. Allegro
Beethoven: Piano Concertos, Part 2
10:35
51
Ludwig van Beethoven
Ludwig van Beethoven
Fantasy for piano, Op. 80 "Choral Fantasy"
I. Adagio
Fantasia for piano, Op. 80 "Choral Fantasy"
I. Adagio
Beethoven: Piano Concertos, Part 2
3:49
52
Ludwig van Beethoven
Ludwig van Beethoven
Fantasy for piano, Op. 80 "Choral Fantasy"
II. Finale: Allegro - Meno allegro - Allegro molto - Adagio ma non troppo - Marcia, assai vivace - Allegro - Allegretto ma non troppo quasi andante con moto "Schmeichelnd hold und lieblich klingen" - Presto
Fantasia for piano, Op. 80 "Choral Fantasy"
II. Finale: Allegro - Meno allegro - Allegro molto - Adagio ma non troppo - Marcia, assai vivace - Allegro - Allegretto ma non troppo quasi andante con moto "Schmeichelnd hold und lieblich klingen" - Presto
Beethoven: Piano Concertos, Part 2
15:54
53
Hector Berlioz
Hector Berlioz
The Franks-Judges
Ouverture
Les Francs-Juges
Ouverture
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
12:41
54
Hector Berlioz
Hector Berlioz
Fantastic Symphony for orchestra, H.48, Op. 14
I. Rêveries - Passions. Largo - Allegro agitato e appassionato assai
Symphonie fantastique for orchestra, H.48, Op. 14
I. Rêveries - Passions. Largo - Allegro agitato e appassionato assai
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
14:45
55
Hector Berlioz
Hector Berlioz
Fantastic Symphony for orchestra, H.48, Op. 14
II. Un bal. Valse. Allegro non troppo
Symphonie fantastique for orchestra, H.48, Op. 14
II. Un bal. Valse. Allegro non troppo
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
6:8
56
Hector Berlioz
Hector Berlioz
Fantastic Symphony for orchestra, H.48, Op. 14
III. Scène aux champs. Adagio
Symphonie fantastique for orchestra, H.48, Op. 14
III. Scène aux champs. Adagio
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
16:13
57
Hector Berlioz
Hector Berlioz
Fantastic Symphony for orchestra, H.48, Op. 14
IV. Marche au supplice. Allegro non troppo
Symphonie fantastique for orchestra, H.48, Op. 14
IV. Marche au supplice. Allegro non troppo
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
7:49
58
Hector Berlioz
Hector Berlioz
Fantastic Symphony for orchestra, H.48, Op. 14
V. Songe d'une nuit de Sabbat. Dies Irae - Ronde du Sabbat - Dies Irae et Ronde du Sabbat ensemble Larghetto - Allegro
Symphonie fantastique for orchestra, H.48, Op. 14
V. Songe d'une nuit de Sabbat. Dies Irae - Ronde du Sabbat - Dies Irae et Ronde du Sabbat ensemble Larghetto - Allegro
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
11:20
59
Hector Berlioz
Hector Berlioz
The Childhood of Christ, H. 130, Op. 25
Première Partie: Le songe d'Hérode. No. 1
L' Enfance du Christ, H. 130, Op. 25
Première Partie: Le songe d'Hérode. No. 1
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
1:59
60
Hector Berlioz
Hector Berlioz
The Childhood of Christ, H. 130, Op. 25
Première Partie: Scène I - No. 2: Marche nocturne / Night March
L' Enfance du Christ, H. 130, Op. 25
Première Partie: Scène I - No. 2: Marche nocturne / Night March
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
7:43
61
Hector Berlioz
Hector Berlioz
The Childhood of Christ, H. 130, Op. 25
Première Partie: Scène II - No. 3
L' Enfance du Christ, H. 130, Op. 25
Première Partie: Scène II - No. 3
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
1:9
62
Hector Berlioz
Hector Berlioz
The Childhood of Christ, H. 130, Op. 25
Première Partie: Air d'Herode / Arie des Herodes / Herod's Aria
L' Enfance du Christ, H. 130, Op. 25
Première Partie: Air d'Herode / Arie des Herodes / Herod's Aria
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
6:25
63
Hector Berlioz
Hector Berlioz
The Childhood of Christ, H. 130, Op. 25
Première Partie: Scène III
L' Enfance du Christ, H. 130, Op. 25
Première Partie: Scène III
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
42
64
Hector Berlioz
Hector Berlioz
The Childhood of Christ, H. 130, Op. 25
Première Partie: Scène IV No. 4
L' Enfance du Christ, H. 130, Op. 25
Première Partie: Scène IV No. 4
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
8:53
65
Hector Berlioz
Hector Berlioz
The Childhood of Christ, H. 130, Op. 25
Première Partie: Scène V No. 5 Duo
L' Enfance du Christ, H. 130, Op. 25
Première Partie: Scène V No. 5 Duo
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
7:20
66
Hector Berlioz
Hector Berlioz
The Childhood of Christ, H. 130, Op. 25
Première Partie: Scène VI No. 6
L' Enfance du Christ, H. 130, Op. 25
Première Partie: Scène VI No. 6
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
4:23
67
Hector Berlioz
Hector Berlioz
The Childhood of Christ, H. 130, Op. 25
Deuxième Partie: La fuite en Égypte: No. 7
L' Enfance du Christ, H. 130, Op. 25
Deuxième Partie: La fuite en Égypte: No. 7
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
5:32
68
Hector Berlioz
Hector Berlioz
The Childhood of Christ, H. 130, Op. 25
Deuxième Partie: La fuite en Égypte: No. 8 L'adieu des bergers à la Sainte Famille / The Shepherds Farewell to the Holy Family
L' Enfance du Christ, H. 130, Op. 25
Deuxième Partie: La fuite en Égypte: No. 8 L'adieu des bergers à la Sainte Famille / The Shepherds Farewell to the Holy Family
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
3:18
69
Hector Berlioz
Hector Berlioz
The Childhood of Christ, H. 130, Op. 25
Deuxième Partie: La fuite en Égypte: No. 9 Le repos de la Sainte Famille / The Holy Family's Resting Place
L' Enfance du Christ, H. 130, Op. 25
Deuxième Partie: La fuite en Égypte: No. 9 Le repos de la Sainte Famille / The Holy Family's Resting Place
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
5:24
70
Hector Berlioz
Hector Berlioz
The Childhood of Christ, H. 130, Op. 25
Troisième Partie: L'arrivée à Sais: No. 10
L' Enfance du Christ, H. 130, Op. 25
Troisième Partie: L'arrivée à Sais: No. 10
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
3:7
71
Hector Berlioz
Hector Berlioz
The Childhood of Christ, H. 130, Op. 25
Troisième Partie: L'arrivée à Sais: Scène I No. 11 Duo
L' Enfance du Christ, H. 130, Op. 25
Troisième Partie: L'arrivée à Sais: Scène I No. 11 Duo
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
5:8
72
Hector Berlioz
Hector Berlioz
The Childhood of Christ, H. 130, Op. 25
Troisième Partie: L'arrivée à Sais: Scène II No. 12
L' Enfance du Christ, H. 130, Op. 25
Troisième Partie: L'arrivée à Sais: Scène II No. 12
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
7:4
73
Hector Berlioz
Hector Berlioz
The Childhood of Christ, H. 130, Op. 25
Troisième Partie: L'arrivée à Sais: No. 13 Trio
L' Enfance du Christ, H. 130, Op. 25
Troisième Partie: L'arrivée à Sais: No. 13 Trio
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
6:21
74
Hector Berlioz
Hector Berlioz
The Childhood of Christ, H. 130, Op. 25
Troisième Partie: L'arrivée à Sais: No. 14
L' Enfance du Christ, H. 130, Op. 25
Troisième Partie: L'arrivée à Sais: No. 14
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
4:28
75
Hector Berlioz
Hector Berlioz
The Childhood of Christ, H. 130, Op. 25
Troisième Partie: L'arrivée à Sais: No. 15
L' Enfance du Christ, H. 130, Op. 25
Troisième Partie: L'arrivée à Sais: No. 15
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
12:4
76
Hector Berlioz
Hector Berlioz
Requiem, H.75, Op.5
I. Requiem (Introitus) Kyrie: Andante un poco lento
Requiem, H. 75, Op. 5
I. Requiem (Introitus) Kyrie: Andante un poco lento
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
11:45
77
Hector Berlioz
Hector Berlioz
Requiem, H.75, Op.5
II. Dies irae, Tuba mirum: Andante maestoso
Requiem, H. 75, Op. 5
II. Dies irae, Tuba mirum: Andante maestoso
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
12:50
78
Hector Berlioz
Hector Berlioz
Requiem, H.75, Op.5
III. Quid sum miser: Andante un poco lento
Requiem, H. 75, Op. 5
III. Quid sum miser: Andante un poco lento
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
3:7
79
Hector Berlioz
Hector Berlioz
Requiem, H.75, Op.5
IV. Rex tremendae: Andante maestoso
Requiem, H. 75, Op. 5
IV. Rex tremendae: Andante maestoso
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
6:1
80
Hector Berlioz
Hector Berlioz
Requiem, H.75, Op.5
V. Quaerens me: Andante sostenuto
Requiem, H. 75, Op. 5
V. Quaerens me: Andante sostenuto
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
5:11
81
Hector Berlioz
Hector Berlioz
Requiem, H.75, Op.5
VI. Lacrymosa: Andante non troppo lento
Requiem, H. 75, Op. 5
VI. Lacrymosa: Andante non troppo lento
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
9:59
82
Hector Berlioz
Hector Berlioz
Requiem, H.75, Op.5
VII. Offertorium: Moderato
Requiem, H. 75, Op. 5
VII. Offertorium: Moderato
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
9:32
83
Hector Berlioz
Hector Berlioz
Requiem, H.75, Op.5
VIII. Hostias: Andante non troppo lento
Requiem, H. 75, Op. 5
VIII. Hostias: Andante non troppo lento
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
3:18
84
Hector Berlioz
Hector Berlioz
Requiem, H.75, Op.5
IX. Sanctus: Andante un poco sostenuto e maestoso
Requiem, H. 75, Op. 5
IX. Sanctus: Andante un poco sostenuto e maestoso
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
10:22
85
Hector Berlioz
Hector Berlioz
Requiem, H.75, Op.5
X. Agnus Dei: Andante un poco Iento
Requiem, H. 75, Op. 5
X. Agnus Dei: Andante un poco Iento
Berlioz: Symphonie fantastique; L'enfance du Christ; Benvenuto Cellini; Requiem
15:0
86
Michael Tippett
Michael Tippett
The Midsummer Marriage
Act One: Morning: Scene 8
The Midsummer Marriage
Act One: Morning: Scene 8
Tippett: The Midsummer Marriage
6:10
87
Michael Tippett
Michael Tippett
The Midsummer Marriage
Act Two: Afternoon: Scene 1
The Midsummer Marriage
Act Two: Afternoon: Scene 1
Tippett: The Midsummer Marriage
1:36
88
George Frederick Handel
George Frederick Handel
Messiah, oratory, HWV 56
Pt. 1: No. 1, Sinfonia
Messiah, oratorio, HWV 56
Pt. 1: No. 1, Sinfonia
Handel: Messiah, HWV 56
3:4
89
George Frederick Handel
George Frederick Handel
Messiah, oratory, HWV 56
Pt. 1: No. 2, Comfort Ye, My People
Messiah, oratorio, HWV 56
Pt. 1: No. 2, Comfort Ye, My People
Handel: Messiah, HWV 56
3:13
90
George Frederick Handel
George Frederick Handel
Messiah, oratory, HWV 56
Pt. 1: No. 3, Every Valley Shall Be Exalted
Messiah, oratorio, HWV 56
Pt. 1: No. 3, Every Valley Shall Be Exalted
Handel: Messiah, HWV 56
3:19
91
George Frederick Handel
George Frederick Handel
Messiah, oratory, HWV 56
Pt. 1: No. 4, And the Glory of the Lord
Messiah, oratorio, HWV 56
Pt. 1: No. 4, And the Glory of the Lord
Handel: Messiah, HWV 56
2:31
92
George Frederick Handel
George Frederick Handel
Messiah, oratory, HWV 56
Pt. 1: No. 5, Thus Saith the Lord of Hosts
Messiah, oratorio, HWV 56
Pt. 1: No. 5, Thus Saith the Lord of Hosts
Handel: Messiah, HWV 56
1:27
93
George Frederick Handel
George Frederick Handel
Messiah, oratory, HWV 56
Pt. 1: No. 6, But Who May Abide the Day of His Coming
Messiah, oratorio, HWV 56
Pt. 1: No. 6, But Who May Abide the Day of His Coming
Handel: Messiah, HWV 56
4:30
94
George Frederick Handel
George Frederick Handel
Messiah, oratory, HWV 56
Pt. 1: No. 7, And He Shall Purify
Messiah, oratorio, HWV 56
Pt. 1: No. 7, And He Shall Purify
Handel: Messiah, HWV 56
2:32
95
George Frederick Handel
George Frederick Handel
Messiah, oratory, HWV 56
Pt. 1: No. 8, Behold, a Virgin Shall Conceive, and Bear a Son
Messiah, oratorio, HWV 56
Pt. 1: No. 8, Behold, a Virgin Shall Conceive, and Bear a Son
Handel: Messiah, HWV 56
24
96
George Frederick Handel
George Frederick Handel
Messiah, oratory, HWV 56
Pt. 1: No. 9, O Thou That Tellest Good Tidings to Zion
Messiah, oratorio, HWV 56
Pt. 1: No. 9, O Thou That Tellest Good Tidings to Zion
Handel: Messiah, HWV 56
5:42
97
George Frederick Handel
George Frederick Handel
Messiah, oratory, HWV 56
Pt. 1: No. 10, For Behold, Darkness Shall Cover the Earth
Messiah, oratorio, HWV 56
Pt. 1: No. 10, For Behold, Darkness Shall Cover the Earth
Handel: Messiah, HWV 56
2:9
98
George Frederick Handel
George Frederick Handel
Messiah, oratory, HWV 56
Pt. 1: No. 11, The People That Walked in Darkness
Messiah, oratorio, HWV 56
Pt. 1: No. 11, The People That Walked in Darkness
Handel: Messiah, HWV 56
3:35
99
George Frederick Handel
George Frederick Handel
Messiah, oratory, HWV 56
Pt. 1: No. 12, For unto Us a Child Is Born
Messiah, oratorio, HWV 56
Pt. 1: No. 12, For unto Us a Child Is Born
Handel: Messiah, HWV 56
3:52
100
George Frederick Handel
George Frederick Handel
Messiah, oratory, HWV 56
Pt. 1: No. 13, Pifa
Messiah, oratorio, HWV 56
Pt. 1: No. 13, Pifa
Handel: Messiah, HWV 56
2:13
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