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Toby Spence
ARTIST MUSICS
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Judith  Act I: Scene 1. Moloch: Processional Music of Worshippers. Allegro maestoso - Worshippers: Hail, Moloch!. [ ] -
Judith  Act I: Scene 1. Moloch: Processional Music of Worshippers. Allegro maestoso - Worshippers: Hail, Moloch!. [ ] -
3:14
2
Judith  Act I: Scene 1. Moloch: Manasseh: Draw near and worship, O my people!. L'istesso tempo -
Judith  Act I: Scene 1. Moloch: Manasseh: Draw near and worship, O my people!. L'istesso tempo -
1:32
3
Judith  Act I: Scene 1. Moloch: Worshippers:Have mercy, dread Mol
Judith  Act I: Scene 1. Moloch: Worshippers:Have mercy, dread Mol
41
4
Judith  Act I: Scene 1. Moloch: High Priest: Hear ye the word of your god!. Ad libitum sostenuto -
Judith  Act I: Scene 1. Moloch: High Priest: Hear ye the word of your god!. Ad libitum sostenuto -
53
5
Judith  Act I: Scene 1. Moloch: Worshippers: Hail! thou art highly favoured, King!. Animato - Manasseh: My children Moloch’s!. Agitato - Animando -
Judith  Act I: Scene 1. Moloch: Worshippers: Hail! thou art highly favoured, King!. Animato - Manasseh: My children Moloch’s!. Agitato - Animando -
2:13
6
Judith  Act I: Scene 1. Moloch: Worshippers: Bring now the children!. Allegro - It is the god’s decree. Con spirito - Poco più animato -
Judith  Act I: Scene 1. Moloch: Worshippers: Bring now the children!. Allegro - It is the god’s decree. Con spirito - Poco più animato -
2:27
7
Judith  Act I: Scene 1. Moloch: High Priest: Hearken, O King!. Lento pomposo -
Judith  Act I: Scene 1. Moloch: High Priest: Hearken, O King!. Lento pomposo -
1:7
8
Judith  Act I: Scene 1. Moloch: Worshippers: Hail, Moloch, hail!. Allegro
Judith  Act I: Scene 1. Moloch: Worshippers: Hail, Moloch, hail!. Allegro
1:31
9
Judith  Act I: Scene 2. The Children: Dialogue. Andante sostenuto - Children and Meshullemeth: O mother, tell us once again. [ ] - Agitato. Più mosso -
Judith  Act I: Scene 2. The Children: Dialogue. Andante sostenuto - Children and Meshullemeth: O mother, tell us once again. [ ] - Agitato. Più mosso -
5:31
10
Judith  Act I: Scene 2. The Children: Ballad. Meshullemeth and Children: Long since in Egypt's plenteous land. Allegretto semplice -
Judith  Act I: Scene 2. The Children: Ballad. Meshullemeth and Children: Long since in Egypt's plenteous land. Allegretto semplice -
4:37
11
Judith  Act I: Scene 2. The Children: Chorus of Priests of Moloch, Meshullemeth, and Children: Great Queen, the King calls for his children. Maestoso moderato - Più mosso - Tranquillo - A tempo più animato -
Judith  Act I: Scene 2. The Children: Chorus of Priests of Moloch, Meshullemeth, and Children: Great Queen, the King calls for his children. Maestoso moderato - Più mosso - Tranquillo - A tempo più animato -
5:22
12
Judith  Act I: Scene 2. The Children: Judith: Lady! thou Queen of Israel!. Lento - Andante molto sostenuto - Poco animato - Poco più animato
Judith  Act I: Scene 2. The Children: Judith: Lady! thou Queen of Israel!. Lento - Andante molto sostenuto - Poco animato - Poco più animato
5:12
13
Judith  Act I: Scene 3. The Sacrifice: Chorus of Priests: Moloch! Moloch! give ear!. Allegro comodo - Manasseh: My people, see, the holy children come. [ ] - Chorus of People: Crown we the stainless victims. [ ] -
Judith  Act I: Scene 3. The Sacrifice: Chorus of Priests: Moloch! Moloch! give ear!. Allegro comodo - Manasseh: My people, see, the holy children come. [ ] - Chorus of People: Crown we the stainless victims. [ ] -
5:26
14
Judith  Act I: Scene 3. The Sacrifice: Judith: Stay your hideous mockeries!. [ ] - Meno mosso -
Judith  Act I: Scene 3. The Sacrifice: Judith: Stay your hideous mockeries!. [ ] - Meno mosso -
1:34
15
Judith  Act I: Scene 3. The Sacrifice: Judith: Now shall the Lord Jehovah visit you. Alla breve - Sostenuto -
Judith  Act I: Scene 3. The Sacrifice: Judith: Now shall the Lord Jehovah visit you. Alla breve - Sostenuto -
2:13
16
Judith  Act I: Scene 3. The Sacrifice: Chorus. Worshippers of Moloch: Who is this that raileth at Moloch?. L'istesso tempo, fieramente -
Judith  Act I: Scene 3. The Sacrifice: Chorus. Worshippers of Moloch: Who is this that raileth at Moloch?. L'istesso tempo, fieramente -
1:11
17
Judith  Act I: Scene 3. The Sacrifice: Messenger: O King, give ear!. L'istesso tempo. Agitato -
Judith  Act I: Scene 3. The Sacrifice: Messenger: O King, give ear!. L'istesso tempo. Agitato -
40
18
Judith  Act I: Scene 3. The Sacrifice: Manasseh: Fear not, my people. Sostenuto -
Judith  Act I: Scene 3. The Sacrifice: Manasseh: Fear not, my people. Sostenuto -
33
19
Judith  Act I: Scene 3. Finale. The Coming of the Assyrians: Chorus. Worshippers of Moloch: The host of Assur is like a swarm of locusts. Allegro moderato -
Judith  Act I: Scene 3. Finale. The Coming of the Assyrians: Chorus. Worshippers of Moloch: The host of Assur is like a swarm of locusts. Allegro moderato -
1:19
20
Judith  Act I: Scene 3. Finale. The Coming of the Assyrians: Judith: Jerusalem was loved of the Lord. [ ] - Meno mosso - Allegro moderato, marziale -
Judith  Act I: Scene 3. Finale. The Coming of the Assyrians: Judith: Jerusalem was loved of the Lord. [ ] - Meno mosso - Allegro moderato, marziale -
26
21
Judith  Act I: Scene 3. Finale. The Coming of the Assyrians: Chorus. Priests of Moloch: Moloch, Moloch, hear us now. Allegro molto - Chorus. Worshippers of Moloch: Rise in might and scatter our foes. [ ] - Chorus of Assyrians: The heroes of Assur. Allegro spiritoso -
Judith  Act I: Scene 3. Finale. The Coming of the Assyrians: Chorus. Priests of Moloch: Moloch, Moloch, hear us now. Allegro molto - Chorus. Worshippers of Moloch: Rise in might and scatter our foes. [ ] - Chorus of Assyrians: The heroes of Assur. Allegro spiritoso -
3:24
22
Judith  Act I: Scene 3. Finale. The Coming of the Assyrians: People: Fly! Fly! The host of Assur is come on us. Piu moto - Più moto -
Judith  Act I: Scene 3. Finale. The Coming of the Assyrians: People: Fly! Fly! The host of Assur is come on us. Piu moto - Più moto -
3:25
23
Judith  Act I: Scene 3. Finale. The Coming of the Assyrians: People: Jerusalem, that was Queen of the nations. Maestoso - Più lento
Judith  Act I: Scene 3. Finale. The Coming of the Assyrians: People: Jerusalem, that was Queen of the nations. Maestoso - Più lento
1:49
24
Judith  Act I: Scene 3. Intermezzo. Babylon. The Repentance of Manasseh: Lento espressivo - Manasseh: I will bear the indignation of God. [ ] - Poco più mosso
Judith  Act I: Scene 3. Intermezzo. Babylon. The Repentance of Manasseh: Lento espressivo - Manasseh: I will bear the indignation of God. [ ] - Poco più mosso
5:23
25
Judith  Act II: Scene 1. The Return of Manasseh: Maestoso. Sostenuto espressivo - Jews of Jerusalem: Wail! wail! ye solitary people!. [ ]
Judith  Act II: Scene 1. The Return of Manasseh: Maestoso. Sostenuto espressivo - Jews of Jerusalem: Wail! wail! ye solitary people!. [ ]
5:51
26
Judith  Act II: Scene 1. The Return of Manasseh: Solo. Meshullemeth: The Lord is long-suffering and merciful. Lento - Allegro sostenuto - Allegretto semplice -
Judith  Act II: Scene 1. The Return of Manasseh: Solo. Meshullemeth: The Lord is long-suffering and merciful. Lento - Allegro sostenuto - Allegretto semplice -
3:50
27
Judith  Act II: Scene 1. The Return of Manasseh: Jews of Jerusalem: Our King is come again from distant lands. Allegro al prima moderato, sempre accelerando al vivacissimo Tempo - Allegro molto -
Judith  Act II: Scene 1. The Return of Manasseh: Jews of Jerusalem: Our King is come again from distant lands. Allegro al prima moderato, sempre accelerando al vivacissimo Tempo - Allegro molto -
2:46
28
Judith  Act II: Scene 1. The Return of Manasseh: Manasseh: Behold, how great is the mercy of our God. Meno mosso - When we rebelled against the word of the Lord. Allegro sostenuto quasi Andante - Meshullemeth: He brought us out of the darkness. [ ] - Judith: O that me
Judith  Act II: Scene 1. The Return of Manasseh: Manasseh: Behold, how great is the mercy of our God. Meno mosso - When we rebelled against the word of the Lord. Allegro sostenuto quasi Andante - Meshullemeth: He brought us out of the darkness. [ ] - Judith: O that me
6:19
29
Judith  Act II: Scene 2. The Message of Holofernes: Messenger: Hear ye the words of the captain of the great King. Allegro maestoso - Allegro - Più mosso - Più mosso. Animando - Tempo l -
Judith  Act II: Scene 2. The Message of Holofernes: Messenger: Hear ye the words of the captain of the great King. Allegro maestoso - Allegro - Più mosso - Più mosso. Animando - Tempo l -
3:46
30
Judith  Act II: Scene 2. The Message of Holofernes: Jews of Jerusalem: Woe, woe! Our city's walls are broken. [ ] -
Judith  Act II: Scene 2. The Message of Holofernes: Jews of Jerusalem: Woe, woe! Our city's walls are broken. [ ] -
3:6
31
Judith  Act II: Scene 2. The Message of Holofernes: Solo. Judith: Let us give thanks unto the Lord our God. L'istesso tempo - Più moto -
Judith  Act II: Scene 2. The Message of Holofernes: Solo. Judith: Let us give thanks unto the Lord our God. L'istesso tempo - Più moto -
2:27
32
Judith  Act II: Scene 2. The Message of Holofernes: Judith: I pray Thee. O God of my fathers, lento - Più lento - Più moto
Judith  Act II: Scene 2. The Message of Holofernes: Judith: I pray Thee. O God of my fathers, lento - Più lento - Più moto
3:12
33
Judith  Act II: Scene 2. The Message of Holofernes: People: The God of our fathers give thee favour. Allegro con spirito - Meno mosso - Tempo I - Più lento
Judith  Act II: Scene 2. The Message of Holofernes: People: The God of our fathers give thee favour. Allegro con spirito - Meno mosso - Tempo I - Più lento
4:5
34
Judith  Act II: Scene 3. The Exploit of Judith: The Walls of Jerusalem. Night. Lento tranquillo - Poco più animato - Chorus of Watchmen on the Walls: See ye the campfires of the host of Assur. Più mosso - Manasseh: Jerusalem is a city. Meno mosso - Chorus of Watchmen:
Judith  Act II: Scene 3. The Exploit of Judith: The Walls of Jerusalem. Night. Lento tranquillo - Poco più animato - Chorus of Watchmen on the Walls: See ye the campfires of the host of Assur. Più mosso - Manasseh: Jerusalem is a city. Meno mosso - Chorus of Watchmen:
8:27
35
Judith  Act II: Scene 3. The Exploit of Judith: Judith: Ho! ye upon the walls!. Con spirito - Allegro - Meno mosso - Allegro - Moderato -
Judith  Act II: Scene 3. The Exploit of Judith: Judith: Ho! ye upon the walls!. Con spirito - Allegro - Meno mosso - Allegro - Moderato -
2:43
36
Judith  Act II: Scene 3. The Exploit of Judith: Jews of Jerusalem: Arise, O Israel! Smite ye your enemies. Allegro -
Judith  Act II: Scene 3. The Exploit of Judith: Jews of Jerusalem: Arise, O Israel! Smite ye your enemies. Allegro -
3:43
37
Judith  Act II: Scene 3. The Exploit of Judith: Solo. Manasseh: God breaketh the battle. Allegro con spirito - Animato - Poco meno mosso
Judith  Act II: Scene 3. The Exploit of Judith: Solo. Manasseh: God breaketh the battle. Allegro con spirito - Animato - Poco meno mosso
4:5
38
Judith  Act II: Scene 3. Finale. Judith and Chorus: Allegro maestoso - Judith: I will sing unto the Lord. [ ] - Animandosi - Poco più moto -
Judith  Act II: Scene 3. Finale. Judith and Chorus: Allegro maestoso - Judith: I will sing unto the Lord. [ ] - Animandosi - Poco più moto -
4:40
39
Judith  Act II: Scene 3. Finale. Judith and Chorus: Allegro molto - Chorus: Put off. O Jerusalem, the garment of thy mourning. Allegro alla breve - Animato
Judith  Act II: Scene 3. Finale. Judith and Chorus: Allegro molto - Chorus: Put off. O Jerusalem, the garment of thy mourning. Allegro alla breve - Animato
5:
50
Fantasy for piano, Op. 80 "Choral Fantasy"  II. Finale: Allegro - Meno allegro - Allegro molto - Adagio ma non troppo - Marcia, assai vivace - Allegro - Allegretto ma non troppo quasi andante con moto "Schmeichelnd hold und lieblich klingen" - Presto
Fantasia for piano, Op. 80 "Choral Fantasy"  II. Finale: Allegro - Meno allegro - Allegro molto - Adagio ma non troppo - Marcia, assai vivace - Allegro - Allegretto ma non troppo quasi andante con moto "Schmeichelnd hold und lieblich klingen" - Presto
15:54
52
Fantastic Symphony for orchestra, H.48, Op. 14  I. Rêveries - Passions. Largo - Allegro agitato e appassionato assai
Symphonie fantastique for orchestra, H.48, Op. 14  I. Rêveries - Passions. Largo - Allegro agitato e appassionato assai
14:45
56
Fantastic Symphony for orchestra, H.48, Op. 14  V. Songe d'une nuit de Sabbat. Dies Irae - Ronde du Sabbat - Dies Irae et Ronde du Sabbat ensemble Larghetto - Allegro
Symphonie fantastique for orchestra, H.48, Op. 14  V. Songe d'une nuit de Sabbat. Dies Irae - Ronde du Sabbat - Dies Irae et Ronde du Sabbat ensemble Larghetto - Allegro
11:20
58
The Childhood of Christ, H. 130, Op. 25  Première Partie: Scène I - No. 2: Marche nocturne / Night March
L' Enfance du Christ, H. 130, Op. 25  Première Partie: Scène I - No. 2: Marche nocturne / Night March
7:43
60
The Childhood of Christ, H. 130, Op. 25  Première Partie: Air d'Herode / Arie des Herodes / Herod's Aria
L' Enfance du Christ, H. 130, Op. 25  Première Partie: Air d'Herode / Arie des Herodes / Herod's Aria
6:25
66
The Childhood of Christ, H. 130, Op. 25  Deuxième Partie: La fuite en Égypte: No. 8 L'adieu des bergers à la Sainte Famille / The Shepherds Farewell to the Holy Family
L' Enfance du Christ, H. 130, Op. 25  Deuxième Partie: La fuite en Égypte: No. 8 L'adieu des bergers à la Sainte Famille / The Shepherds Farewell to the Holy Family
3:18
67
The Childhood of Christ, H. 130, Op. 25  Deuxième Partie: La fuite en Égypte: No. 9 Le repos de la Sainte Famille / The Holy Family's Resting Place
L' Enfance du Christ, H. 130, Op. 25  Deuxième Partie: La fuite en Égypte: No. 9 Le repos de la Sainte Famille / The Holy Family's Resting Place
5:24
69
The Childhood of Christ, H. 130, Op. 25  Troisième Partie: L'arrivée à Sais: Scène I No. 11 Duo
L' Enfance du Christ, H. 130, Op. 25  Troisième Partie: L'arrivée à Sais: Scène I No. 11 Duo
5:8
70
The Childhood of Christ, H. 130, Op. 25  Troisième Partie: L'arrivée à Sais: Scène II No. 12
L' Enfance du Christ, H. 130, Op. 25  Troisième Partie: L'arrivée à Sais: Scène II No. 12
7:4
75
Welcome Cellini  Acte I: Lundi Gras: Scène 1: No. 1 Introduction: Teresa!... Mais où peut-elle être?
Benvenuto Cellini  Acte I: Lundi Gras: Scène 1: No. 1 Introduction: Teresa!... Mais où peut-elle être?
1:41
76
Welcome Cellini  Acte I: Lundi Gras: Scène 1: No. 2 Chœur de Masques: Enfin il est sorti
Benvenuto Cellini  Acte I: Lundi Gras: Scène 1: No. 2 Chœur de Masques: Enfin il est sorti
1:52
77
Welcome Cellini  Acte I: Lundi Gras: Scène 2: No. 3 Récitatif: Les belles fleurs!
Benvenuto Cellini  Acte I: Lundi Gras: Scène 2: No. 3 Récitatif: Les belles fleurs!
53
78
Welcome Cellini  Acte I: Lundi Gras: Scène 2: No. 3b Cavatine: Entre l'amour et le devoir
Benvenuto Cellini  Acte I: Lundi Gras: Scène 2: No. 3b Cavatine: Entre l'amour et le devoir
7:6
79
Welcome Cellini  Acte I: Lundi Gras: Scène 3: No. 4 Duo et Trio: Cellini! Teresa!
Benvenuto Cellini  Acte I: Lundi Gras: Scène 3: No. 4 Duo et Trio: Cellini! Teresa!
12:59
80
Welcome Cellini  Acte I: Lundi Gras: Scène 4, 5 & 6: No. 5 Récitatif: Ciel! Nous sommes perdus
Benvenuto Cellini  Acte I: Lundi Gras: Scène 4, 5 & 6: No. 5 Récitatif: Ciel! Nous sommes perdus
2:26
81
Welcome Cellini  Acte I: Lundi Gras: Scène 4, 5 & 6: No. 6 Final: A nous, voisines et servants
Benvenuto Cellini  Acte I: Lundi Gras: Scène 4, 5 & 6: No. 6 Final: A nous, voisines et servants
3:18
82
Welcome Cellini  Acte II: Mardi Gras: Scène 8: No. 7 Récitatif: Une heure encore
Benvenuto Cellini  Acte II: Mardi Gras: Scène 8: No. 7 Récitatif: Une heure encore
1:54
83
Welcome Cellini  Acte II: Mardi Gras: Scène 8: Romance: La gloire était ma seule idole
Benvenuto Cellini  Acte II: Mardi Gras: Scène 8: Romance: La gloire était ma seule idole
3:48
84
Welcome Cellini  Acte II: Mardi Gras: Scène 8: No. 8 Scène et Chœur: À boire, à boire, à boire!
Benvenuto Cellini  Acte II: Mardi Gras: Scène 8: No. 8 Scène et Chœur: À boire, à boire, à boire!
1:33
85
Welcome Cellini  Acte II: Mardi Gras: Scène 8: Chant des ciseleurs: Si la terre aux beaux jours se couronne
Benvenuto Cellini  Acte II: Mardi Gras: Scène 8: Chant des ciseleurs: Si la terre aux beaux jours se couronne
8:14
86
Welcome Cellini  Acte II: Mardi Gras: Scène 9 & 10: Air: Cette somme t'est due
Benvenuto Cellini  Acte II: Mardi Gras: Scène 9 & 10: Air: Cette somme t'est due
5:48
87
Welcome Cellini  Acte II: Mardi Gras: Scène 9 & 10: No. 9b Récitatif: C'est trop fort!
Benvenuto Cellini  Acte II: Mardi Gras: Scène 9 & 10: No. 9b Récitatif: C'est trop fort!
2:24
88
Welcome Cellini  Acte II: Mardi Gras: Scène 9 & 10: No. 10b Air: Ah! Qui pourrait me résister?
Benvenuto Cellini  Acte II: Mardi Gras: Scène 9 & 10: No. 10b Air: Ah! Qui pourrait me résister?
3:55
89
Welcome Cellini  Acte II: Mardi Gras: Scène 12: No. 12 Final: Vous voyez, j'espère
Benvenuto Cellini  Acte II: Mardi Gras: Scène 12: No. 12 Final: Vous voyez, j'espère
8:2
90
Welcome Cellini  Acte II: Mardi Gras: Scène 12: Ouverture de la Pantomime: Ah! Ah! Bravo!
Benvenuto Cellini  Acte II: Mardi Gras: Scène 12: Ouverture de la Pantomime: Ah! Ah! Bravo!
30
91
Welcome Cellini  Acte II: Mardi Gras: Scène 12: Pantomime du roi Midas: Voici maître Arlequin!
Benvenuto Cellini  Acte II: Mardi Gras: Scène 12: Pantomime du roi Midas: Voici maître Arlequin!
1:4
92
Welcome Cellini  Acte II: Mardi Gras: Scène 12: Ariette d'Arlequin: Regardons bien maître Arlequin
Benvenuto Cellini  Acte II: Mardi Gras: Scène 12: Ariette d'Arlequin: Regardons bien maître Arlequin
1:44
93
Welcome Cellini  Acte II: Mardi Gras: Scène 12: Cavatine de Pasquarello: Il plaît fort
Benvenuto Cellini  Acte II: Mardi Gras: Scène 12: Cavatine de Pasquarello: Il plaît fort
9:26
94
Welcome Cellini  Acte III: Mercredi Des Cendres: No. 13 Entr'acte et scène
Benvenuto Cellini  Acte III: Mercredi Des Cendres: No. 13 Entr'acte et scène
1:48
95
Welcome Cellini  Acte III: Mercredi Des Cendres: Scène 1: No. 14 Chœur: A l'atelier
Benvenuto Cellini  Acte III: Mercredi Des Cendres: Scène 1: No. 14 Chœur: A l'atelier
2:2
96
Welcome Cellini  Acte III: Mercredi Des Cendres: Scène 2: No. 15 Scène: Il n'a pas reparu
Benvenuto Cellini  Acte III: Mercredi Des Cendres: Scène 2: No. 15 Scène: Il n'a pas reparu
1:14
97
Welcome Cellini  Acte III: Mercredi Des Cendres: Scène 3: No. 26 Chœur: Bienheureux les matelots
Benvenuto Cellini  Acte III: Mercredi Des Cendres: Scène 3: No. 26 Chœur: Bienheureux les matelots
3:18
98
Welcome Cellini  Acte III: Mercredi Des Cendres: Scène 4: No. 24 Air: Mais qu'ai-je donc?
Benvenuto Cellini  Acte III: Mercredi Des Cendres: Scène 4: No. 24 Air: Mais qu'ai-je donc?
5:6
99
Welcome Cellini  Acte III: Mercredi Des Cendres: Scène 5: No. 16 Récitatif: Ah! Qu'est-il devenue
Benvenuto Cellini  Acte III: Mercredi Des Cendres: Scène 5: No. 16 Récitatif: Ah! Qu'est-il devenue
3:58
100
Welcome Cellini  Acte III: Mercredi Des Cendres: Scène 6: No. 17 Récitatif: Teresa! Cellini!
Benvenuto Cellini  Acte III: Mercredi Des Cendres: Scène 6: No. 17 Récitatif: Teresa! Cellini!
3:42
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