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Sally-Anne Russell
ARTIST MUSICS
1
Carmen  Votre toast (Toreador's Song)
Carmen  Votre toast (Toreador's Song)
5:12
2
The Love for Three Oranges  Prologue. What we want is genuine tragedy!
The Love for Three Oranges  Prologue. What we want is genuine tragedy!
3:58
3
The Love for Three Oranges  Act 1. Scene 1. Oh, poor boy! Tell me the worst. What are his chances?
The Love for Three Oranges  Act 1. Scene 1. Oh, poor boy! Tell me the worst. What are his chances?
3:53
4
The Love for Three Oranges  Act 1. Scene 1. Don't worry... don't worry...
The Love for Three Oranges  Act 1. Scene 1. Don't worry... don't worry...
3:29
5
The Love for Three Oranges  Act 1. Scene 1. Leandro, please lay on a sort of royal variety show.
The Love for Three Oranges  Act 1. Scene 1. Leandro, please lay on a sort of royal variety show.
1:21
7
The Love for Three Oranges  Act 1. Scene 2. The best-laid plans of mice and men can meet frustration.
The Love for Three Oranges  Act 1. Scene 2. The best-laid plans of mice and men can meet frustration.
5:17
10
The Love for Three Oranges  Act 2. Scene 1. Here they come... ain't it grand? It's beginning, so hurry, hurry!
The Love for Three Oranges  Act 2. Scene 1. Here they come... ain't it grand? It's beginning, so hurry, hurry!
2:55
11
The Love for Three Oranges  Act 2. Scene 2. For your delight, I present first, this!
The Love for Three Oranges  Act 2. Scene 2. For your delight, I present first, this!
1:58
12
The Love for Three Oranges  Act 2. Scene 2. Who are you? What do you want here?
The Love for Three Oranges  Act 2. Scene 2. Who are you? What do you want here?
3:4
13
The Love for Three Oranges  Act 2. Scene 2. Who is this woman?
The Love for Three Oranges  Act 2. Scene 2. Who is this woman?
5:11
14
The Love for Three Oranges  Act 2. Scene 2. I want an apple, or a banana... perhaps a cherry...
The Love for Three Oranges  Act 2. Scene 2. I want an apple, or a banana... perhaps a cherry...
5:45
15
The Love for Three Oranges  Act 3. Scene 1. Farfarello! Farfarello!
The Love for Three Oranges  Act 3. Scene 1. Farfarello! Farfarello!
4:57
16
The Love for Three Oranges  Act 3. Scene 1. Wind has died. We must be in Orange country
The Love for Three Oranges  Act 3. Scene 1. Wind has died. We must be in Orange country
4:4
18
The Love for Three Oranges  Act 3. Scene 2. Fee-fi-fo-fum! I heard a noise. Where's my ladle?
The Love for Three Oranges  Act 3. Scene 2. Fee-fi-fo-fum! I heard a noise. Where's my ladle?
5:52
19
The Love for Three Oranges  Act 3. Scene 3. We've lost our following wind, no wonder that we're getting nowhere!
The Love for Three Oranges  Act 3. Scene 3. We've lost our following wind, no wonder that we're getting nowhere!
3:48
20
The Love for Three Oranges  Act 3. Scene 3. Where did the girl come from?
The Love for Three Oranges  Act 3. Scene 3. Where did the girl come from?
5:15
21
The Love for Three Oranges  Act 3. Scene 3. We're alone, at last, my marmalade, my dessert, my true love
The Love for Three Oranges  Act 3. Scene 3. We're alone, at last, my marmalade, my dessert, my true love
8:6
22
The Love for Three Oranges  Act 3. Scene 3. Smeraldina... with a needle! Fata Morgana! Hey, look out behind you!
The Love for Three Oranges  Act 3. Scene 3. Smeraldina... with a needle! Fata Morgana! Hey, look out behind you!
4:57
23
The Love for Three Oranges  Act 4. Scene 1. Ah! I'll get you for this, I'll get you for this, see if I don't...!
The Love for Three Oranges  Act 4. Scene 1. Ah! I'll get you for this, I'll get you for this, see if I don't...!
3:17
25
The Love for Three Oranges  Act 4. Scene 2. Would you be Ninetta?
The Love for Three Oranges  Act 4. Scene 2. Would you be Ninetta?
3:19
27
Carmen  Seguidilla: Près des remparts de Séville (Near the walls of Seville)
Carmen  Seguidilla: Près des remparts de Séville (Near the walls of Seville)
2:29
28
Italiana in Algeri  Cruda sorte (Cruel fate)
L'italiana in Algeri  Cruda sorte (Cruel fate)
4:49
29
The Marriage of Figaro  Voi, che sapete (You ladies, who know what love is)
Le nozze di Figaro  Voi, che sapete (You ladies, who know what love is)
3:1
30
fist  Faites-lui mes aveux (Make my confession to her)
Faust  Faites-lui mes aveux (Make my confession to her)
2:52
31
Orpheus and Eurydice (Italian version)  Sposa! Euridice!...Che farò senza Euridice (My bride! Eurydice!... What will I do without Eurydice)
Orfeo ed Euridice (Italian version)  Sposa! Euridice!...Che farò senza Euridice (My bride! Eurydice!... What will I do without Eurydice)
5:42
32
Alcin  Verdi prati (Green pastures)
Alcina  Verdi prati (Green pastures)
3:55
33
Dido and Aeneas  Dido's Lament: Thy hand, Belinda...When I am laid in earth
Dido and Aeneas  Dido's Lament: Thy hand, Belinda...When I am laid in earth
4:32
35
The barber of Siviglia  Una voce poco fa (A voice I just heard)
Il barbiere di Siviglia  Una voce poco fa (A voice I just heard)
6:10
36
The Maid of Orléans  Oui, Dieu le veut...Adieu, forêts (Yes, it is God's will...Farewell, forests)
The Maid of Orléans  Oui, Dieu le veut...Adieu, forêts (Yes, it is God's will...Farewell, forests)
7:50
37
Samson and Delilah  Mon cœur s'ouvre à ta voix (My heart opens to your voice)
Samson et Dalila  Mon cœur s'ouvre à ta voix (My heart opens to your voice)
6:23
38
Carmen  Habanera: L'amour est un oiseau rebelle (Love is a rebellious bird)
Carmen  Habanera: L'amour est un oiseau rebelle (Love is a rebellious bird)
4:37
87
Carmen  Toreador's Song
Carmen  Toreador's Song
5:9
89
Carmen  Toreador's Song
Carmen  Toreador's Song
5:8
90
Alcin  Verdi prati, selve amene (Green pastures, pleasant woods)
Alcina  Verdi prati, selve amene (Green pastures, pleasant woods)
3:54
92
Stabat mater in F major  Stabat mater dolorosa (The mother stood weeping)
Stabat mater in F major  Stabat mater dolorosa (The mother stood weeping)
4:26
94
Don John of Austria  Act 1. Scene 1. Chorus. Come, merrily sing
Don John of Austria  Act 1. Scene 1. Chorus. Come, merrily sing
5:37
95
Don John of Austria  Act 1. Scene 1. Dialogue. Enough of this noise, all of you!
Don John of Austria  Act 1. Scene 1. Dialogue. Enough of this noise, all of you!
3:51
96
Don John of Austria  Act 1. Scene 1. Song. When a man has toiled through the livelong day
Don John of Austria  Act 1. Scene 1. Song. When a man has toiled through the livelong day
2:40
97
Don John of Austria  Act 1. Scene 2. Dialogue. Don John! Your father has just gone in.
Don John of Austria  Act 1. Scene 2. Dialogue. Don John! Your father has just gone in.
55
98
Don John of Austria  Act 1. Scene 2. Song. The visions of youth fade fast away
Don John of Austria  Act 1. Scene 2. Song. The visions of youth fade fast away
4:3
99
Don John of Austria  Act 1. Scene 3. Dialogue. Don John! Don John!... Father, good morning!
Don John of Austria  Act 1. Scene 3. Dialogue. Don John! Don John!... Father, good morning!
2:2
100
Don John of Austria  Act 1. Scene 3. Duet. But stay, Don John, for this can never be
Don John of Austria  Act 1. Scene 3. Duet. But stay, Don John, for this can never be
5:13
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