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Helen Watts
ARTIST MUSICS
9
An Introduction to Wagner's "The Ring of the Nibelung"  Of all great musical compositions... [Examples 1-4]
An Introduction to Wagner's "Der Ring des Nibelungen"  Of all great musical compositions... [Examples 1-4]
 
3:37
11
An Introduction to Wagner's "The Ring of the Nibelung"  Returning now to the Nature Motive... [Examples 6, 12-16]
An Introduction to Wagner's "Der Ring des Nibelungen"  Returning now to the Nature Motive... [Examples 6, 12-16]
 
3:22
12
An Introduction to Wagner's "The Ring of the Nibelung"  A number of further motives... [Examples 5, 17-21]
An Introduction to Wagner's "Der Ring des Nibelungen"  A number of further motives... [Examples 5, 17-21]
 
3:17
13
An Introduction to Wagner's "The Ring of the Nibelung"  A second, much smaller family... [Examples 22-25]
An Introduction to Wagner's "Der Ring des Nibelungen"  A second, much smaller family... [Examples 22-25]
 
2:35
15
An Introduction to Wagner's "The Ring of the Nibelung"  The cause of the deterioration... [Examples 39-44]
An Introduction to Wagner's "Der Ring des Nibelungen"  The cause of the deterioration... [Examples 39-44]
 
3:30
19
An Introduction to Wagner's "The Ring of the Nibelung"  The basic motive associated with the spear... [Examples 62-68]
An Introduction to Wagner's "Der Ring des Nibelungen"  The basic motive associated with the spear... [Examples 62-68]
 
5:17
20
An Introduction to Wagner's "The Ring of the Nibelung"  Along another, more complex line... [Examples 69-72]
An Introduction to Wagner's "Der Ring des Nibelungen"  Along another, more complex line... [Examples 69-72]
 
2:12
21
An Introduction to Wagner's "The Ring of the Nibelung"  In Act Two of "Walküre"... [Examples 69, 73-75]
An Introduction to Wagner's "Der Ring des Nibelungen"  In Act Two of "Walküre"... [Examples 69, 73-75]
 
2:21
22
An Introduction to Wagner's "The Ring of the Nibelung"  Returning now to Act Two of "Walküre"... [Examples 76-79]
An Introduction to Wagner's "Der Ring des Nibelungen"  Returning now to Act Two of "Walküre"... [Examples 76-79]
 
3:54
23
An Introduction to Wagner's "The Ring of the Nibelung"  Love is another of the central symbols... [Examples 80-83]
An Introduction to Wagner's "Der Ring des Nibelungen"  Love is another of the central symbols... [Examples 80-83]
 
3:6
25
An Introduction to Wagner's "The Ring of the Nibelung"  Freia's Motive has two independent segments... [Examples 88-91]
An Introduction to Wagner's "Der Ring des Nibelungen"  Freia's Motive has two independent segments... [Examples 88-91]
 
2:1
27
An Introduction to Wagner's "The Ring of the Nibelung"  When Fasolt, in Scene Two of "Rhinegold"... [Examples 93-98]
An Introduction to Wagner's "Der Ring des Nibelungen"  When Fasolt, in Scene Two of "Rhinegold"... [Examples 93-98]
 
5:23
28
An Introduction to Wagner's "The Ring of the Nibelung"  A little later in this interlude... [Examples 99-103]
An Introduction to Wagner's "Der Ring des Nibelungen"  A little later in this interlude... [Examples 99-103]
 
3:7
30
An Introduction to Wagner's "The Ring of the Nibelung"  There are several independent love-themes... [Examples 110-114]
An Introduction to Wagner's "Der Ring des Nibelungen"  There are several independent love-themes... [Examples 110-114]
 
2:55
31
An Introduction to Wagner's "The Ring of the Nibelung"  The characters in whose lives... [Examples 115-120]
An Introduction to Wagner's "Der Ring des Nibelungen"  The characters in whose lives... [Examples 115-120]
 
5:27
35
An Introduction to Wagner's "The Ring of the Nibelung"  Closely associated with Gutrune's Motive... [Examples 136-140]
An Introduction to Wagner's "Der Ring des Nibelungen"  Closely associated with Gutrune's Motive... [Examples 136-140]
 
2:26
37
An Introduction to Wagner's "The Ring of the Nibelung"  Complementary to this symbol... [Examples 147-149]
An Introduction to Wagner's "Der Ring des Nibelungen"  Complementary to this symbol... [Examples 147-149]
 
2:14
39
An Introduction to Wagner's "The Ring of the Nibelung"  One further motive connected... [Examples 158-161]
An Introduction to Wagner's "Der Ring des Nibelungen"  One further motive connected... [Examples 158-161]
 
2:52
40
An Introduction to Wagner's "The Ring of the Nibelung"  There are one or two motives... [Examples 162-168]
An Introduction to Wagner's "Der Ring des Nibelungen"  There are one or two motives... [Examples 162-168]
 
3:48
41
An Introduction to Wagner's "The Ring of the Nibelung"  These motives of Alberich and Mime... [Examples 169-171]
An Introduction to Wagner's "Der Ring des Nibelungen"  These motives of Alberich and Mime... [Examples 169-171]
 
2:7
42
An Introduction to Wagner's "The Ring of the Nibelung"  Quite a number of the subsidiary motives... [Examples 172-176]
An Introduction to Wagner's "Der Ring des Nibelungen"  Quite a number of the subsidiary motives... [Examples 172-176]
 
2:50
43
An Introduction to Wagner's "The Ring of the Nibelung"  Besides this family of motives... [Examples 177-180]
An Introduction to Wagner's "Der Ring des Nibelungen"  Besides this family of motives... [Examples 177-180]
 
2:31
45
An Introduction to Wagner's "The Ring of the Nibelung"  In the final scene of "Götterdämmerung"... [Examples 181-183]
An Introduction to Wagner's "Der Ring des Nibelungen"  In the final scene of "Götterdämmerung"... [Examples 181-183]
 
2:45
52
Cantata no. 147, "Heart and mouth and deed and life", BWV 147  Part 1. No. 4. Recitative: Verstockung kann Gewaltige verblenden
Cantata No. 147, "Herz und Mund und Tat und Leben", BWV 147  Part 1. No. 4. Recitative: Verstockung kann Gewaltige verblenden
1:49
58
Cantata no. 147, "Heart and mouth and deed and life", BWV 147  Part 2. No. 10. Chorale: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring)
Cantata No. 147, "Herz und Mund und Tat und Leben", BWV 147  Part 2. No. 10. Chorale: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring)
3:49
60
Beatrice and Benedict  Act 1. Le Maure est en fuite!
Béatrice et Bénédict  Act 1. Le Maure est en fuite!
5:16
62
Beatrice and Benedict  Act 1. Comment le dédain pourrait-il mourir?
Béatrice et Bénédict  Act 1. Comment le dédain pourrait-il mourir?
6:40
63
Beatrice and Benedict  Act 1. Me marier! Dieu me pardonne!
Béatrice et Bénédict  Act 1. Me marier! Dieu me pardonne!
6:13
64
Beatrice and Benedict  Act 1. Mourez, tendres époux!
Béatrice et Bénédict  Act 1. Mourez, tendres époux!
2:25
65
Beatrice and Benedict  Act 1. Ah! Je vais l'aimer!
Béatrice et Bénédict  Act 1. Ah! Je vais l'aimer!
2:35
66
Beatrice and Benedict  Act 1. Vous soupirez, madame... Nuit paisible et sereine
Béatrice et Bénédict  Act 1. Vous soupirez, madame... Nuit paisible et sereine
11:57
69
Beatrice and Benedict  Act 2. Dieu! Que viens-je d'entendre?
Béatrice et Bénédict  Act 2. Dieu! Que viens-je d'entendre?
10:13
70
Beatrice and Benedict  Act 2. Je vais d'un coeur aimant
Béatrice et Bénédict  Act 2. Je vais d'un coeur aimant
9:59
71
Beatrice and Benedict  Act 2. Viens! viens de l'hyménée
Béatrice et Bénédict  Act 2. Viens! viens de l'hyménée
2:46
72
Beatrice and Benedict  Act 2. Dieu qui guidas nos bras
Béatrice et Bénédict  Act 2. Dieu qui guidas nos bras
5:9
73
Beatrice and Benedict  Act 2. L'amour est un flambeau
Béatrice et Bénédict  Act 2. L'amour est un flambeau
1:57
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