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M
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B
classic
hr_Sinfonieorchester (Frankfurt Radio Symphony Orchestra)
ARTIST MUSICS
9
The Abduction from the Seraglio  Act 1: Chorus: Singt dem großen Bassa Lieder
Die Entführung aus dem Serail  Act 1: Chorus: Singt dem großen Bassa Lieder
1:47
10
The Abduction from the Seraglio  Act 2: Duet: Ich gehe, doch rate ich dir
Die Entführung aus dem Serail  Act 2: Duet: Ich gehe, doch rate ich dir
3:53
12
The Abduction from the Seraglio  Act 3: Romanze: Im Mohrenland gefanen war
Die Entführung aus dem Serail  Act 3: Romanze: Im Mohrenland gefanen war
2:47
13
The Abduction from the Seraglio  Act 3: Aria: O, wie will ich triumphieren
Die Entführung aus dem Serail  Act 3: Aria: O, wie will ich triumphieren
3:32
14
The Abduction from the Seraglio  Finale: Nie werd' ich deine Huld verkennen
Die Entführung aus dem Serail  Finale: Nie werd' ich deine Huld verkennen
5:43
23
Symphony No. 7 in E major, WAB 107  Adagio. Sehr feierlich und sehr langsam
Symphony No. 7 in E major, WAB 107  Adagio. Sehr feierlich und sehr langsam
22:50
25
Symphony No. 7 in E major, WAB 107  Finale. Bewegt, doch nicht schnell
Symphony No. 7 in E major, WAB 107  Finale. Bewegt, doch nicht schnell
12:42
26
Alone, Op.26  The Beginning (Overture) - Allegro vivo
Alone, Op. 26  The Beginning (Overture) - Allegro vivo
50
27
Alone, Op.26  Reel 1: Kuzmina in Leningrad. Kuzmina wakes - Con moto
Alone, Op. 26  Reel 1: Kuzmina in Leningrad. Kuzmina wakes - Con moto
1:20
28
Alone, Op.26  Reel 1: Kuzmina in Leningrad. Song. Konchen, Konchen tekhnikum - Allegro giocoso
Alone, Op. 26  Reel 1: Kuzmina in Leningrad. Song. Konchen, Konchen tekhnikum - Allegro giocoso
1:5
29
Alone, Op.26  Reel 1: Kuzmina in Leningrad. Morning exercises. Allegro
Alone, Op. 26  Reel 1: Kuzmina in Leningrad. Morning exercises. Allegro
1:26
30
Alone, Op.26  Reel 1: Kuzmina in Leningrad. March. The Street. Allegro
Alone, Op. 26  Reel 1: Kuzmina in Leningrad. March. The Street. Allegro
37
31
Alone, Op.26  Reel 1: Kuzmina in Leningrad. Barrel-Organ. Kuzmina waits for Sobolevsky - Andantino
Alone, Op. 26  Reel 1: Kuzmina in Leningrad. Barrel-Organ. Kuzmina waits for Sobolevsky - Andantino
41
32
Alone, Op.26  Reel 1: Kuzmina in Leningrad. Galop and song. How good life will be! - Allegro
Alone, Op. 26  Reel 1: Kuzmina in Leningrad. Galop and song. How good life will be! - Allegro
2:41
33
Alone, Op.26  Reel 1: Kuzmina in Leningrad. March - Allegretto
Alone, Op. 26  Reel 1: Kuzmina in Leningrad. March - Allegretto
44
34
Alone, Op.26  Reel 1: Kuzmina in Leningrad. (Original) Introduction - Andante / The crockery sings "Stay!" - Anda
Alone, Op. 26  Reel 1: Kuzmina in Leningrad. (Original) Introduction - Andante / The crockery sings "Stay!" - Anda
3:58
35
Alone, Op.26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Office typewriters - Marciale
Alone, Op. 26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Office typewriters - Marciale
4
36
Alone, Op.26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. A young girl signs up - March: A
Alone, Op. 26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. A young girl signs up - March: A
59
37
Alone, Op.26  Andantino in the Style of Martini by Fritz Kreisler (Reel 2: Kuzmina enlists as a teacher: her deci
Alone, Op. 26  Andantino in the Style of Martini by Fritz Kreisler (Reel 2: Kuzmina enlists as a teacher: her deci
57
38
Alone, Op.26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Kuzmina starts to sign up - Marc
Alone, Op. 26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Kuzmina starts to sign up - Marc
1:5
39
Alone, Op.26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Kuzmina explains her situation t
Alone, Op. 26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Kuzmina explains her situation t
46
40
Alone, Op.26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Kuzmina explains her situation t
Alone, Op. 26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Kuzmina explains her situation t
1:4
41
Alone, Op.26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Kuzmina explains her situation t
Alone, Op. 26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Kuzmina explains her situation t
30
42
Alone, Op.26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. Overtone singer
Alone, Op. 26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. Overtone singer
43
43
Alone, Op.26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. The steppe of the A
Alone, Op. 26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. The steppe of the A
56
44
Alone, Op.26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. The Altai (Kuzmina
Alone, Op. 26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. The Altai (Kuzmina
4:58
45
Alone, Op.26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. She meets the villa
Alone, Op. 26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. She meets the villa
3:37
46
Alone, Op.26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. Kuzmina in her peas
Alone, Op. 26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. Kuzmina in her peas
3:7
47
Alone, Op.26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. Kuzmina takes coura
Alone, Op. 26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. Kuzmina takes coura
26
48
Alone, Op.26  Reel 4: Kuzmina starts teaching the local children. Introduction - Andante
Alone, Op. 26  Reel 4: Kuzmina starts teaching the local children. Introduction - Andante
18
49
Alone, Op.26  Reel 4: Kuzmina starts teaching the local children. The school class - Allegro
Alone, Op. 26  Reel 4: Kuzmina starts teaching the local children. The school class - Allegro
58
50
Alone, Op.26  Reel 4: Kuzmina starts teaching the local children. The Bai selects the children to tend the sheep
Alone, Op. 26  Reel 4: Kuzmina starts teaching the local children. The Bai selects the children to tend the sheep
2:53
51
Alone, Op.26  Reel 4: Kuzmina starts teaching the local children. Kuzmina is struck as she protests - Largo
Alone, Op. 26  Reel 4: Kuzmina starts teaching the local children. Kuzmina is struck as she protests - Largo
43
52
Alone, Op.26  Reel 4: Kuzmina starts teaching the local children. The village chairman's wife sings a lullaby to
Alone, Op. 26  Reel 4: Kuzmina starts teaching the local children. The village chairman's wife sings a lullaby to
2:46
53
Alone, Op.26  Reel 4: Kuzmina starts teaching the local children. Kuzmina sees the wife's crockery and reminisces
Alone, Op. 26  Reel 4: Kuzmina starts teaching the local children. Kuzmina sees the wife's crockery and reminisces
50
54
Alone, Op.26  Reel 4: Kuzmina starts teaching the local children. The village Soviet chairman waking up - Adagio
Alone, Op. 26  Reel 4: Kuzmina starts teaching the local children. The village Soviet chairman waking up - Adagio
3:4
55
Alone, Op.26  Reel 4: Kuzmina starts teaching the local children. Kuzmina confronts the village chairman - Allegr
Alone, Op. 26  Reel 4: Kuzmina starts teaching the local children. Kuzmina confronts the village chairman - Allegr
1:15
56
Alone, Op.26  Reel 4: Kuzmina starts teaching the local children. The village chairman drinks tea with his wife -
Alone, Op. 26  Reel 4: Kuzmina starts teaching the local children. The village chairman drinks tea with his wife -
40
57
Alone, Op.26  Reel 5: Kuzmina teaches in the open air while the sheep are being tended. The children play and dan
Alone, Op. 26  Reel 5: Kuzmina teaches in the open air while the sheep are being tended. The children play and dan
2:12
58
Alone, Op.26  Reel 5: Kuzmina teaches in the open air while the sheep are being tended. The Bai and the sheep tra
Alone, Op. 26  Reel 5: Kuzmina teaches in the open air while the sheep are being tended. The Bai and the sheep tra
2:48
59
Alone, Op.26  Reel 5: Kuzmina teaches in the open air while the sheep are being tended. Kuzmina protests - Allegr
Alone, Op. 26  Reel 5: Kuzmina teaches in the open air while the sheep are being tended. Kuzmina protests - Allegr
1:23
60
Alone, Op.26  Reel 5: Kuzmina teaches in the open air while the sheep are being tended. The Bai shouts back at he
Alone, Op. 26  Reel 5: Kuzmina teaches in the open air while the sheep are being tended. The Bai shouts back at he
1:10
61
Alone, Op.26  Reel 5: Kuzmina teaches in the open air while the sheep are being tended. The locals conspire to mu
Alone, Op. 26  Reel 5: Kuzmina teaches in the open air while the sheep are being tended. The locals conspire to mu
4:43
62
Alone, Op.26  Reel 6: Attempted murder of Kuzmina as she is abandoned in the snow. Kuzmina on her way to the next
Alone, Op. 26  Reel 6: Attempted murder of Kuzmina as she is abandoned in the snow. Kuzmina on her way to the next
2:5
63
Alone, Op.26  Reel 6: Attempted murder of Kuzmina as she is abandoned in the snow. A snowstorm starts to build -
Alone, Op. 26  Reel 6: Attempted murder of Kuzmina as she is abandoned in the snow. A snowstorm starts to build -
1:12
64
Alone, Op.26  Reel 6: Attempted murder of Kuzmina as she is abandoned in the snow. Snowstorm - Presto
Alone, Op. 26  Reel 6: Attempted murder of Kuzmina as she is abandoned in the snow. Snowstorm - Presto
2:18
65
Alone, Op.26  Reel 6: Attempted murder of Kuzmina as she is abandoned in the snow. Kuzmina almost freezes to deat
Alone, Op. 26  Reel 6: Attempted murder of Kuzmina as she is abandoned in the snow. Kuzmina almost freezes to deat
1:32
66
Alone, Op.26  Reel 6: Attempted murder of Kuzmina as she is abandoned in the snow. Kuzmina almost freezes to deat
Alone, Op. 26  Reel 6: Attempted murder of Kuzmina as she is abandoned in the snow. Kuzmina almost freezes to deat
4:50
67
Alone, Op.26  Reel 7: Kuzmina's rescue by aeroplane. The village chairman meets with the locals - Allegro
Alone, Op. 26  Reel 7: Kuzmina's rescue by aeroplane. The village chairman meets with the locals - Allegro
25
68
Alone, Op.26  Reel 7: Kuzmina's rescue by aeroplane. Kuzmina close to death in bed - Poco lento
Alone, Op. 26  Reel 7: Kuzmina's rescue by aeroplane. Kuzmina close to death in bed - Poco lento
56
69
Alone, Op.26  Reel 7: Kuzmina's rescue by aeroplane. The village chairman and meeting - Allegro
Alone, Op. 26  Reel 7: Kuzmina's rescue by aeroplane. The village chairman and meeting - Allegro
26
70
Alone, Op.26  Reel 7: Kuzmina's rescue by aeroplane. The children come to comfort Kuzmina - Andante
Alone, Op. 26  Reel 7: Kuzmina's rescue by aeroplane. The children come to comfort Kuzmina - Andante
1:8
71
Alone, Op.26  Reel 7: Kuzmina's rescue by aeroplane. The village chairman plans her funeral "at the expense of th
Alone, Op. 26  Reel 7: Kuzmina's rescue by aeroplane. The village chairman plans her funeral "at the expense of th
55
72
Alone, Op.26  Reel 7: Kuzmina's rescue by aeroplane. The locals express themselves violently - Allegro
Alone, Op. 26  Reel 7: Kuzmina's rescue by aeroplane. The locals express themselves violently - Allegro
1:38
73
Alone, Op.26  Reel 7: Kuzmina's rescue by aeroplane. The aeroplane from Moscow arrives to rescue "the teacher" -
Alone, Op. 26  Reel 7: Kuzmina's rescue by aeroplane. The aeroplane from Moscow arrives to rescue "the teacher" -
3:46
87
Symphony No. 3 in D minor  2. What the Wild Flowers Tell Me
Symphony No. 3 in D minor  2. What the Wild Flowers Tell Me
9:25
100
The dream brat  Act 1. Scene 1. Husch! Husch! (Shoo! Shoo!)
Der Traumgörge  Act 1. Scene 1. Husch! Husch! (Shoo! Shoo!)
10:1
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