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M
O
B
classic
Donald Berman
ARTIST MUSICS
1
School of speed  Quarter note = 132 con bravura
School of velocity  Quarter note = 132 con bravura
 
3:55
2
School of speed  Eighth note = 72, quarter note = 144
School of velocity  Eighth note = 72, quarter note = 144
 
3:39
3
School of speed  Quarter note = 120 energico
School of velocity  Quarter note = 120 energico
 
5:53
6
Uncle Hell  Dotted quarter note = 88
Uncle Inferno  Dotted quarter note = 88
 
1:45
7
Three-Page Sonata, p. 89  Movement 1: Allegro Moderato
Three-Page Sonata, S. 89  Movement 1: Allegro Moderato
2:4
9
Three-Page Sonata, p. 89  Movement 3: Allegro - March Time
Three-Page Sonata, S. 89  Movement 3: Allegro - March Time
2:38
17
Set of Five Take-Offs, p. 122  No. 1, "The Seen and Unseen"
Set of Five Take-Offs, S. 122  No. 1, "The Seen and Unseen"
2:55
18
Set of Five Take-Offs, p. 122  No. 2, "Rough and Ready et al and/or "The Jumping Frog"
Set of Five Take-Offs, S. 122  No. 2, "Rough and Ready et al and/or "The Jumping Frog"
3:6
19
Set of Five Take-Offs, p. 122  No. 3, "Song Without (Good) Words" (Melody in F and F flat)
Set of Five Take-Offs, S. 122  No. 3, "Song Without (Good) Words" (Melody in F and F flat)
3:17
21
Set of Five Take-Offs, p. 122  No. 5, "Bad Resolutions and Good One"
Set of Five Take-Offs, S. 122  No. 5, "Bad Resolutions and Good One"
57
24
Study no. 21: Some Southpaw Pitching, p. 105  Study No 21, for piano "Some South-Paw Pitching"
Study No. 21: Some Southpaw Pitching, S. 105  Study No 21, for piano "Some South-Paw Pitching"
2:48
25
Evocations  I. Largo (To Harriette Miller)
Evocations  I. Largo (To Harriette Miller)
2:1
26
Evocations  II. Andante con fantasia (To John Kirkpatrick)
Evocations  II. Andante con fantasia (To John Kirkpatrick)
2:51
27
Evocations  III. Moderato appasionato (To Charlotte Ruggles)
Evocations  III. Moderato appasionato (To Charlotte Ruggles)
1:37
28
Evocations  IV. Adagio Sostenuto (To Charles Ives)
Evocations  IV. Adagio Sostenuto (To Charles Ives)
3:32
52
Evocations  Evocation No. 1: Largo
Evocations  Evocation No. 1: Largo
2:4
53
Evocations  Evocation No. 2: Andante con fantasia
Evocations  Evocation No. 2: Andante con fantasia
2:49
54
Evocations  Evocation No. 3: Moderato appassionato
Evocations  Evocation No. 3: Moderato appassionato
1:35
55
Evocations  Evocation No. 4: Adagio sostenuto
Evocations  Evocation No. 4: Adagio sostenuto
3:32
66
Piano Sonata  Allegro molto e dinamico
Piano Sonata  Allegro molto e dinamico
7:11
67
Piano Sonata  Andante cantabile
Piano Sonata  Andante cantabile
6:39
68
Piano Sonata  Allegro giusto
Piano Sonata  Allegro giusto
5:35
69
Sobra  Sombra No. 1
Sombras  Sombra No. 1
 
2:2
70
Sobra  Sombra No. 2
Sombras  Sombra No. 2
 
3:20
71
Sobra  Sombra No. 3
Sombras  Sombra No. 3
 
2:15
78
Shake the Tree  Shake the Tree, for piano four-hands
Shake the Tree  Shake the Tree, for piano four-hands
 
21:30
79
Impersonations  1. For Richard Swift
Usurpations  1. For Richard Swift
 
2:25
80
Impersonations  2. For David Rakowski
Usurpations  2. For David Rakowski
 
2:18
83
Impersonations  5. To the memory of Seymour Shifrin
Usurpations  5. To the memory of Seymour Shifrin
 
3:52
90
Toward the Horizon  3. Atmospheric Disturbances
Towards the Horizon  3. Atmospheric Disturbances
 
2:9
91
Toward the Horizon  4. Arlene Zallman: In Memoriam
Towards the Horizon  4. Arlene Zallman: In Memoriam
 
3:1
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